Essay on Soul Music

The rise of Soul music was a product of the particular environment of that time in which the musicians who created it lived, a period much paralleled with the Civil Rights Movement (CRM) and Black Power Movement (BPM) (Maultsby, 1983, 54). The objective of this research was to examine any existence of political and social messages delivered in Soul music around the civil rights movement era in America, which would lead to a better understanding of the role of Soul music having served in the process of political and social changes in the country.

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

Negro spirituals was a “genre” of music introduced by African American slaves in response to their lives and treatment by the white race. It gave many slaves the voice of opposition that they never had and allowed them to subliminally speak against their masters without fear of consequences. Said to have originated from slaves who were “Unable to read the Bible for themselves and skeptical of their masters’ interpretation of it…” (Raboteau). These songs were “… the message of the Christian gospel… translated… into

The birth of R&B was created by African American in the early 1960’s from Soul music, Jazz, Gospel, Pop music and Blues as time went on R&B was born. In its earlier days, R&B Music was all about racial issues, and artists gave a lot of importance to the style and arrangement, which included different instruments and rhythms to produce different types of sounds. The result was live music that had catchy lyrics and was widely used in dance

Recordings which were recorded in the city was quite professional than the Delta Blues records because in the Delta records were made in the portable studios. Moreover the cost of studios were cheaper in the Urban. Blues artists easily worked in the professional studios. When the Blues artist started to make more professional recordings, they are realized by white people. Firstly they wanted to introduce blues music to white teens. Before blues move into the North, blues recordings only appealed to Blacks. They thought we should offer the blues to white people. Also they sung in bands which are founded by white people. Due to this well-planned strategy, people understood that the blues is not only made by black people or listened by black people. The blues gain considerable popularity in the whole

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.

This article reminded me of several times in history when music was used by African Americans to survive times of hardship. In the time of slavery, music was used as an escape. The negro spiritual was sung by the slaves who worked in the fields and those who worked in the household alike. The songs took them to a more peaceful time and were passed down from generation to generation. The negro spiritual was even used by Harriet Tubman and others who worked the Underground Railroad as a code. The spirituals were used as a haven for the African Americans who were not in charge of their own lives. That same music would be used in future generations as a war call and as a way to endure the struggles they would face.

Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.

The main theme of the blues was built upon racism in the surrounding. The music expressed the bad treatment, and starvation that blacks received from the dominant race. An example of the music is by Ma Rainey, who was one of the earliest connections between the male country blues artists that roamed the backroads of the South and their female equivalent; she made her professional debut in 1900 at the age of l4 at the Springer Opera House in Columbus, Georgia. She was one of the first to feature the blues on stage. Ma Rainey said from "Chain Gang Blues":

The origin of blues music dates back all the way to the late 19th century, eventually going on to gain more recognition and popularity in the post-Reconstruction Era of the United States and early 20th century. It is widely known that the blues have deep roots in African-American history, having been conceived on Southern plantations where slaves would sing of their misery and unjust lives as they were extremely mistreated and over-worked endlessly in the fields by their slave-owners. After the end of the Civil War and Reconstruction Era, blues music began making

Scholars have attempted to define music, and to be quite honest, it will be a huge challenge to try to weave a definition around the art that is music, because it is beyond definition. However, for the purposes of this work, we shall adopt the definition by Aluede & Eregare (2009), not because the definition is, in itself, complete, but because it captures the very essence of what we look for in the definition of music. Music, according to Aluede & Aregare (2009), is not only an organization of sound but also a symbolic expression of a social and cultural organization, which reflects the values, past and present ways of life of human beings. Also, Jones (1975), cited in Amana and Onogu (2015), defines music as “a language which encodes emotions, aspirations and people’s goals in autonomous and self-expressive arts forms.” These definitions are important in understanding music, because they highlight the fact that music does not only appeal to the feel-good emotion, it is not only used for entertainment; it is a valid form of social expression and this underscores the centrality of music in African socio-cultural life.