Stanley Williams Language Techniques Essay

He is a very dominating: he overpowers his timid wife, Stella, constantly, to keep her from leaving him. He is very proud of his American heritage, several times referencing to his being in the United States Army and is enraged when Blanche calls him "common," or a "Polack." He seems incapable of refinement, and does everything whole-heartedly: he claims to love Stella thoroughly and hates Blanche vehemently. Stanley is honest to the point of brutality, and he does not care about offending others. Further, He even brags to Mitch about raping Blanche. He despises Blanche because they are opposites. His hatred of Blanche is so great that he rapes her, causing her final mental breakdown.

In addition to segregation, dominance is seen once again when Stanley is unable to prevent Mitch’s desertion of the game. His violent outbursts are desperate attempts to exert his dominance. “Stanley gives a loud whack of his hand on her thigh.” it becomes apparent that his threatening words are not enough, and he begins using violence as a physical means of controlling Stella and frightening Blanche.

It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.

On page 13, Stanley is described fully, using stage directions. You can tell by the length of his description that Stanley is quite a complex character. The start of the stage directions read ‘Stanley throws the screen door open’, the verb ‘throw’ is very strong and follows the theme of men overpowering women which contextually fits in with the time period in which the play was written.

is. In scene 3, he “tosses” the radio out of the window. He wants to

He likes to possess and control everything around him, he almost ‘owns’ Stella, and he has changed from her days at Belle Reve, pulling her “down off them columns and how [she] loved it”. But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. Blanche encourages her to stand up to him, and continually stresses the difference in their levels, although Stanley is not ashamed that he “was common as dirt”. Therefore, the only way that he can overcome Blanche and restore his authority is to beat her and triumph over her physically, which he eventually does. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall.

Unlike Stanley, Mitch has learned to be sympathetic towards Blanche and her representation of femininity. Mitch however, still cultivates toxic masculinity when he does not bring correction to his friend, Stanley, when he sees him being openly abusive. He also allows Stanley to ruin his chances at happiness with Blanche.

Stanleys almost instinctive primitiveness is a major part of his representation in the book and this behavior of his leads to all the ways he overpowers and

Stanley Tookie Williams III was born on December 29, 1953 in New Orleans, Louisiana. At the age of six he moved to South Central's West Side neighborhood in Los Angeles. He was known as a fighter and running the streets of South Central's Westside. He attended John C. Freemont High School but was expelled and never graduated.

A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of

There are many scenes of physical violence present in the text, both stated and implied. It begins with the aggression seen with McLendon upon his entry into the barber shop, building up to the crucial moment where they have taken Mayes, to the implied murder through the lack of description of what happened to Mayes, concluding with the domestic violence McLendon has with his passive and mothering wife. The action of killing Will Mayes has been omitted to keep our attention on the causes of the violence. This point of view is written in an observer’s field of perspective where the observer is all knowing of the circumstances and details of each scene. From the physical violent elements such as the stifling scene of the barber shop to the emotional violent elements of the characters, such as when McLendon says “Are you going to sit there and let a black son rape a white woman on the streets of Jefferson?”(Faulker 50)

Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there.  The rape is his way of getting her there.  In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche.  What makes this scene so important to the topic is the way that the three characters react once the party has broken up.  Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner.  Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses.  Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing.  Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well.  He is a leader and instantly rises to the challenge whenever his status is threatened.

Tennessee Williams’s A Streetcar Named Desire portrays a dog-eat-dog world, in which the winner takes it all: a person not just watches out closely for his/her own interest but also preys on the weak. This portrayal is mostly embodied in the confrontation between Blanche DuBois and Stanley Kowalski, the two major characters in the play. The confrontation partly arises from difference in class, Blanche from high society while Stanley from low one. But most noteworthy is that the element that contributes the most to this confrontation is their desires for sex, money, revenge, and even survival of life. Over time, the tension between Blanche and Stanley grows to a climax and eventually goes down with Blanche, the weak, losing the battle while Stanley, the strong, standing out as the victor and taking away Blanche’s soul and body. Given this, in this dog-eat-dog showdown there exists ambiguous moments: Is the physical contact between Blanche and Stanley a rape, a date, or a rape-date? A look into this issue is in order.

In Streetcar Named Desire, domestic violence is a major theme. At the time that Streetcar was written, society ignored domestic violence. People knew that it happened, but they pretended that it wasn't important. Stella is married to Stanley and is part of a very abusive relationship. Stanley feels he has to show that he has all the power in the relationship over Stella which often leads to violence where Stanley would hit Stella or violently break stuff proving that he is the boss and more powerful than his wife. When Stanley got mad at Stella and he threw the radio out the window and attacked Stella. She left with Eunice and Blanche and Stanley begged for her back. Eunice said to Stanley "You can't beat on a woman an' then call' er back! She won't come! And her goin' t' have a baby!... You stinker! You whelp of a Polack, you! I hope they do haul you in and turn the fire hose on you, same as the last time!”(Williams 1. 3). The role of violence relates to this quote because it shows how even Stanley is affected by his own actions. His drinking causes him to weep after he feels sorrow from hitting Stella, but all he does the next day is give her money to show that he still loves her. Women were very easy to please in the past and would go back. Mitch said "Ho, ho! There's nothing to be scared of. They're crazy about each other" (Williams 1. 3.). By Mitch saying that shows that he either doesn't care that Stanley hits Stella, or he just doesn't think that it is big enough to be a problem. He doesn’t think it

In the play, A Streetcar Named Desire, by Tennessee Williams, Stella and Stanley Kowalski have a far from perfect marriage. In the Kowalski household ranking is set in stone; Stanley is the alpha and protects his ranking by emotionally and physically abusing Stella. Stanley is an aggressive husband but signs of a softer side peak through Stanley’s hard exterior creating two personalities. Stanley has destroyed the meaning of sex, using sex for physical satisfaction and creating a sense of desire for Stella. By using sex as a type of desire Stanley has created an animalistic need for sex. Stanley has contrived authority over Stella, creating a strained marriage. Out of panic, Stella has become Stanley’s enabler, returning to him regardless how hard the hit, Stella accepts the abuse. Stella has become so manipulated by Stanley that she believes that the abuse is a large part of marriage. Stella has grown so dependant on Stanley that Stella grows panicked by the thought of being without Stanley. The Kowalskis have become trapped in an endless cycle of domestic abuse. Stanley Kowalski’s control over Stella Kowalski creates an environment of fear.