Stanley Vs Blanche

This qualm is created when Stanley notes that her extravagant possessions are as lavish as the contents of ‘the treasure chest of a pirate’, which could not be afforded on ‘teachers pay’ .This allows the audience to question the true nature of the loss of Belle Reve, and may even foster distrust towards Blanche henceforth. It provides as particularly significant when Stanley notes that Blanche’s belongings are what is left of the plantation. This could be symbolic of a changing America, notably developments away from slavery and inequality, as the wealth that remains from a plantation is now (under the Napoleonic code) indebted to a Polish immigrant. It is this modernising America which has worsened Blanche’s state, perhaps presenting Blanche to be a victim of a changing society. When Blanche enters the scene, she is dressed in a ‘red satin robe’ which alludes to the Scarlett Woman in Revelation 17,and also presents a much more sexualised Blanche in contrast with her white purity shown previously. Blanche ‘airily’ claims that she feels like a ‘brand new human being’, perhaps suggesting that her bath has washed away the façade of purity almost like a baptism, revealing her true nature, which is so incredibility conflicting with her presentation of virtuous southern Belle that it feels to be a individual being .In addition to this, Blanche’s almost addiction with bathing maybe related to her need to constant consideration of her looks; Samuel Tapp once claimed that ‘ Blanche is a victim of the mythology of Southern Belle’ and I feel that her fixation with her appearance and her need to remain pure are the most prominent manifestations of

Blanche has a devastating and scarring past in which her tragic flaw originates from. The elements of love, sex, and death haunt her until she is unable to handle it any longer and loses what is left of her sanity and sparks her unstable mind. To expatiate, Blanche was once married to the love of her life, Allen Grey, until she found

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.

The illusions that make up Blanche’s life while she is staying with her sister are something I have experienced first hand. Her time spent in New Orleans is blurred between what is real and what her mind conjures up for her to believe. At the beginning of the play Blanche lies and knows that she is lying, telling her sister that she is just “taking a leave of absence” (Williams Page???), and lying about her age. However as the play continues Blanche begins to fall victim to her own lies, convincing herself, possibly more than Stella, that Steph Huntleigh will come and save the two sisters. Losing touch with reality more and more as the play continues, Blanche Blanche lives in a dream world, and in scene 7 her reference to a "Barnum and Bailey world, just as phony as it can be-" exposes that she has created an illusion in her mind(Williams, Page 120). Like Blanche, much of my childhood and adolescence was spent denying what was

Blanche’s sole purpose when she comes to live with Stella is to find stability, security, and gain control of her life. In order to cope with the preexisting stress and rising tension during her stay at her sister’s house, she used delusions and illusions as a way to survive. Blanche's world of delusion is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. Blanche has a fantasy that her relationship with Mitch can work out when in reality she just wants a safe haven; to not feel lonely. She lies about her age in order to create an illusion to others that she is still young, attractive and desirable. She states, “I don’t want realism. …. Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth …” She clearly states that she believes in her own created illusion and she expects others would believe it too. However, her dreams crashed down when Stanley’s realistic point of view came across Blanche’s dissociation from reality. On the other hand, illusions bring to her magic, the image of life that she would like to lead but in doing so, Miller has conveyed that her attempt into living deceitful ultimately lead to her downfall in which it sternly affected her mental and overall

He abuses his wife Stella physically and emotionally as he strikes and hits his pregnant wife while Stella represents the self-deprecating, submissive wife who tolerates and excuses her husband behavior. Another central theme in Williams’ play is the theme of illusion; Blanche lives in a fantasy world of sentimental illusion. She exerts efforts to maintain the appearance of being an upper-class young innocent woman, even though she is a fallen woman. Another theme is the theme of loneliness as Blanche is lost and alone in the world and she desperately seeks protection and companionship in the arms of strangers. Mitch is another character who is a victim of loneliness and he needs to find a woman to love him the way his mother does. The theme of sexual desire is related to destruction. Blanche wants to be a lady but she continually tripped up by her sexual desire. Stanley leads a violent brutal desire and views Stella as a sexual object and his final act as he rapes Blanche emphasizes his lustful desire. The theme of hatred is prevailed throughout the play as Blanche’s insult and insolence aroused the hatred of Stanley. The play focused on the feeling of repulsion between

Blanches’ emotional state of mind is also conspicuous at the start of the play as she circumvents direct light, fearful of showing her fading looks and the light would make her vulnerable to the truth. Blanche is unable to withstand harsh light, calling the light a ‘merciless glare’(S1:pg.120*) because with Allan’s death, the light had gone out of her life and the effect this had is that she wanted dim lights hiding the reality of her painful memories. This links to the theme of dream and reality as Blanche, a delicate character, refused ‘to accept the reality of her life and attempts to live under illusion’ (*2), living on the borders of life similar to a moth which creates the image of Blanches’ fragility.

A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit.  He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life.  William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels.  Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of

Tennessee Williams’s A Streetcar Named Desire portrays a dog-eat-dog world, in which the winner takes it all: a person not just watches out closely for his/her own interest but also preys on the weak. This portrayal is mostly embodied in the confrontation between Blanche DuBois and Stanley Kowalski, the two major characters in the play. The confrontation partly arises from difference in class, Blanche from high society while Stanley from low one. But most noteworthy is that the element that contributes the most to this confrontation is their desires for sex, money, revenge, and even survival of life. Over time, the tension between Blanche and Stanley grows to a climax and eventually goes down with Blanche, the weak, losing the battle while Stanley, the strong, standing out as the victor and taking away Blanche’s soul and body. Given this, in this dog-eat-dog showdown there exists ambiguous moments: Is the physical contact between Blanche and Stanley a rape, a date, or a rape-date? A look into this issue is in order.

Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

She begins to ramble on more, have more delusions and lie about crazy things such as Shep Huntleigh inviting her on a cruise to the Caribbean. She begins to shower more often or “hydrotherapy” as she calls it, because it “is necessary for her probably to wash away the feeling of guilt as also the stains of her promiscuous life” (Kataria 96). As the play comes to an end, Blanche becomes more psychotic and no one is on her side. Blanche appears to swirl into oblivion towards the end of the play when a fiight with Stanley gets physical. “She finally realizes to her dismay that she has lost her reputation, a place to go to, and what is worse, her charm. This realization, painful as it is, coupled with the rape, sends her reeling into a world of shadows from which she was never really far away” (Kataria 182.)

Blanche deals with many issues the loss of loved ones, the loss of the family estate, the inability to deal with reality, rejection from others, and the rape by Stanley. Blanche has also become independent and assertive which is not the typical norm of a southern woman. She has been forced into a world she is not prepared for. Because of this Blanche begins to live in her own world, her own little fantasy. She also uses alcohol and sexual promiscuity to escape from the loneliness she has endured since her husband’s death. Williams shows us through the way Blanche speaks to the paper boy;

            Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may

One of the play’s main characters, Blanche, has by no means had an easy adulthood. She has had to deal with her sister setting off to New Orleans with her new husband, the death of her father, losing her own husband, and the loss of their family’s beloved plantation, Belle Reve. With all of this going on, Blanche disguises her pain and delusion, and pretends that is does not exist. In a way,