St. Louis Art Museum

I was excited to start my day by going to the museum on Saturday morning. I had originally decided to visit the Broad Museum in Los Angeles; however, I decided to give my local museum a go. After all, the Bowers Museum was the last museum I had gone to. I regretted my decision. The Bowers Museum does hold several exhibitions, but I found it lacking in actual drawings and paintings. It seems as if they prioritize artifacts over print media. The museum is big and it’s easy to lose yourself in its long hallways. It’s disappointing to see much valuable space, in my opinion, go to waste. In conclusion, I was expecting to see hallways covered in art like I’ve seen in galleries, rooms filled with rarities and beauty, but unfortunately that was not the

On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

As I explored the James T. Bialac Native American Art Collection at the Fred Jones Jr. Museum of Art, I came across two paintings that really stood out to me because of their relevance to what we have been learning in class. In muted tones of blue and yellow, Harry Oosahwee’s (Cherokee) One Fall Morning depicts a Cherokee family in a barren rural landscape; animals and plants dot the landscape, and a small wooden house sits on the far right of the painting accompanied by a father, mother, and child to the left.

Thomas Cole produced paintings that embodied notions that were an antithesis to the developing ideals of consumerism and decadence in his time. Cole found solace in embracing the authenticity and spirituality of nature like many transcendentalists

Art is something you can observe no matter where you are from, each piece of art withholds the thoughts of the painter and viewer that portrays a message. Thomas Cole a revolutionary painter started a new evolution of art that still inspires people to this day. Thomas Cole was born in the year 1801 in Lancashire, England, however when he turned seventeen Thomas’s family emigrated to the United States where he started his art legacy. Thomas first worked in Philadelphia as a wood engraver before moving to Steubenville, Ohio where his father kick started his wallpaper manufacturing business. Unhappy working in the wallpaper business Thomas seeked something more suitable, on the side he was learning the basics of a few paintings genres ranging

Los Angeles is a beautiful city filled with many classy shops, modern houses and many diverse restaurants base from China, Korea, America as well as many other different countries. However, there is a museum that located right in the heart of Los Angeles where 6th street and Wilshire Boulevard parallel with each other. This is a very interesting place with many tourists and people visiting each day. The museum is a familiar attraction for many LA locals, and it is also the largest art museum in the Western United States named Los Angeles County Museum of Art (LACMA).

On September 26, 2017 I visited the Dallas Museum of Art where I saw “The Fountain of Vaucluse” by Thomas Cole. The oil on canvas painting, displays a rocky landscape which captures the beauty of nature and civilization while also provoking thought in the viewer. An individual’s nature to hope for something better than the current discomfort he or she is experiencing is portrayed through Cole’s use of color and environmental contrast in this piece.

The first American group of painters, The Hudson School of Romantic Landscapes, was lead by Thomas Cole, who was born in 1801 in England. He went to Philadelphia and Ohio as a traveling portrait painter in 1819. In addition, he traveled to Europe where he painted many Italian subjects, and later many of the scenes in his paintings came from his European studies. He died in 1848 at the age of 47. Cole’s artwork represents the Romantic style of painting, especially in his famous work The Oxbow (Fulwider 618). In the life and time around Thomas Cole, three things stand out. The major themes in Cole’s artwork, what was romantic about the Hudson River School’s art, and why landscape was a national religious symbol for Americans.

The Museum of Fine Arts, located in St. Petersburg, Florida holds a variety of artworks that depict a specific period in human development and cultural aspects. The variety was very helpful and the process to narrow down the search of a painting of my choice became less difficult. The painting that I choose was made by an American artist named Stuart Davis Untitled (Black and White Variation on Windshield Mirror). Davis’s painting was extremely peculiar and I wanted to further examine its properties. The Untitled has three characteristics that are unique: Davis’s background for creating the painting, understanding the types of lines used, and the choice of color schemes.

The Cleveland Art Museum is a prominent art gallery that is found Cleveland, Ohio. This museum from the states carries a large array of artwork (paintings, drawings, photographs, sketches, sculptures, etc). Though, these works of art do not focus primarily on one time period. This particular museum holds creations that stem all the way back to Ancient Egypt. From this particular art gallery (that can also be found online), a work of art from this gallery will be looked at. However, there will be a certain specification. The reason behind this specification is based around the book Tender Is The Night. Being one of Scott Fitzgerald’s outstanding books, this novel was set in the early 1930’s. Hence, I will be focusing on a painting made/done in the early 1930’s.

17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for

At the end of the day I can tile that may the first time to the museum I was looking without undresstanding nothing or what that work represent. But I felt the

My experience to the Dallas Museum of Art was a bit different from the last time I had attended the museum. I was curious to see what pieces of art there would be and if it would be the same as the previous visit which was long ago, but to me all the pieces of art were so different and very interesting. It may have been because I saw all the pieces in a new perspective since learning about the different types of paintings there can be and knowing how and where sculptures come from. Even though I do not know much of art I really gave it a try into seeing what the artist may have wanted us to get out of his work. By reading a view of the chapters made me aware of art, I wouldn’t call myself an expert, but it was actually nice knowing that a

At first, I didn’t want to go to the museum. That day, I was exhausted after finishing school, so going all the way to San Francisco wasn’t exactly my idea of relaxing. Thankfully, my mom insisted we go that day, since it was my dad’s day off. I felt frustrated that we had to go right then, but my mom forced us.