Space And Time: Two Types Of Black Americans

The American culture is define to everyone in their own way. Everyone grows up differently in a particular community that shares the same languages, values, rules, and customs. The American Culture on that is consider to be a “melting pot”, because of all the different cultures that reside inside of it making it so diverse. Race in this country has never been a great topic throughout history. African Americans play a huge role into defining what our culture is as a whole, as well as being a part of racism for the past 250 years.

Music is a creative art form that allows the artist to construct something that expresses a purpose. It evolves over time and changes as the world changes, taking on many different motivations behind the melody and lyrics. In today’s society, anger, oppression, racism, and negative opinions rule the media and popular culture. I believe that African Americans need to show their self worth and not let white people hold them back. With the music in white culture often mocking African American culture and portraying negative stereotypes, African Americans have to find ways to gain respect. In acknowledgement of the negative portrayal of their culture, African Americans respond by creating songs and videos that express their pride in their culture and heritage, react to white oppression, and communicate their independence.

Still between 1865 and 1876, there was a culture identity crisis for African Americans. We cannot explain the roots of African American culture without

One aspect of life for black people in the United States of America that has always remained consistent is white racial hostility. A history of slavery, segregation, unequal protection of the law, and second class citizenship inflicted by a white power structure that dominates on a national level has created a harmful reality for black people. Every aspect of black public life must either be under the control of or in opposition to white supremacy. Every state-sanctioned institution works to use black bodies as tools for the production of capital in any form, yet simultaneously exploits and maltreats black people so that they cannot fully participate in and benefit from the systems which they are indoctrinated to invest in. White America leverages its money, comfort, and tyranny on Black America. It is for this reason that separate spaces are not merely essential to the viability of black counter-publics but inherent to their existence, since black involvement in white spaces and systems typically leads to black assimilation or marginalization. Within these black counter-publics, hip hop and mass connection through new media forms direct attention and allow for personal expression which shapes black worldview and public opinion, but this simply makes black people more comfortable with their oppression and less involved in politics.

African-American men and white men are born and raised within the continental U.S.; each of their own faculty empowered to change the social injustice of a society. The innate qualities of the African American do not compare to those of the white man, yet - “empowered” they are with character. The foundation for the concept –“character” is best defined as “holistic,” meaning of physical, mental and social qualities – A. Adler’s school of thought, as well as A. Maslow and C. Rogers’ thoughts –“[a]n equal human being… cognitive, emotional, and volitional” (Ambrus, 33 -34)

The Unites States is a true melting pot of ethnicities and cultures. For many members of minority groups a certain hybridity is readily adopted, but for others, cultural assimilation can be quite difficult. Chicana author, Sandra Cisneros described this phenomenon as “always straddling two countries… but not belonging to either culture” (Doyle. 54). African American author, Alice Walker shared Cisneros’ sentiment, but focused her attention on the assimilation of black cultures and subcultures within the United States. Cisneros and Walker make the same poignant statement about the strains of cultural assimilation, with reconciliation of split identities as the goal, in their respective works, 1991’s “Woman Hollering Creek,” and 1973’s “Everyday Use,” yet their unique ethnic perspectives allow them to make it in surprisingly different ways.

How did the economic situation for blacks change in the late twentieth century compared to the mid twentieth century?

African vs. African-American Experiences and Relations in Determining the Binding Factor between the Two Groups of People

Understanding that the poverty of black Americans did not just stay within the home is a big step in understanding urban poverty. Urban poverty reached outside the home, into the parks, schools and playgrounds. With poverties reach being that extensive, there was something other than adversity causing this. Louis Gates wrote an article about this called “Black America and The Class Divide.” (Jr.)

Activity of orientation: how culture views human actions, expression of self and their values through their activities. This is broken down into 3 subjects:

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek” Barack Obama. The question is always asked does the media reflect the reality of society, or does society try and imitate the reality shown by the media? There are a number of stereotypes associated with African Americans in our society such as African American men are athletes, rappers, criminals, deviant, streetwise, uneducated, and unemployed just to name a few. African Americans in the media have changed through the years. The history of African Americans on TV or minorities in general is hampered by the racial conflicts and segregation that are embedded in American society. Historically, black actors have been grouped stereotypically and assigned to comedy. This has often been traced to the genre of black minstrelsy that was popular in the early 20th century.

Diversity is now, more than ever before, at the forefront of the American conversation. Black people have been slowly but surely making gains in today’s society and in ways that were not possible before. African Americans are more educated and more affluent, and more important as consumers than ever before. By 2017, they are expected to have a spending power of 1.3 trillion dollars (Resilient, 2013). Young, influential, and brand loyal, this group should be the target of many companies. Interestingly enough, there has not been much of an effort on the part of marketers to appeal to this growing group. Additionally, the lack of diversity as well as the alienation of black people in the media is not doing much to allow a wider range of companies to reach them. Black Americans are a powerful group, and smart marketers will put a focus on investing in them to increase their market share.

Many Americans point to the suffering of the African American experience from the internal problems in African Americans communities; however, they neglect the external social constraints that African Americans have faces in America. African Americans have suffered oppression through social institution through factors such as Segregation, Racial Crimination, and Mass incarnation. The constraint of segregation was a way of social, political, and economical control over African Americans. African Americans are usually a racial group that is associate with crime. Research and statistics has shown that African Americans are those that are majority incarnated in the United states. Many white Americans kept

Lorraine Hansberry’s A Raisin in the Sun encompasses all the ideals of the American Dream through her characters: Walter, who embodies the quest for an opportunity for prosperity, Beneatha who wants the freedom to be herself and embrace her African heritage, and Lena (Mama) who buys a home in a white neighborhood pushing the boundaries of social mobility during that time. The Youngers are in a state of poverty, because of this as suggested by Lloyd Brown “their deprivations expose the gap between the American Dream and the Black American reality” (241). However the Youngers attempt to close this gap, challenging the status quo in an effort to better themselves.

In John Hope Franklin 's "The Train From Hate," Franklin claims that no matter what an oppressor inflicts upon the oppressed, the oppressed 's worth is in no way diminished, and indeed the abuse is reflected poorly back upon the oppressor. “But it is not too much to say that her observations provided a sound basis for my attitudes and conduct from that day to this. At that early age, I had made an important journey. In the future, I remembered that I should not waste my time or energy lamenting the inability of some members of society to take me as I was. Instead, I would use my energies to make me a better person and to distance myself from the perpetrators and purveyors of hate and misunderstanding.” (Franklin,1) Franklin noticed this when he mentioned telling his mother that the conductor came off as mean and callous.