Spain's Depiction Of The Greek Goddess Of Love Venus

The Venus of Willendorf is one of the oldest and most famous early images of a human. She represents what use to be the “ideal woman” with her curvy figure and the emphasis on fertility seen in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in terms of its formal analysis.

This article writes at length about the discovery of the statue/sculpture of Venus de Milo of Aphrodite from Melos. Three perspectives are presented in the article firstly on how the statue was discovered and the speculations made by the experts and other artists about the sculpture and the other structures unearthed with or near the sculpture. Another perspective presented by Kousser is how the sculpture does not necessarily epitomize female beauty, but it represents Hellenistic classical art. The author highlights how the sculpture was actually setup at the

The Venus of Willendorf was believed to be created 25,000 years ago, is none-freestanding sculpture and is sculpted out of oolitic limestone. The subject matter I believe it to convey a fertility figure for men and woman to gaze upon. The Venus of Willendorf is a none-freestanding female nude stature, which is an 11 centimeters high, made out of oolitic limestone and now resides in Naturhistorisches Museum. She was found in 1908 in Austria in a village called Willendorf. This small oolitic limestone figure representing a woman in the nude is believed to be created 25,000 years ago. The stature has been carved out of oolitic limestone and has been given a red ochre tint. I believe that Venus of Willendorf was created to represent fertility in

The most prominent key that supports this idea is that she has a smirk on her face that is reminiscent of archaic smile that is seen in works such as the Peplos Kore (Figure 3) in the archaic period (Kleiner 112). This hint of a smile not only draws the viewer in, but displays that she is aware of a viewer watching her in a private setting, since she is nude, which then led to the fact that she instinctively covers her genital area in a way that creates a more sensual experience for the viewer (Kleiner 143). Another notable feature is the usage of contrapposto, the figures weight is seemingly shifted to her right leg, allowing for her left knee to gently bend, adding to the display of realistic pose of her body. She is also posed in such a way that has been given a name known as the modest Venus, which involves a nude female discreetly covering her private areas with one hand (Lapatin). The sculptor, Praxiteles, paid close attention to the composition and rendering of the goddesses’ form which was left to be a mesmerizing display, muse, and inspiration for generations to come.

The Venus of Willendorf was found in 1908 by a workman named “Johann Veran” (Selen). It was found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna, Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact’s purpose is still being speculated by many. But from what I can infer, the figurine was used a a maternal figure, and it shows the richness of female fertility.

The love of marriage is shown in the small myrtle flower lying beside Venus, the flower petals and shell above her head are both said to be in connection to marriage. What's also very important to the painting is the way the bodies are positioned and what they are doing. Venus lying down placing her hand amongst her chest, this further resembles the institution of marriage in partnership and brings forth desire. Cupid on the other hand, which I was curious about, is peeing in Venus’s direction, through an ivy plant which is mentioned to represent fertility. On the Museums website this act along with the veil, crown, and pearl earrings, represent fertility referenced by “Italian Venetians”. What I found most interesting about this painting is the tiny snake near Venus. Why is it there? Especially in a painting that resembles marriage. The museum website mentions that this snake reveals the “darker aspect” of marriage. That is, “illicit”, not approved of. I also wondered about the rod that lies near Venus, and the website does say that it is most likely used to discipline Cupid. Nevertheless, the meaning of the painting is marriage as a happy institution, the museum also mentions that the message of “epithalamia” is conveyed as necessary, and that marriage is something everyone must do, and experience, and that this is in our nature to do so. Which explains the very natural

The Mazarin Venus at the Getty has been restored extensively. Scholars believe the head actually belonged to another ancient statue. Nevertheless, it is still a beautiful piece that demonstrates how the ancients viewed their gods. Venus has a beautifully proportioned and shapely figure. She has a lovely face, also classically proportioned, that is framed by curls. Her hair cascades down her back and falls over one shoulder. She gazes off to the side. She is graceful and elegant, showing herself with neither boldness nor undue modesty. She represents the female ideal of her times. Her beauty mirrors the beauty of love. The Greek sculptor who originally created the figure and the Roman sculptor who copied it did

The visual work I have chosen is the Bith of Venus and is one of the world’s most famous works of art. Painted by Sandro Botticelli between 1482 and 1485, it is the first example of painting on canvas. The written work I have chosen is the Stanze per la Giostra. It was written by Angelo Poliziano, written between 1475-8. Both works are examples from the Italian Renaissance era, during the Medici rule, and share the theme of beauty and humanism. The works I've selected share the same subject matter, Venus, and is the perfect example of beauty and humanism. She is the epitome of beauty and her birth from the sea is an example of her metamorphosis of humanism. For this paper, I will compare both works then discuss how the shared theme is seen in contemporary works. How does Venus and her beautiful metamorphosis fit into contemporary forms of beauty and humanism?

Venus is a term that has long been associated with artwork, most specifically the classical forms of beautiful women. The term Venus has also come to represent female sculptures of the Paleolithic era. The most notable of these female sculptures is the Venus of Willendorf, 24,000-22,000 BCE. The age of the figurine has been changed several times. Originally when found the date was estimated to be 15,000 to 10,000 BCE. During the 1970's the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980's to 30,000 to 25,000 BCE;

Venus of adonis was painted by Tiziano Vecellio and dates back to A.D 1400-1600. He was one of the greatest italian renaissance painter and he was recognized as a great painter early in his life. He was a master of the oil medium and a supreme colorist. Many of his paintings represent either religion, antiquity and/or beauty. In his painting of Venus and Adonis it was inspired by a tale called Ovid’s Metamorphoses and therefore was called poetry in paint, also known as poesie (The MET). The painting portrays the goddess Venus has fallen in love with Adonis. The goddess Venus is trying to hold back Adonis because she does not want him leaving, since he is a hunter. While the goddess Venus is trying to hold Adonis back, his dogs are

But because they are so old anthropologists and historians cannot say for sure what the purpose of the Venus figures was. Without any doubt, the symbols, values, or social positions represented and expressed by the figures were important due to the fact that the figures were found in the regions situated far from each other. I think that Venus of Willendorf represented the prehistoric matriarchic civilization of humanity when existence of our species was constantly in danger and child birth was considered a sacred

Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body.

Twenty eight years after Giorgione’s death, as a close friend to him, Titian created another version of the reclining female nude, which is also one of the most famous female nude in art history - the Venus of Urbino in 1538. It was an oil painting on canvas, and now located at Uffizi gallery in Florence.

Artemisia Gentileschi’s Venus and Cupid is a painting of an angel caressing a woman resting on the bed. In actuality, the painting is about Venus, the Goddess of Love, who is asleep in a very luxurious and classical environment. While she is asleep, Cupid diligently wields a peacock-feathered fan to keep away pests, which makes the environment more safe and peaceful. Primarily strong contrasting lights and darkness display Gentileschi’s work, perhaps inspired by both her father and Caravaggio. Her paintings are all primarily bold compositions for example the

Venus in Botticelli's painting is a Renaissance beauty. During the Renaissance women were believed to look more attractive if they had some weight to them. It