Sophocles ' Oedipus The King

Determinism is a doctrine suggesting that for every event there exist conditions that could cause no alternative event. Free will is a philosophical term describing a particular sort of capacity of rational agents to choose a course of action from among various alternatives. Understandably, the dichotomy between these two concepts is a topic philosophers have debated over for many years. As a result of these debates, a number of alternative philosophical perspectives arguing for the existence of free will, namely libertarianism and compatibilism, have emerged, existing in stark contrast to determinism. In order to ascertain the extent to which free will is compatible with determinism, one must first consider these different approaches to

Determinism is the idea that everything we do as humans is determined by events prior to us being born and events that have happened in the past. Decisions that you may think are based on your desires, are actually based of things beyond your control. But the big question is, if determinism is

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

Free will is described as making choices and actions with the ability to have done otherwise. Causal determinism threatens this principal, because if an event is predetermined, one could not have done otherwise. For example, if a person is pre-determined to watch a certain television show one evening, one does not have the ability to choose a different show to watch, and therefore, there is no use of free will. So, in the determinist’s eyes, free will is nonexistent.

The theory of causal determinism explains the way in which the laws of nature and the state of the world govern our decisions. There can be only one fixed outcome for every scenario, because man “is

Oedipus the King was written by Sophocles and was is titled Oedipus Rex in Latin. It is one of the most well-known Greek tragedies. As is the case with Greek tragedies—or roughly most tragedies that make their way to stage—fate plays a key role in the events in Oedipus Rex. Oedipus discovers there is a plague on his city. The only way to lift the plague is by slaying the former king’s killer. As the play’s acts unfold one discovers about the prophecy concerning Oedipus. The prophecy states that Oedipus is destined to kill his father and marry his mother. But was this just by chance or his predetermined fate.

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Large-scale questions of such ideas are raised in Sophocles’ play, “Oedipus the King”—a story that deals with the tragic hero, Oedipus, and his demise. Oedipus progresses through the play struggling against his own wicked destiny: the prophecy that declares that he would kill his father and marry his mother. Ultimately, Oedipus fulfills this prophecy; in fact, he had completed his fate without his own knowing and before the play even begins. Despite his belief that he was fighting against his prophesized destiny, Oedipus was ironically fulfilling it, and he slowly brings about his own downfall. He becomes a victim of his own fate. In this regard, “Oedipus the King” explores a terrifying concept: Oedipus never had free will—a puppet in every sense to the higher beings that decided his ending for him.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

In the play Oedipus the King by Sophocles, Oedipus is very conceited and full of himself. Oedipus kills Laius, and does not realize Laius is his birth father. He does not know when he is killing Laius he is committing part of the prophecy. Jocasta hangs herself in this play because she finds out the truth about Oedipus and who he really is which is her son. Oedipus finally finds out that he is Laius and Jocasta’s son and realizes that he commit the prophecy, he feels the need to punish for the rest of his life. Oedipus’ conceit causes the sufferings of others because he did not want to commit the prophecy, this contributes to the theme because even though he tries to avoid fulfilling the prophecy it still occurs and Oedipus kills his father, Jocasta hangs herself, and Oedipus blinding himself.

This novel is about a king named Oedipus, and the terrible situation he is going trough. In the town of Corinth, there was king Polybus and Queen Merope. One day a citizen came to them with a gift. It was a child he had found on the mountain (it had stakes in it’s ankles.) The king and queen decided to adopt the child and name him Oedipus. While though the time Oedipus grows up his parents never tell him he is adopted. Then one day he heard at a banquet that he was not really the son of the king and queen. He decides to travel to the temple Apollo in Delphi to fine answer. Then there was an Oracle, he talks to the Oracle, and the Oracle tells him that he will kill his father, marry his mother and have kids. Oedipus frightened by this prophecy

In Sophocles Oedipus the King, Sophocles uses Oedipus’ character as a method through which to introduce increased tension and drama in the play. Oedipus, through a series of ironic statements, creates a growing sense of nervousness amongst the audience as they already know the Oedipus’ story. From Oedipus’ first line in the play, to his last monologue, ironic statements create tension amongst the other characters and force these characters into difficult situations due Oedipus’ statements. By the end of the play, Sophocles, successfully uses Oedipus for the purpose of creating tension and ultimately adding drama to the play.

Oedipus the King contains many different characters. The main character and protagonist is Oedipus who is also the king of Thebes. Oedipus has a wife, Jocasta, who is also his mother and Creon’s sister whom is Oedipus’s brother-in-law. Antigone and Ismene are Oedipus’s and Jocasta’s daughters which also means they are Oedipus’s sister. There is also Tiresias who is the blind soothsayer of Thebes. Oddly, the antagonist is not a person, it is actually Oedipus’ own fate. Oedipus struggles with his fate throughout the play in many ways. For example, when he is told that he is going to kill his father and sleep with his mother, Oedipus moves away to avoid

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

Sophocles’ play, Oedipus the King, has risen many questions concerning the main character and whether or not he acts on free will or if his future is predestined by the gods. I am going to test the theory that although Oedipus believes he is acting on his own free will, he is in fact a victim of the gods. I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate.