What Are The Differences Of Music Or Religious Music?

Spirituals were not only “sung to keep spirits up” (Thompson 9), but were used as coded messages to give directions for where to go or how to proceed to freedom in the North. The slave owners believed that the slaves were happy because they sang church songs and they praised God but little did they know, that the slaves were secretly communicating. For instance, during the Underground Railroad, songs like “Follow the Drinkin’ Gourd,’ ‘Wade in the Water,’ and ‘Swing Low, Sweet Chariot,’ all directly refer to secret code about using the Underground Railroad.” As many as 100,000 slaves escaped by means of this method (Thompson 9).

For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become

Lutheran church music in its first two and a half centuries can be characterized by the incorporation of a staggering variety of styles and musical genres. Plainchant, imitative polyphony, and chorale hymnody existed alongside one another, and composers such as Heinrich Schütz (1585-1672) and Johann Hermann Schein (1586-1630) were among the first to synthesize elements of Monteverdi’s seconda pratica with a fully German practice. Fruits of this multi-style crosspollination, whether a continuo based melodic-harmonic framework, polychoral textures, use of the solo voice or obligato instruments, all paved the way for the apex of this tradition, the concerted vocal works of J.S. Bach.

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

Some may say music is just music; a song is just a song. However, music plays an enormous role in our psychology, because a single song has the ability to bring about many kinds of thoughts and emotions in the listener. Music is subtly one of the main factors in which people identify with certain groups and establish their belonging in society. It shapes people’s perspectives on how the world functions and the roles they play within it. Music can function the same way in a culture; it can reflect many of the culture’s values and ideologies. Music can have many effects on culture and the people’s idea of who they think they are within that culture. Music can serve in a way that promotes cultural identity and pride, yet it could also play a

Music is an everyday occurrence for most people. In some way, shape and form, people listen to music. For Christians, specially those at bible college, this can be in chapel day to day. For others it may be in a car or even in the workplace, which can be the case for Christians also. Music for me is an everyday occurrence, not only in chapel but also in other places such as my dorm room and when I get ready for sports.

African American religious music is the foundation of all contemporary forms of so called "black music." African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

After close examination of the aesthetic qualities of both Native American and Indian music cultures I have decided to point out the various distinctions amongst the two cultures. Native Americans often used their music during various religious ceremonies to cleanse one’s spirit or human condition claiming that these rituals possessed omnipotent powers. The Native Americans music is so sacred that they despise of outsiders recording their ceremonies because of the preconceived notion that others would destroy the powers within the context of the music entirely. However, Indian artists often use their compositions for mere entertainment. Indian music often is a mixture of outside influences and it’s free flowing compositions possessed with various

Music is the only medium that blesses both man and God at the same time and as such to see it as an entertainment factor within our worship services is a gross misunderstanding of its purpose. Music is made up of three elements: melody, harmony, and rhythm. Mankind is also made up of three parts: spirit, soul and body (1 Thess 5:23). It can be argued that music and the triune, or trichotomy, of mankind are intrinsically linked i.e. melody is likened to the spirit, harmony to the soul and rhythm to the body.

In the first stanza it is the semantic field of water: ‘waters’ (twice), ‘sea’, ‘drowning’ and ‘being drawn’. As I mentioned earlier, water is often the symbol of life but it also evokes tears, sadness and despair.

Before hearing this lecture, I had no concept of the types of music in concentration camps, much less a sense of the music within World War II. The lecture taught me how music and the arts are something that can’t ever be stopped. Even though it’s not mandatory for human life or a lucrative career it has permanently etched a place inside of culture and the continuation of history.

As Gospel music has a complex and diversified history, there are several forms of the genre, many of which intertwine with Soul (Gospel’s secular counterpart), Blues and Jazz. Consequently, although adaptable and broadly-defined, Gospel’s all-embracing musical lesson of spiritual contemplation and persistence, has always been a constant reminder for its enthusiasts.

This premise is predicated on the hypothesis that music plays an independent and important role within scripture itself; that is to be an elevated carrier for liturgy and prayer, the use of which is mandated by God for corporate worship. Both corporate worship and individual faith would suffer if music were removed. As an act of worshipping obedience, and a way of more readily understanding and relating to God, we will examine

Music helps to conserve and promote the most prized possession of human civilization: religion, culture and tradition. Each community has its distinct music through which it can display its culture and tradition. For example though dāpā and gospels both are religious and devotional songs they introduce us to two distinctly different cultures. Dāpā is a religious Newari music that praises Nāsadya, the local god of music and dance. On the other hand, gospels are highly emotional evangelic vocal music that originated from the African-American Christian community in the

The time between 1485 and 1660 marked a period of new beginnings for the people living in England; this time is known as the Renaissance. In England, the people were challenging their past beliefs; where before the Renaissance, England thrived basing their lives, government, and music off of God and his principles alone. During these one-hundred and seventy-five years, the English people started questioning their original principles about religion and established a yearning for information and proof based off of science instead of God. This desire caused many changes to form in England. The Renaissance period quickly became known as the rebirth of knowledge named by the change from God’s knowledge to the knowledge of man. The Renaissance