Sor Juana Ines De La Cruz Summary

In Spain and the Spanish colonies in South America in the late sixteenth and early seventeenth centuries, gender roles were distinct and the opportunity gap was enormous. Catalina de Erauso compares the two roles through her memoir, “Lieutenant Nun,” where she recounts her life as a transvestite in both the new and old world. Through having experienced the structured life of a woman as well as the freedom involved in being a man, de Erauso formed an identity for herself that crossed the boundaries of both genders. Catalina de Erauso’s life demonstrates the gap in freedom and opportunity for women, as compared to men, in the areas of culture, politics and economy, and religion.

Doña Josefa grew to loathe Spaniards born in Spain who exhibited a very arrogant attitude toward creoles. She has an anti-Spanish attitude which came about from her engaging in “literary societies.” Writings from varying from Voltaire to Rousseau and Descartes were

In Isabel Allende’s Inés of My Soul, one woman, Inés Suarez, challenges the traditional role of women and society by embarking upon a journey alongside her companion to conquer a part of the New World. Throughout the expedition, Inés faces challenges because of her gender, yet she also manages to use her gender and the traditional gender role to her advantage.

Salomé Ureña de Henríquez is one of the most influential poets of the Dominican Republic in the nineteenth century. Her roles as a daughter, writer, patriot, teacher, wife, and mother blended throughout her life, and inspired her acclaimed poems. As an advocate for women’s education, she opened the doors of higher education to the women of her period and then on.

In colonial Latin America, one aspect of life that was constantly under attack and had to be guarded at all costs was the ideal of one's Honour. Women in colonial Latin America had to especially be on their guard to protect their honour, as an unanswered attack to their honour could ruin a family's honour. But if a woman's honour was attacked there were ways for her to protect it. The honour women possessed at the time was said to be not as important as the honour of a man, but it is, in fact, more important then the man's. By using Richard Boyer's document Catarina Maria Complains That Juan Teioa Forcibly Deflowered Her and Sonya Lipsett-Rivera's document Scandal at the Church: Jose de Alfaro Accuses Dona Theresa Bravo and Others of

During the Mexican Revolution, Mexico as a nation torn in many directions, people gave up simple farming lives to take up arms against causes that many of them did not fully understand. Gender roles during the period in Mexico were exceptionally degrading towards women. Having little more rights than slaves and treated as trophies or property more than human beings, women role in society was nothing near that of a man’s. In The Underdogs, Mariano Anzuela highlights the issue of gender roles by continuously illustrating the punitive role of women and their mistreatment. Augmenting Anzuelas work with citations from Oscar Lewis and Stephanie Smith will paint a picture of the degrading gender roles for women during the Mexican Revolution. Highlighted points brought up by Azuela are how men speak with and treat women, women’s place in society, and general disregard for women’s feelings.

In this article, “The Myth of the Latin Woman” Cofer has talked about many incidents from her life where she was talked about, from a young girl the adult life. Ortiz Cofer is so ardent about this topic of stereotyping Latin women because she was a native women of the Puerto Rico area who really grew up in the United States. There is how she witnessed firsthand how hurtful stereotyping could be. In “The Myth of the Latin Woman”, She has repeated use of Spanish words in the essay to shows her audience how proud she is of the Latin heritage. she continuously uses other words, such as Puerto Rican, and Latina to stress the names she heard growing up. Because she has been brought up to love her Latin culture, she was often stereotyped here in the United States. As you can see, this is why she became so involved with trying to bring people so much awareness to the

Anna’s story shows that women did have some rights, and that they also had, at least in this case, the ability to defend those rights within legal institutions. Even more important is evidence of public opinion, instead of siding against Anna as an unfit daughter causing trouble for her family Hall’s citizens actually sided with Anna against her father. In this, both daughter’s obedience to father and woman’s obedience to man were turned on their heads, revealing that regardless of religious doctrines of male authority, life among the people was much more complex.

Sor Juana established herself not only as a feminist voice in Colonial Mexico but also as one of the most influential writers of her time. Her writing continued to be controversial and, while she wasn’t silenced by the convent, the threatened patriarchy eventually took action. While it is believed that her “writing was an act of defiance” (Bergmann), she also “struggled against the ecclesial authorities that tried to silence her voice” (Gonzalez 102). Sor Juana was not only brave in her publication of her work and going outside of Mexican printing to do so (Kirk) but her work was also a direct commentary on the dominant patriarchy of the time. In response to a bishop who wrote under the disguise of “Sor Filotea,” Sor Juana attempted to defend a woman’s rights to education for the last time. However, she ultimately faced

In her writing, we see Juana did not detest romance, but the possessive demeaner men took on and as previously discussed she was not fond of being controlled. "Since I'm Condemned" criticizes men that take on this behavior similarly to the way "You Foolish Men" berates the hypocritical insults and indecisiveness of men.

In 1669, Juana entered the convent of Santa Paula where she officially became a nun. The convent provided Sor (sister) Juana with the opportunity to read further and to reflect on her personal life and on society through writing. Besides thorough studying and writing, Sor Juana taught and directed theatrical performances at the Santa Paula’s school for girls (Trueblood 6). As Sor Juana became better known for her writing she corresponded to intellectuals in Spain and in the Spanish colonies of America. By 1689 Sor Juana wrote the plays: “The Trials of a Household” and “The Greater Labyrinth is Love” (“Sor Juana’s Chronology” 2). Even after Sor Juana died on April 17 of 1695, her writings continued to be published. Very well-known, the first edition of Volume III of Sor Juana’s works was published in 1700 (“Sor Juana’s Chronology” 2).

Sor Juana Ines De La Cruz: “Reply To Sor Filotea De La Cruz” Reflection paper

Not only did these women find a place in society other than by the stove, they won the appreciation and respect of men and women around them. Two of the most extraordinary of these women were Dolores Jimenez y Muro, who was an important political writer, and Hermila Galindo, who was a political speaker and advocate for Carranza’s campaign and regime. Dolores Jimenez y Muro's importance is evident in how she was able to have her voice heard and listened to by high-ranking revolutionary officials. Hermila Galindo's prominence is shown by her distinguished political career and feminist movements.

Anachronologically deemed a feminist for her writings, Sor Juana Inés de la Cruz stood in the New World as a defiant, female Catholic. Through her work, she displays her head-strong character, illuminating the hypocrisy that was flourishing in patriarchal Mexico while simultaneously creating metaphors that clearly showed how she viewed her situation. Moreover, through extenstive allusions, she displays her aptitude, proving that she had one true love in life: the love for learning. Perhaps doomed from the start because of her sex, any time Sor Juana delved into her passion she was bound to hear insolence from a traditional member of society, namely the Bishop of Puebla,

This whole progression of events is evidence that Sor Juana was never a true feminist. Although she was an assertive and determined young woman earlier in life, Sor Juana learned to accept the way the world was, abandoned what feminist ideals she had had, and devoted her later life to pleasing God and being a good nun.