Sounds of Silence: Gordon Hempton Essay

The efficacious nature of films owes its prominent properties to the array of editing techniques. In the aforementioned films , editing techniques stabilizes the movie and

Editing “determines the duration of a shot” and Run Lola Run illustrated several types of editing including freeze frames, jump cuts, and dissolve cuts that allowed

Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the aforementioned arrangement of shots are utilized in either discontinuous or continuous editing. Sherlock Jr. and The War on Drug’s music video “Holding On”, are two motion pictures that offer spatial relations, by applying techniques of both continuous and discontinuous editing.

The beginning shots of the movie are of an African American man walking alone at night through a suburb while talking on the phone. The audience can hear the external sounds that are associated with night-time. As the man walks the neighborhood is quiet, you can only hear the ambient sounds crickets chirping and the sounds of him talking and breathing. Peele combines sound effects and dialogue initially here to start to develop the scene and provide realism. The quietness demonstrated through these sounds in the scene creates an eerie tone. Peele creates

Throughout the scene, the use of non-diegetic sound is used to make the audience feel worried and scared as to where Jasper is taking Charlie and what is going to happen. The deep, dusky scary music played in the background has an effect on the audience, creating a dramatic feel as Charlie did not know what was ahead for him in the shadowy, dark forest, fearing for his life as Jasper Jones is portrayed as a bad person in society because of his skin colour. Furthermore, throughout the scene, non-diegetic sound is used as an additional background sound, intensifying when Jasper and Charlie come near Laura Wishart’s hanging, dead body. As Jasper and Charlie closely creep up to Jaspers property, the music suddenly intensifies, creating a mysterious approach about what is going to happen next.

No one can truly understand sympathy until they have suffered. In his The Chosen, a postmodern novel, Chaim Potok surveys the meaning of compassion learned through suffering. Danny Saunders, a brilliant Hasidic Jew, lives in Williamsburg, Brooklyn along with his friend, Reuven Malter, in the 1940s. With his photographic memory, Danny aspires to become a psychologist, but he knows that he will have to inherit his father’s position as the rabbi of their community. In addition to this, his father, Reb Saunders, will not speak to him about anything other than the holy book of Talmund. Danny is forced to keep his ideas and experiences to himself, leading to him suffering because of this silence. Chaim Potok’s The Chosen uses Danny’s gradual shift

The music throughout the film plays a big role in the way it is perceived and the overall tone and message. The directors and producers used background noise and music very wisely in order to convey the emotions of a scene. In the movie, it reaches a certain point where it almost looks as though things are looking up for education. It is when the documentary starts describing the “new acting chancellor of the district of columbia schools”, during this scene the makers want you to really pay attention and become almost shocked by this turn of events. However, they do not only grab your attention by the words and clips shown, but also by the loud, upbeat music that is suddenly played while she is being announced. Also, later in the movie they use this same

Unlike most films, Baby Driver integrates sound and cinematography in a unique manner, creating a symphonic orchestra of film composition. The initial heist and getaway of the film is a prime example of how audible and visual filmmaking can have such a large influence on each other, creating a piece of cinema that is driven by a distinct beat. Although in most films no actions are arbitrary, Baby Driver takes this premise to an entirely different level, directing every action to sync with the music in the scene: whether it be diegetic or non-diegetic to the character. Within the first five minutes of the film, the audience is introduced to the characters, setting, plot, and general motivations of the story without any dialogue. The opening scene employs a brilliantly creative combination of cinematography, music, and directing to convey the characters’ location, purpose, and emotion. This scene also sets the mood and tone for the rest of the movie. Director Edgar Wright and Director of Photography Bill Pope’s manipulation of mise-en-scène—through the use of sound, shot composition, and direction—creates a masterful scene of cinema that captivates the audience, pulling them into the world of crime and the story of a reluctant getaway driver. Each shot and beat is perfectly paired with a specific purpose to communicate the story to the audience. As a result, the opening scene of Baby Driver is an archetypal example of how to communicate a story to an audience without any

I thought that Silent Ears, Silent Heart was an excellent book. It really gave you a full prospective of what a family and a person has to go through living a life without being able to hear sound it also helps you realize what someone has to go through that can’t hear what is going on around them. The book starts off with a couple named the Clines there’s Mr. Cline who is Jack who runs his own multimillion dollar business in a glass production. His dream is to have his son at his side and follow in his footsteps and run the family business someday. Then there’s Mrs. Cline who is Margret who is a stay at home wife that is waiting the arrival of their child.

Before God and the creation the world, there was silence. A silence that was quite similar to the silence of the Holocaust. Survivors of the Holocaust have told their stories, revealing the destructive effects of the silence of the Holocaust. In the novel, Night, Elie Wiesel illustrates the destructive effects that silence brought to the lives of the people who crossed its path, and unveils the damage that silence generates on the Jew’s relationship with God.

Louv supports his claim about the separation between people and nature by using an anecdote of a friends experience when buying a car. When declining the offer of having a backseat monitor for her daughter the “salesman jaw dropped” and wouldn't let her go without an explanation on why. His purpose is to show how in desire these “multimedia entertainment products” are, and how now they have taken the place of nature. Louv shifts to a reflective tone where he depicts a back seat “drive-by movie” in a simpler time, where children were able to see houses and the woods teaching them how “cities and nature fit together”. Louv then appeals to emotion by using pathos when talking about the future, he says that maybe we’ll be able to tell the stories to our grandchildren. Really just painting a picture of how your imagination run wild looking out of the car window “drawing pictures on the fogged glass” and “counting cows and horses”. Where you could disconnect from the world.Connecting with the experiences of many people who lived in a time where backseat monitors didn’t

The Blue Wall of Silence is an unwritten moral code, among police officers, that essentially states that no officer is to report any acts of deviance, brutality, corruption or misconduct that their fellow officers may commit. Those in law enforcement may see this unwritten rule as a form of brotherhood and honor. However, this wall of silence also acts as a wall of deviance, in which officers allow their colleagues to commit unlawful acts. Is there a specific line that has to be crossed to determine a “rat” from a police officer who is serving their duty and enforcing the law?

Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the

One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.

The main functions of Montage are “to control rhythm, to create metaphors and to make rhetorical points” (Bordwell 1972: 9). Rhythm is the series of movement perceived from the consistent juxtaposition of shots. Continuity editing usually forms the rhythm of a narrative. Continuity editing as the name implies is “a system of cutting to maintain continuous and clear narrative action” (Bordwell and Thompson 2012: 500). Sergei Eisenstein (1949: 47) claims that, “the quality of interval determines the pressure of the tension and the phases of its tension is the rhythm”.