Essay on Spanish Cinema After the Dictatorship in 1975

In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

The censorship conflicts in the 1900s were extremely intriguing and intense. Around the end of the 1920s, individuals possessed immense moral shifts powered by religious groups during the Great Depression, which resulted in decisions that created a new revolution that dealt particularly with the regulation of content of films. Consequently, in 1934, at the same time that the “Golden Age of Hollywood” began, the Hollywood Production code was formally implemented. The film

What major historical theme, which we have discussed in class, is exemplified in this movie? A few weeks ago our U.S. History class discussed a captivating historical Gunfight that took place near the O.K. Corral in the late 1800s. This Old Western story is known as one of the greatest gun fights in history, because on October 26 late 1800s in Tombstone, Arizona Territory five outlawed Cowboys and four lawmen experienced a thirty second gun fight. A major historical theme occurred in the beginning of Black Hawk Down when Atto says to General Garrison, “You’ve been here, what, six weeks.

Antonio Banderas is a very admirable person. When Banderas was fourteen, he aspired to become a professional soccer player. Because Banderas injured his foot, he focused his interest in other things, such as theatre. Bandera’s mother, Doña Ana Banderas Gallego, Banderas’s father, Jose Dominguez, was a cop. Ironically, due to taboo subjects for roles Banderas played in the theatre, he was actually sent to jail a couple of times. The ruler at the time, Francisco Franco, saw it as rebelling against political Spain beliefs.

The 70’s decade represented a very experimental and uncertain time for the film Industry. Due to financial instability, the Hollywood studio system had collapsed. The invention of the television too had a disastrous effect on audiences attending movie theaters as many people were inclined to stay at home because they had children and did not want to pay for a movie and a baby sitter. Artistic freedom was on the rise though due to a dramatic change in censorship regulation --- the abandonment of the Production Code and the decreased clout of the Catholic Legion of Decency. The Production Code was a set of moral guidelines for the film industry that existed from 1930 to 1966. It also

There are many modes of production such as large-scale, exploitation, independent, DIY and small-scale productions. The classical Hollywood “studio system” uses the mode of mass production.1 A studio is a company in business for making films for example Paramount and Warner Bros are studios.1 These studios have a system called “studio systems” in which they operate the filmmaking process.1 In mass production systems, writers, directors, actors and all workers in between are under contracts.1 These studios have ultimate control on what is being made, how the producers are making it, what cast and crew were to take part and how the film was to be distributed.1 Large-scale production studio systems have a large supply of equipment and vast physical space.1 They work on higher budgets and have large audiences.1 On the other hand, independent films fall into the category of low-budget productions.1 Although they operate in similar ways to the mass-production system, they don 't have major distributers financing them.1 This allows directors to have more control over the production process.1 However, independent filmmaking has its advantages and disadvantages. The major advantages of independent filmmaking are that they could be personal and it allows for upcoming filmmakers to flourish and create. The major disadvantages are working with small budgets and the distribution/exhibition of the film. The films Modern Times (1936) by Charlie Chaplin, Daughters of the Dust (1991) by

After General Franco’s regime fell, a new wave of young directors such as Bigas Luna and Pedro Almodovar basked in their newfound freedom of expression to produce films that were unrestricted and independent. In the 21st century, a more mature Spanish film industry had returned to the horror genre in a big way. There have been many box office horror film hits produced outside of Spain with Spanish talent behind the camera, such as The Others. Spanish horror films had been designed to appeal to international markets

First, this paper will examine Argentina, and several of the notable Argentine films that have made an impact on Latin Cinema. The first film is a 1915 silent film directed by Eduardo Martinez de le Para and Enrique Gunche called Nobleza Gaucho (Gaucho Nobility). The story begins by introducing businessman Don Jose Gran on his travels to La Pampa in hopes of buying horses for his urban estate. He hires the poor, yet upright Juan, a gaucho from the Pampas lowlands, who tames horses for a living. As the two travel, they come across a damsel in distress, Maria, and Juan takes it upon himself to come to her rescue before falling in love with her. Shortly after, Maria is kidnapped by Gran and Juan is tasked with tracking down his lover’s captor

Soviet cinema has a significant contribution to the world’s film history. The years after the October Revolution in 1917 bring many economic difficulties and political changes to the newly formed USSR, which also affected film production. The nationalization of the film industry, Kuleshov experiments, and the support from the government mark some of the most important phases that influenced the progress and development of the Soviet film. Even though used as medium of propaganda, the cinema popularity

Other countries continued to produce films, however, they were B-movie types and mostly documentaries. The camera wasn't on the tripod and this caused materials for film-making to be made to weigh less and easier to move around. Also, dialogue from the actors were often being written while the film was being shot.

Dedicated to proliferating the benefits of film in society, leaders at the Institute believed that legalized censorship would “stifle [...] the freedom of the (film) industry as a mirror of everyday life, hopes, and aspirations of the people” (Rosenbloom 315). The promotion of social reform and education in American society through the medium of film was inhibited by censorship from external legislation, and from within the motion picture industry itself.

Only when German filmmakers fled to countries with more creative freedom during the Nazi regime did it start to gain notable traction as the rest of the world took notice. The movement was also kept alive by directors like Sir Alfred Hitchcock who worked in Germany during the 1920s and used its influence in many of his more iconic works.

The art of film made it’s way into the penetration stage around the turn of the century and remained there until