St. Martin Of Tours Dividing His Cloak Analysis

From my trip to the art museum the piece which stood out the most to me throughout the entire experience was David Ghirlandaio’s Altarpiece showing the Virgin and Child, with Saints Apollonia and Sebastian. The work of art specifically depicts an example of a sacra conversazione such as the ones we have looked at in class. This piece was made specifically in the 1490’s or the Early Renaissance time period and directly came from Florence, Italy where it was commissioned by the church as an altarpiece. Ghirlandaio specifically used tempera and gold on panel for this painting which he made in his family enterprise. Overall, the painting is roughly five and a half feet in length and height and is an excellent example of the type of works one would expect to see out of the Early Renaissance time frame.

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.

In the process of researching this piece I was able to learn about the Master of Monte Oliveto and the fact that he was anonymous. All we know of this painter is that he was an anonymous Ducciesque painter that had to have learned in Duccio’s workshop. “The Master of Monte Oliveto has traditionally been thought of as a close follower of Duccio’s, and it is thought that he worked in the workshop actively from about 1300 to about 1320” (TheMet Online the Master of Monte Oliveto Essay). What we do know is he was an artist in Italy, Southern Europe trained amongst the best. While the artist remains anonymous the religion represented has surpassed time it seems. Christianity is world wide spread and I love that this piece depicts maternal

The respective piece is ‘The battle of Anghiari’ also sometimes referred to as ‘The Lost Leonardo’. Researchers seem to believe that this treasure is hidden behind one of Vasari’s frescos in the Hall of 500.

Tintoretto began The Last Supper in 1952 and completed it in 1954 (Pallucchini). It is an oil painting on canvas located in the Church of San Giorgio Maggiore (Pallucchini). This painting is absolutely gorgeous, so I am glad it is displayed near the altar of a church for everybody in Venice, Italy and tourists that visit there to see. I would love to be able to take a trip to Italy and experience seeing this work of art for

There are twelve figures in this painting. The figure are arranged in a triangle shape with Mary, the Blessed Mother, and the child Jesus at the top as the focal point. The viewer’s eyes are drawn towards the Madonna and the child Jesus for yet another reason due to the deep red curtain that drapes behind them. The Madonna is seated on a throne with the infant Jesus in her lap, and seems to give authority to Saint Dominic with mere gesture of her hand. Saint Dominic is dressed in the usual habit of his order, holding a rosary. Saint Dominic, Saint Peter Martyr of Verona, who appears to be bleeding from his head, and two other friars are the next level of figures in this pyramidal structure. The faithful poor with their dirty feet and the

The art piece that caught my attention was at the Nelson-Atkins Museum of Art. The piece is called The Adoration of the Magi, painted by Girolamo de Carpi. The Holy Family and the Three Magi’s are illustrated in the painting. They seem to be sitting outside on the ground behind a home made of brick. A sense of space and perception is created because in the distance, behind the people in the painting there is a beautiful view of a mountain and the sun in the sky far from where the people are. In the artwork, de Carpi paints clothes on each person besides baby Christ, and the clothing differ in color; there is red, green, yellow, blue. The colors seemed somewhat bright, in a way indicating that the painting is representing a happy time. Also painted are horses depicted behind a short wall, next to the horses seems to be a servant giving one of the Magis a vessel of some sort.

George Orwell in his didactic political satire “Animal Farm” effectively alludes to the significant role propaganda plays within the novel to distort truth and exploit the proletariat. Throughout his satirical fable, Orwell critically explores the challenges encountered by the pig intelligentsia as revolutionary propaganda idealises Animalism which is subverted by naive and uneducated animals such as Molly. Her domesticated shallow mindset and vanity for decorative ribbons ultimately forms a foundation for her reliance and preference in maintaining Mr. Jone’s repressive status. This is clearly exemplified throughout “those ribbons that you are so devoted to are the badge of slavery. Can you not understand that liberty is worth more than ribbons?”.

1427/1428. The fresco is located on the wall of the Church of Santa Maria Novella in Florence,

There is a spotlight on St. Peter’s face and half of his accusers face, indicating that the focus of the painting with light, that Peter is the main figure. Caravaggio uses light to portray a specific moment in the Denial of St Peter, the light shines directly onto Peter, half of the woman accusing him and no light on the soldier. The soldier is in the shadow but the light is slight directed on his back. With the light centered on St. Peter and his accuser’s face, the lines are contoured, to mimic reality in the pictures. The figures facial expressions, (emphasized on St. Peter) look more realistic. The lines and textures on Peter’s face, suggest that he is rejecting the accusation, as the lines in his forehead are creased as he shrugs up his eyebrows and St. Peter’s hands are placed inward. The drapery on the garments on the figures look realistic, but looked as if they were placed like costumes. St. Peter’s face is the one most accented.

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a

Known as one of if not they best artists of his time Francesco Guardi is quite the artist. he is known for his later works, one of his bests know as the doges feasts which was a 12 canvas set of pure beauty. The painting was pictures of the election that took place in 1763 with the election of Dodge Alvise IV Mocenigo. Guardi captured this amazing moment for the future to witness, the election is a massive thing in italy. Its compared to the election in America but almost 2 times more bigger, its no joke to italy and he was there to capture and give the future a vivid