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St. Louis Art Museum Analysis

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The St. Louis Art museum has one of the largest permanent exhibitions of a Max Beckmann collection in the world. He was a “German Expressionist” and later became part of a newer style of German art which came to be known as “New Objectivity”. During the last three years of his life, he accepted a teaching position in the school of fine arts at Washington University in in 1947. Morton D. May, CEO of the May Company, between 1945 and the mid-1950s began acquiring German Expressionist works, a movement which was not well known in the United States at the time. May was surprised that Beckmann was working at the nearby University. During Beckmann's time in St. Louis they became friends. May, who was painting at the time hired him to be his tutor. …show more content…

The reason I chose this artwork was because it wasn’t so much focused on the catastrophe itself, but the people’s effort for survival. On April 15, 1912, the Titanic sank in the North Atlantic Ocean. On its maiden voyage to New York, New York it collided with an iceberg. On board were 2,200 passengers, of those 1,507 died. Beckmann was said to be inspired by news accounts to produce this work which at the time was a current event. The date of this art work is 1912-1913, and the media is oil on canvas. When we think of the sinking of the Titanic, we think about an unsinkable ship going down. This painting is not about that. It is about the passengers and their fight for survival and what they must have gone through. The story in this painting is about how they tried to survive and come to terms with the possibility of death. It is painted on a huge canvas 8 foot by 11 foot in very dark and cool colors. The size and magnitude of this helps to create a most impressive scene. Off in the distance in the right hand corner you can the still brightly lit Titanic still upright and powered, drifting near the iceberg which sunk it. However, the ship and the iceberg are not the focus of what the artist is trying to convey. The struggle of the survivors and the lifeboats dominate the scene. In the center of the painting is a capsized lifeboat with some of the surviving passengers

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