Spam Professional Moourners, By Alagu Subramaniam

As the paragraph above states: we all die, and though we are all different we all share just that. But what happens when we die? where do we go? what happens to our bodies? Thats where a mortician comes in. A mortician or undertaker, are both artists and scientists. The career of the funeral director is a combination of jobs and is never

Painful as it may be, such experiences brings home the finality of death. Something deep within us demands a confrontation with death. A last look assures us that the person we loved is, indeed, gone forever.” (108) Cable finishes his essay by asking, Tim if his job ever depressed him. Tim in reply says, “No it doesn’t, and I do what I can for people and take satisfaction in enabling relatives to see their loved ones as they were in real life.” (108) After reading this essay I feel as though sometimes we don’t understand death so therefore we do not talk much about it. By reading about what goes on after your loved one dies and is sent to these places to be prepared and ready for burial, it helps to understand why morticians and funeral directors do what they do. Knowing that someone enjoys taking the responsibility in providing that comfort in a sorrowful time makes me appreciate these people in these occupations a bit

Many people define their lives by the relationships within their family. They are someone’s daughter, someone’s wife, or someone’s mother or father. The loss of a family member, especially due to death, creates a radical readjustment to people’s day to day lives and how they see and feel about themselves. Sometimes the process of grief can last over several years and how it is mentally processed and dealt with is different for everyone. “Mud” by Geoffrey Forsyth, shows an insightful view of a grieving man who had already lost his father and grandmother and is now just coming to terms with the loss of his wife two years prior. The entire story is written in first person point of view which allows for the reader to fully engage themselves in the grief and strife of the narrator’s life. Geoffrey’s story “Mud” begins in the home of the narrator where he encounters these dead family members and has to decide if he is ready to move on from his grief and say goodbye or stay behind and be consumed by it.

When one reads Ruth Prawer Jhabvala’s “The Interview”, it is very clear how gender roles are predominate within the family that is portrayed. Using this family as an extension to represent all of India, Jhabvala gives us some insight into the daily lives led over there. The story is told through the eyes of an upper-class man who is completely dependent upon his family, specifically his brother and the women in the house. This essay will examine the male and female roles that are presented in this short story, how they parallel each other, and the deeper meanings hidden within the text.

Every individual experiences the act of death, and most persons experience the death of someone they know of. Whether family, kin, or someone infamous, the living deal with the process of dying. Anthropology seeks to understand the universal process of death ritual and how different cultures deal with death differently. An anthropologist can extract social values of a given culture, past or present, from how death ceremony is practiced. Such values could be regarding political hierarchy or an individual’s status in a society, and about a culture’s spiritual or religious faith. By exploring death ceremony in ancient Egypt, contemporary Hindu death practice in India, and current North American funerary rites, it can be illustrated that

Abstractly, it almost seems as though the other characters in the book look down on his for this not because he is not mourning, but rather because he is not mourning in the way they are. This sheds light on the overall theme of the novel, that of people being cast out of society because their views and methods do not line up with the accepted ways of society.

The article, “10 Burdens Funeral Directors Carry”, written by Caleb Wilde expresses the unique struggles of those working the funeral business. They face numerous challenges through trying to aid and support those mourning a loved one. This often over looked and underappreciated field offers a salient as well as specific service desperately needed by each community. By encountering: depression, psychosis, isolation, stress, workaholism and death itself funeral directors make numerous personal sacrifices to continue to provide honor and respect to the dead.

The author shows a great example of the power these men had against these women in the village. In the time period this story took place, it was amazing to the author to witness that gender inequality was still a very big issue in some places. The author described how shocked she was when she found out that these women were not allowed to

To begin with, the death of Aunt Bernie brings great grief to the narrator and affects his performance at work. His reaction to the event exemplifies the way the society has taught people to react to sorrow. After Bernie’s death, he comes to work not in high spirits as required for a stripper, and female guests are disappointed in him. As a result, Mr. Frendt advises him, “Grief is good, grief is fine, but too much grief, as we all know, is excessive” (Saunders 19). The statement makes it evident that the society does not expect one to grieve to the extent of affecting their daily life. Specifically, Frendt discourages the narrator from mourning too much “like one of those Comanche ladies who bite off their index fingers when a loved one dies” (Saunders 19). Through such words, the author alludes to the culture of this community that requires people

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

In Being Mortal, Atul Gawande uses his experiences as a surgeon, professor and public health professional to discuss many facets of Western end-of-life care and the process of growing old in a modern age. Overall, I have found that three overpowering themes in this novel are security versus autonomy, a need for pragmatism surrounding the concept of death, and our medicalized society’s devaluation of hospice and palliative care. Regarding these themes, I have chosen to reflect on my grandparents, death in the West and social role valorization, respectively.

For many years, some people would say dealing with the death of a loved one can be hard. In today’s society, many people have dealt with that pain. Even though individuals can respond differently dealing with the murder of a loved one but taking justice into your own hands can relieve the pain that it has caused on the family. Why it is that death can cause so much pain to the ones we love? Using the biographical and psychological critical strategies to analyze “Killings”. Focusing on Andre Dubus past how is it connected with the story and psychological strategy of the mind of someone who is hurt by death.

The Grandmother is depicted as someone that holds high regards for herself by constantly referring to everything she does as being a “lady,” and she doesn’t seem to have any conviction

Overview: University of Kansas, article entitled: Creating a curtain of protection: nurses’ experiences of grief following patient death. This title was clear and unambiguous suggesting the key phenomenon under study. Too long or too short titles can be confusing or misleading (Parahoo, 2006), however, this title contained few words which adequately described the contents and purpose of the paper being studied. The abstract provided a succinct overview of the research, it brought out the main features of the report and included relevant information. It captivated my interest which motivated me to continue reading. This paper is a qualitative research written by L. Gerow and colleagues. In this study eleven registered nurses were interviewed using semi-structured interviews and phenomenology concepts. Audio-tapes and demographic questionnaires were also used. The data was analysed using methods of Heideggerian hermeneutical analysis and Van Manen’s progression. The purpose was to describe the lived experiences of nurses surrounding patient’s death. It entails how nurses deal with such situation differently by creating a curtain of protection to mitigate the grieving process allowing them to continue providing supportive nursing care. The aim was to investigate nurses’ grief to develop

The play Everyman may have been written many years ago, but its lessons are still relevant today. Generally, the facts of death are very traumatizing and in fact unthinkable. This leads the modern day Everyman to ignore its significance, dying without acknowledging or reflecting on their lives here on earth. It is based on this fact that this paper aims to show the position of the author of the play “Everyman” regarding death.