Speech Evaluating The House Of German Art Summary

Art commonly tells a story. It’s a form of expression. So when World War 1 struck, the story of art drastically changed. Before the war, the stories in artwork were more peaceful and pleasant. For example, a painting called “A Lovely Afternoon” by Rupert Charles Wulsten Bunny painted in 1908, demonstrates this perfectly. If you look at the title I think it’s clear that most paintings before the war had a peaceful story. “A Lovely Afternoon” indicates that the women in the painting are in fact, having a lovely afternoon. In the painting, many women in beautiful dresses are gathered

German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

Marcel Duchamp (1887-1968) is an article about the life of famous artist, Marcel Duchamp and his reasoning behind his art pieces. By the time World War One broke out, Duchamp was disgusted by the works of other artists, claiming that they were working to only please the eyes and that there was no real meaning behind their works. Initially a traditional painter, painting impressionist paintings before shifting towards cubism, Duchamp was rejected by the artistic community, who claimed that his works were too different, even the Parisian

Very few works of art taken by Hitler have been found, and many that are discovered reside in museums. Some have been discovered in museums or galleries in Austria, while thousands still remain lost. Recently, “a long-lost Monet and other art treasures stolen from Jews during the Holocaust have been discovered in the home of an 81-year-old German art collector,” Julian states (Julian). Cornelius Gurlitt, the art

TXT- The installation included art pieces from various artists that were considered corrupted by the public because of its symbolic attributes of German roots, which the Nazis did not approve of and tried to remove every single one

This paper examined in detail the reasoning, evidence from a claim that Robert Florczak arguing Why is modern art so bad? Robert florczak is an American artists and illustrator with many years of experience in field of art. The motive of the speech is to convince the art community of the ineffectiveness of modern art. The speaker uses a compare and contrast method during his speech between western and modern art. To show differences between the two, he illustrates his ability to back up his argument with evidence. He uses rhetorical analysis techniques such as, ethos, pathos, and logos to build on various point of views to strength his point. The speaker could achieve the overall purpose of the speech in convincing the art community of the

Adolf Hitler’s goal was to create a master race. He saw the german people the best race in the world, and that they could cleanse other countries and he called his master race the Aryans. Since Hitler was baptized catholic, he believed that any other people outside the faith were condemned to hell but he took that idea way too far, and he viewed

Why is ¨degenerate art¨ so important? How did Hitler and the Nazis feel about modernism and modernist art and artists? What turned the German people against modernism and modernist art?

As Nazi’s army occupies cities and countries all over the Europe, Paris was inevitably erupted and ruined by the pervasion of Fascism. Many influential European avant-garde artists such as Duchamp and Matisse either immigrated or traveled to the United States of America in order to take a break from the European social disorders. Paris was no longer the symbol represents freedom and liberty, so the artists were actively seeking a new location to express their thoughts and to create contemporary artworks without any constraints. These artists and their works were officially exhibited in the Armory Show. The exhibition introduced American with Impressionism, Fauvism, Cubism, and Dadaism, which opens the possibilities of the American Modernity.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

In his text entitled “Modernist Painting”, Greenberg focuses on the development of painting between the 14th and 19th century and emphasizes on what distinguishes Modernist painting from previous forms of painting, particularly those of the Old Masters. Greenberg begins by relating Modernist art to Kantian philosophy claiming that, the same way Kant used reason in order to examine the limits of reason, Modernist art is when art became self critical because it uses the technique of art to draw attention to its status as art. Indeed, he explains how without this self-examination similar to that of Kant’s reflection on Philosophy, art would’ve been “assimilated to […] therapy” like religion, because

World War II was a war that was forever etched in history as a result of it destruction and overwhelming body count. But who would have thought that this war would have found a way to impact art before it’s time. Before Hitler rose to power, he used the civil war in Spain around 1936 as his personal field test. In response, arts took to their trade to cope with their frustration and express their opinions. Then as war was on the verge of beginning, Hitler stole modern art from Jewish artists and put them in his own show. His show was titled “Degenerate Art,” and it portrayed the artist as demented people who were a hindrance to society. He felt sane people were incapable of producing such abstract art. He went on to sponsor another

•A summary of the artists' personal philosophies of art (if they can be found in published sources), and the prevailing trends and schools of thought in the art world at the time and in the place the artist was working. For instance, discuss what was taking place in the artist's city, country, and/or church that may have provoked a reaction from the artist or the greater society. Include any information that might help the reader understand the artist's point of view or why the artist made his or her choices in this work of art.