Stan Vanderbeek: Master of Machine Stan Vanderbeek considered himself to be a “technological fruit

The history of the graphic design is one of the most important pages in the evolution of our world. All periods and persons after the prehistory related with the visual communications are undoubtedly the builders of our advanced and technological communication in the present. It is impossible to not feel passionate to write about the Graphic design history however, one essay is not enough to write about the whole History of the Graphic Design, that is why the next pages will be written about one person who has an important place in the Graphic Design history, this essay will be written about Geoffroy Tory.

Before we get into this deeply let's get this out of the way, “mr.faden, are you the Associate Professor of English and Film Studies at Bucknell University?” *rhetorical question because we all know he is* Therefore back to factor one, Professor Faden studies early cinema and digital image technologies, and creates

xxi Earlier drafts made reference to the art and history of film, with references to celluloid and digital projection. By

The future will know the socially, politically, economically, and personally stories of today because of contemporary art. It will share even the minimal detail about the experiences that drove artists and their desires to push society to the extreme in order to prove their point as an attempt to deconstruct the conformity within society. Contemporary art will share the evident paradigm and gradual metamorphism of society between the future and the past. Ordinarily, It will offer a visual glimpse into the surreal reality of this era, and all that surrounds it, and the influences of our

In Haines and Hinterding’s display, a yellow coloured landscape presents a mystery world but brings full of imaginations like travelling in an outer space of Mars, which can be generated instantly. The first impression of seeing a huge screen projected is a pure video of an existed environment in the world – mountain and skies like watching a documentary, it continues to move and start revealing some three dimensional objected like cubes and spheres, the ground and the underground, traveling freely and infinitely; captured at a 720 degrees of sequence, and presented on two synchronized animations. The interaction from an audience standing at a specific area, using hand gesture like movement, navigating direction like using a map in the video, in real time in virtual reality, such as the Xbox 360 gaming

Also from an artist perspective, more facilitation usually also means more restriction. Translation could easily to be modeled. Simulation could easily to be cheap. Communicate a profound artistic idea via technology or unconventional materials is a challenge job, and we are still working on these challenges. Fred Tomaselli’s work are brilliant, but I still won’t consider they are profound. I am glad to see more new media works be regarded as a form of art by more and more people, but as a part of producers of those works, I think ‘be profound’ should be one of our goal, although I still don’t have clear idea if we could make

Modern art has so starkly broken off from the millennia of art before it that it has thoroughly bewildered people. Until the late nineteenth century, most art contained intricate details and required innumerable hours of labor, whether the artist is meticulously chipping at a block of marble, carefully stroking paint onto a canvass, or painstakingly writing words on a page. Furthermore, the results was generally made to be pleasing to the viewer. But much of modern art strikes many viewers as not being art at all: It is merely random drips of paint on a canvass, or ordinary objects such as sticks arranged in a simple pattern, or even found objects on

This was a response to the distance between artist and their work created by technology.

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future where machines played a vital role in modern society. The traditional style of painting and sculpture — in accordance to Futurist principles — had no place in this new future. In this adapt-or-die situation, artists Umberto Boccioni and Jacob Epstein responded to the world of machines by incorporating techniques learned from their past

With the intense passion I had for arts, I kept digging the deeper level of artistic technique and appreciation. Unfortunately, as I learnt more about art history and style, I could not resist a sense of boredom. Now technology was developing at a rapid rate, but, in contrast, traditional arts became more and more pale and powerless. However, in their time, artists like Da Vinci and Raphael were superstars like Lady Gaga in our time. Just as Renaissance saved the art field once, I thought the art world needed another revolution now more than ever. And I could feel the fire burning in my chest and calling my destiny to lead.

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future where machines played a vital role in modern society. The traditional style of painting and sculpture — in accordance to Futurist principles — had no place in this new future. In this

This mechanical technique is made deliberately by using stencil and screen printing method. In the famous essay on art and technology, ‘the work of art in the age of its technical reproductively, ‘1935, Benjamin argues the radical changes, understand what happens when art is made in a world full of technical reproduction He believed in the Marxist ideology of the ‘base’, the mode of production relation to class and economy. Modes of production are technology in machines, tools, raw material suggested all art had become reproducible mechanically and thus causing a great impact on the public reception of art. The reproduction of existing artworks was radicalising as a new art form, changing how we understand

The arts, science and technology are experiencing a period of profound change. Explosive challenges to the institutions and practices of engineering, art making, and scientific research raise urgent questions of ethics, craft and care for the planet and its inhabitants. Unforeseen forms of beauty and understanding are possible, but so too are unexpected risks and threats. A newly global connectivity creates new arenas for interaction between science, art, and technology but also creates the preconditions for global crises.

In the early 20th Century, western history has entered a new era with the fast development of modernization, industrialization and the technologies. The machines took over the human labor they gradually replace the important role of human in the process of making and change the ways people live, started the fast pace, high speed of modern lifestyle. Modern art approached with a number of painter, sculptures, poets who individually or collectively to redefine through around this century. The new art forms are creative world’s response to the perspective of the new lives and ideas provided by the industrialized and technological advances that results modern society to evolve itself in a new way. Many artists began to experiment and

In the reading ”New Media Art - Introduction” written by Mark Tribe,the author talks about technology and art becoming new media art. together. According to Tribe in the reading, “We use the term New Media art to describe projects that make use of emerging media technologies and are concerned with the cultural, political, and aesthetic possibilities of these tools” (Tribe, 1). In this quote, the the author interprets new art form as electrical pieces of work to help give out a message; whether it is controversial, aesthetic, or racial topics that connect within our society. In addition, new media art can represent all of these element, some of these elements or even one of these elements. I strongly agree with the author's definition of new media art because in learning and researching about new media I have found three new media artists that support the author's definition. These new media artist are Aleksandar Srnec, Katherine Behar and Camille Turner.