Sorrowful Black Death is Not a Hot Ticket and Seduction and Betrayal

Through some bickering from the neighbors and doing some research of my own I came to find out the reason behind this whole mess. Donna Maria, the old lady from the the block started spreading rumors of how the Black Death started because their was not truth realness to our religion. How the community was not engaged enough with God’s Will. Some people followed her bief due to accepting that God was punishing them, some type of retribution for their sins such as greed. By this logic, the only way to overcome the plague was to win God’s forgiveness. However, this was all a mistake because we had yet to understand the science behind this mess and how it was truly affecting our people. However, sister we both know how much of this is pure garbage.

Life was very busy for me in 1300’s, I travelled through many countries and continents following the trail of dead bodies. I am death. I have lived forever. I will live until no human lives no more. I will continue collecting the souls of the deceased on earth and taking them to rest in the light blue place beyond. I lived through the Black Death watching on as the world experienced the disastrous effects.

Sitting on the porch with her sisters, hooks saw that “next to the white drivers in the front would be the dog and in the back seat the black worker.” This subtle image taught hooks the “interconnectedness of race and class,” and a demeaning message that white people placed animals ahead of African-Americans. Taking the high road, hooks attempted to spark conversation with her white neighbors; however, she was turned down and ridiculed. While trying to be friendly, hooks was told that “they came to this side of town to be rid of lazy blacks.” Time and time again racial and sexist tensions worked against Hooks, but instead of letting injustice get the best of her she made her porch a place of “antiracist resistance.” Hooks’ porch was an oasis in the male/white desert that dried up her life. On hooks’ porch she could experience the peace and joy she had as a child sitting on her porch with her sisters before her father came home. Hooks could have talked back to the white people that mocked her, but instead she chose the high road and conquered race with peace.

Both authors explore examples in which they are treated in a racist or discriminatory manner. Brent Staples encountered a younger woman and “came upon her late one evening on a deserted street… she cast back a worried glance… picked up her pace and was soon running in earnest.” (Staples 1) Just the mere sight of him made the woman scared, after this experience he feels “surprised, embarrassed, and dismayed all at once. Her flight made me feel like an accomplice in tyranny.” (2) He realizes that he is “indistinguishable from the muggers...” (2), or at least to the woman. Staples experiences, first hand, discrimination; the woman is fearful of him because of his race, and Staples feels the full effect of that. Gloria Naylor recounts the first time she was ever called the N-word. It was in class and she she says “she couldn’t have been more puzzled.” She “didn’t know what a nigger was,” but she did know “it was something he shouldn't have called” her (Naylor 3). She was thoroughly confused and later asked her mother what the word meant. Naylor is treated poorly due to the color of her skin. Similarly to Staples,

Crooks the stable hand at the ranch that George and Lennie come to work at. Crooks has an American Dream just like George and Lennie. Crooks is African American so during this time period some people at the ranch are discriminating against him because of his race. “I could get you strung up on a tree so easy it ain’t even funny” (p.81). Even though Crooks supposed to be free from all discrimination people still haven’t changed. Crooks someday dreams of playing cards with the other fellows at the ranch but mostly he wants to be equal. “S’pose you couldn’t go into the bunkhouse and play rummy ‘cause you was black...A guy needs somebody-to be near him” (p.72). Crooks wants to be treated just like the other people on the ranch. He’s not allowed in the bunkhouse because of his race. Crooks has been forced to sleep alone, away from the other workers on the ranch who sleep and play cards together in the bunkhouse. “‘Cause I’m black. They play cards in there, but I can’t play because I’m black” (p.68). The dream of all becoming equal is very common with many African Americans during this time period. Curley’s Wife also discriminating Crooks. “You know what I could do to you if you open up your trap” (p.80). Every time Crooks stands up for himself he just gets pushed over and never really acknowledged. Crooks also threatened by Curley's wife. She’s nearly at the bottom of the pile in the leadership of the ranch, but she still has power over Crooks. Crooks dreams that there will be a place and time where people won’t judge people by the color of their skin. Even though Crooks has a great American dream in mind he’s likely to not complete his dream. The Boss and Curley have shown that they do not trust Crooks at

I think that Hooks, while doing this unintentionally, she provides white people with pleasure by watching the movie and ridiculing it. Hooks goes on to say that when she was watching the movie with, “a black woman friend, [they] were disturbed by the extent to which white folks around [them] were “entertained” and “pleasured” by scenes we viewed as sad and at times tragic” (154). The “white folks” that were viewing this documentary most likely do not identify with the LBGTQ community and were criticizing the attempts made by Livingston to bring to life the issues with drag & ball culture. Had society not had been so cruel, and rather accepting, this wouldn’t have to be a “secret” to the world. Instead, the people in this documentary are allowing the camera to be their platform in which they display their struggles to the outside world. I see homophobia as a reason why some members in the LBGTQ community feel outcasted or unwanted in the

She argues that black female spectators neither wish to identify with a white woman subject objectified by the “male gaze” nor identify with a black male perpetrator of this “male gaze”. hooks asserts that black men, unconcerned with gender, were able to “repudiate the reproduction of racism in cinema…even as they could feel as though they were rebelling against white supremacy by daring to look”, specifically at white women (118). By being allowed to look at white women, black male spectators were able to ignore inherent racism in cinema in order to participate in a form of the “male gaze”, hooks states. Because black female spectators were unwilling or unable to ignore both the racism and sexism of this “gaze”, hooks states that “black female spectators construct a theory of looking relations where cinematic visual delight is the pleasure of interrogation” (126). While black female viewers may not take pleasure in the film narrative, hooks argues that through the “oppositional gaze” they are able to take pleasure in resisting this narrative

The beginning of any thought provoking essay will hook its audience using a form of pathos. “Two of his sons returned home from the battlefield whole and healthy. The third, however, came home suffering multiple seizures a day”-(Rorabacher). The quote generates sympathy within us making us yearn to see a welcoming outcome and leaving the audience hooked. Eli Hager’s article follows a similar route informing us that “The state of Missouri sent Harris to the penitentiary in Boonvilee, 250 miles from his home and baby daughter”-(Hager). Again we sympathize with the loss of a family, but not all of the articles used grievance to hook us. In the “Quiet Alarm” the audience is informed of a vaudeville performer who performed deadly stunts involving hatchets, pins, and guns on himself to generate shockwaves in the audience. From these examples we identify how our emotions lure us into these texts.

This denotation to the silent cries supports for an emotional appeal to an example of the silent cries in African American women. As stated in the title, Powell is aware that black women are merely being betrayed in the hip-hop industry and simply states that the choice of words that hip-hop artist chose to rap about is simply “the ghetto blues, urban folk art, a cry out for help.” (298) and it is rubbing off on almost every man in our American society and giving them a different perspective of women all because women refuse to speak out and speak up. “As a result, female rappers are often just as male-identified, violent, materialistic, and ignorant as their male peers.” (298). Over 100 years ago, women were not even allowed to vote, the closest they got to voting was sitting there and watching. They were not allowed to work, they were forced to be stay at home wives while their

bell hooks, renowned black feminist and cultural critic criticizes the lack of racial awareness in her essay, Representing Whiteness in the Black Imagination (1992). ‘bell hooks’ is written in lower case to convey that the substance of her work reigns more important than the writer. From a marginalized perspective, hooks argues that sites of dominance, not otherness is problematic and critiques the lack of attention that white scholars pay to the representation of whiteness in the black imagination. Critical feminist scholars Peggy McIntosh and Ruth Frankenberg identify their own whiteness as a dominant discourse, but share a critical departure from hooks with the notion of whiteness as terror. hooks aim is not to reverse racism, but discuss her position to authentically inform readers about how she experiences racism. Furthermore, systems of oppression are manufactured by human thought and thus the site of the Other is always produced as a site of difference. Gender, race, sex, class, disability, and geography are situated differently in social structure, but dominant groups assume they share the same reality though they cannot experience it. In consequence, the Other cannot hold a singularized identity of their own and the binary structure succeeds in containing racialized bodies in place. What happens to those bodies when they cross boundaries of the binary? hooks recounts being routinely disciplined back into place when crossing the border; however, dominant white

“Representing Whiteness in the Black Imagination” written by American author, feminist and social activist, bell hooks, dissects the dichotomy of black and white culture in a westernized society. Hooks utilizes the term ‘whiteness’ throughout her piece as an acknowledgment of the domination, imperialism, colonialism, and racism that white people have asserted among black people. This discipline progressively has evolved from history; through slavery and forth, leaving an imprint in

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Throughout history, the African American race has battled great social injustices. From slavery to freedom, being property to owning property, African Americans have fought their way to be a part of equal justice. For many black individuals, their identity was non-existent, stripped away, leaving them powerless due to white power. Race, class, and economic standing are all social issues that are prominent in both Beloved and Invisible Man. Toni Morrison and Ralph Ellison are both American novelists who have created emotional stories based on raw and authentic black history. African-American individuals were immobilized, forced to be isolated while searching for an identity in a world that chose to see them as the

Hooks asserts how stereotypes about African-American women are plagued within the feminist system, as many women of color endure a form of

This feeling of rage is manifested from the experience of an overabundance of racism blacks face in their everyday lives. She defends the idea that rage, when correctly directed, can be a starting point for good. It can be a promoter for change. This essay is based on her experience aboard an airline with a close friend and the injustice treatment they receive based on the color of their skin. Her friend had been publicly attacked and accused of taking a first class seat that wasn’t assigned to her, although she was actually sitting in the correct seat. In her essay she states a compelling point, “…I feel that the vast majority of black folks who are subjected daily to forms of racial harassment have accepted this as one of the social conditions of our life in white supremacist patriarchy that we cannot change. This acceptance is a form of complicity.” (hooks, pg 10). She speaks on the complicity of blacks facing oppression and inequality. Killing rage is the creation of fierce anger blacks are felt after repeated instances of everyday racism. It is in this rage that healing can be fueled through love and strength. The incentive for a positive change can also be found through this powerful rage. bell hooks offers an intriguing response to this inequality, she believes that it is necessary to have rage to resist and not be complicit. She states that black activists that want progressive change need to