Spoon River Anthology Summary

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

· In the first line of the poem, the speaker expresses her feelings towards men by using the word “Anger”(1). From just the

This apprises the reader on how Margaret is kinda being bi-polar and how she just faked the whole thing about her being sad. By her crying, she indirectly professes that she cares about her husband but in reality she’s a brutal women who does really care about him.

The concept of balance is central to Herman Melville’s “The Paradise of Bachelors and the Tartarus of Maids.” The first story of the diptych reflects the opulent and extravagant feasting of a group of lawyers in London, while the second depicts the laborious, cold, and bland life of workers at a paper mill. These polar opposites perfectly illustrate this idea of a worldly equilibrium would have resounded well with Melville’s Romantic, educated, and upper class readership. Though there is much to be learned through this historical context, viewing the juxtaposition of success and struggle through a modern lens yields another perspective that Melville could never have foretold.

Prompt: Write an essay in which you describe the speaker's attitude toward the woman's death. Using specific references from the text, show how the use of language reveals the speaker's attitude.

Sonja Livingston is a talented and unique young writer who uses an unusual structure in her work. Structure is the form that an author’s writing takes; how the sentences are formed and how they are placed together to create the work. In Ghostbread, her award-winning novel, Ms. Livingstone uses a freeform chapter structure that, while roughly in chronological order, is not necessarily linear. In chapter 3, Ms. Livingston speaks of her father, “I had no father” (6), and then in chapter 4 she speaks of a childhood friend, “My favorite person should have been Carol Johnson.” (7) Through the course of the book, Ms. Livingston chronicles her life from birth to age 18, but it is not a strict telling; she meanders and explores events as they are remembered, not bound by a rigid timeline. The structure of her work is unconventional and through that unconventional structure she gives the reader an experience that is more like poetry than a conventional novel. Towards the end of Ghostbread, Ms. Livingston contemplates the effect that her miscarriage and the revelation of her sexual activity will have on her relationship with her mother with this passage, “Sex. Pregnancy. Men. What were they to her? Failure? Freedom? Power? Paths she followed, but did not prescribe. At least not aloud.” (212). The use of partial sentences and imagery are elements commonly associated with poetry and it gives

In the opening line of “The Author to Her Book”, Bradstreet makes use of a metaphor, in which the “ill-form offspring” (1) emblematizes her book, “The Tenth Muse”, and to create a mother-child relationship between her and the book. The child metaphor allows readers to know that she is not satisfied with her writing skills, but has a devotional bond with it. She points out that her book should never be read by a literature expert due to the wide amount of errors that can be found in her work “made in raggs” (5). She expresses she “wash´d thy face” (13), trying to improve her work, but fails to observe any changes in it and fails in the process. These serve as examples to expose how Puritan women underrated and depreciated their skills, making Puritan community believe that they are inferior to

Frances E.W. Harper and James Whitfield are two of the most influential anti-slavery poets of all time. Both individuals use poetry as a form of resistance and as a way to express themselves during a time of great racial tension. Their poems reach out to many different audiences, shedding light on racial injustices that were present in America. Harper’s and Whitfield’s poetry, like many other works that were written during this time, help us to better comprehend the effects of slavery on African Americans.

In addition to the extreme limitations of their daily routine, both characters in MacLeod’s and Gilman’s short stories are subject to their significantly overbearing and oppressive spouses. The domineering management of their lives compels these characters to engage in either reading or writing, as an act of defiance towards their authority wielding partners. This minor form of rebellion allows the characters to feel as though they have at least some aspect of control over their lives. The father in MacLeod’s story is aware of his wife’s aversion to and disapproval of reading; however, this antagonism does not deter him from spending all his minimally free-time devouring books in his room. The narrator notes that his mother “despised the room and all it stood for,” yet his father remained inside it every night while “the goose-necked lamp illuminated the pages in his hands,” in an act of passive-aggressive opposition towards his wife’s

Her poem, A Bronzeville Mother Loiters In Mississippi. Meanwhile, A Mississippi Mother Burns Bacon, is what I chose to focus on in my paper. Brooks’s poem is all about Carolyn Bryant and how she might have felt about the murder of Till. She presents Carolyn as almost sympathetic, oppressed housewife whose refuses to accept her role and her husband role in the injustice murder of Till. Instead, she rationalizes it by comparing the murder to a fairy tale. She makes herself the princess, her husband the prince, and Till the dark villain.

After quickly recovering from the storm of grief which showered her, Louise comprehends her own independence; “‘Free, free, free!’” (202). Something of which she has not possessed before. Not to mention, Louise holds great passion for the future without her husband influencing her decisions, “...(the) long procession of years to come (...) would belong to her absolutely” (202). As the story continues, it becomes evident that Mrs. Mallard’s confidence and jubilance holds direction in her long life to come. Ironically, however, Louise only lives to see the next few minutes of her life. As the shock of seeing the living dead births a heart attack; “When the doctors came they said she had died of heart disease- a joy that kills” (203). Ultimately, her gluttonous behaviour and extreme state of joy lead her to an untimely death when her eyes lay upon the presumed dead, Brently

“From the sphere of my own experience I can bring to my recollection three persons of no every-day powers and acquirements, who had read the poems of others with more and more unallayed pleasure, and had thought more highly of their authors, as poets; who yet have confessed to me, that from no modern work had so many passages started up anew in their minds at different times, and as different occasions had awakened a meditative mood.” (2) (paragraph 31).

In the “Uncle Wiggily in Connecticut” short story, J.D. Salinger, draws a women living a meager life in despite of her wealth, and the unhappiness of not being a mother even though she has a daughter. Although this woman demonstrates an icy and bitter relationship to everything around her, including her descendent, the story’s end indicates self-awareness and resolution for the protagonist.

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

David Wiley’s Natural Born Quilter analyzes Margaret Atwood’s Alias Grace to further explore the basis and deeper meaning of the novel. He uses Atwood herself to unleash the history behind the novel which laid the foundation of Alias Grace. Atwood also discusses what the novel means to her and how readers should interpret it. With Wiley analyzing Atwood’s dialogue, the reader’s comprehension of Alias Grace is amplified.