Essay about Statue of Hatshepsut Seated

Therefore, Hatshepsut was summoned to rule on behalf of her stepson. Thutmose was crowned king but until the day Hatshepsut was deceased, the king had to compete with his stepmother-aunt. At first she acted as an advisor to the king, but being Hatshepsut was close to the throne all of her life, felt that “she had the most royal power as well as the purest royal blood in her veins.” After a few years passed, Hatshepsut presumed the Double crown and made herself king. Hatshepsut had a strong and vibrant personality and intended to overshadow her half brother as well as her husband. Thutmose III was still known as co ruler, but he remained in the background. There were many difficulties regarding her gender when she first came into rule, but it did not hinder her greatness. The inscription cutters often made mistakes as all the royal titles were in male form. She had to legitimize herself as female ruler, as she often did through art and statues.

A woman becoming Pharaoh had been almost unheard of in ancient Egypt until Hatshepsut was born. Hatshepsut was the second daughter of the pharaoh, Thothmes I. After her sister, Neferu-khebit, died, Hatshepsut was the next heir to the throne unless a male married her and became Pharaoh. After Thothmes passed away, Hatshepsut fearfully, yet confidently, claimed the throne and commenced one of the most successful She-Pharaoh reigns ever recorded. Pauline Gedge’s Child of the Morning explained the social, political, economic, and cultural aspects of ancient Egypt’s society during Hatshepsut’s reign as Queen and Pharaoh.

Hatshepsut is not only known for being a rare woman ruler during this archaic time period, but also for the representation of her in art- blending imagery of a male king with presentations of herself as a woman. During the early years of her reign, Hatshepsut had herself portrayed in the traditional garb of a woman. However, in the seventh year of Thutmose III’s reign, the year that Hatshepsut took over, she began to be portrayed in male attire, still attempting to further her legitimacy as Egypt’s ruler. The surviving representation in art varies on this masculine and feminine

In one respect, Hatshepsut is viewed as the female pharaoh who had a particularly unsuccessful reign that was devoid of any real achievements. Historians writing in the 1970’s and 1980’s often made sexist and unfounded assumptions about Hatshepsut’s rule, including her apparent scheming to take the throne from the

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

During her reign, Hatshepsut had started trading expeditions from Punt (present-day Eritrea) that brought ivory, ebony, gold, leopard skins and incense into Egypt. When Hatshepsut was trading with Punt, she utilized trade as a technique to give herself a chance to expand the economy of her country. In order for trading to be accomplished, Hatshepsut had established vital trade routes to aid in implementing exchange with other countries. As a result, Hatshepsut became the first monarch in the New Kingdom to trade with Punt. Through her action of expanding trades with trade routes, she demonstrated that she is an influential leader because she was not afraid to try new ways of making her country better and more prosperous. Along with trading with Punt, Hatshepsut had also traded with countries in west Asia which are in east of Egypt through her vital trade routes. Thus allowing boats filled with goods to be imported back to Egypt. In addition to expanding trade to help her country prosper, Hatshepsut had also built many great monuments such as the Palace of Ma’at, Gebel el Silsila, Chapelle Rouge, and the Deir el Bahri that exhibits the immense growth of her country. These tremendous monuments displayed that Egypt under Hatshepsut’s rule had prospered because it proves that the economy of that time was great since Hatshepsut was able to afford

Hatshepsut was the first woman pharaoh ever recorded in history. Although there are a few obvious breaks, this granite sculpture was put back together nicely. Because this piece is so important, the Metropolitan Museum of Art has to be careful of what to light up on the sculpture. This does not look easy because the statue is so massive, but the Met did a good job capturing the face with light, and the top of the orbs. The shadows also reflect how angular this statue really is, and the unrealistic body of the woman pharaoh Hatshepsut.

Amun and religion played a large role in Hatshepsut’s reign due to the use of a higher being to consolidate her reign. The limestone bust of Hatshepsut as Osiris, a portrait from her mortuary temple at Deir el Bahari depicts her as the male god Osiris, giving her a sense of power as she is depicted as a powerful god, god of

Let’s start with Pharaoh Hatshepsut. This amazing pharaoh was the first girl pharaoh. This pioneer ruled during the new kingdom, otherwise known as the Golden age. She ruled from about 1473 B.C.E to about 1458 B.C.E. This pharaoh encouraged trade in Egypt and in other civilizations. She made her government stronger by filling her government with royal advisers. She also wanted the same respect that people gave to rulers that are men. Some fun facts about her is that sometimes she wore a fake beard and she shared her rule with male

Senenmut, an excellent architect within Ancient Egypt who came from a large educated family, was appointed by Hatshepsut to oversee any royal works, as well as overseeing slaves, fields, and gardens. It is said by some Egyptologists that he initiated a very personal relationship with her—he was even a tutor for Hatshepsut’s daughter. This suggests that Hatshepsut befriended Senenmut for her own advantage, in order for her building plans to be carried out as she pleased. Not only did she effectively choose a skilled architect, but she kept high standards for the location for her memorial tomb. This was at a natural bay near the Theban Mountains, facing the entrance to the Amen-Re Temple at Karnak. This location was especially chosen because it was the existing tomb of her father, and had great importance as it was previously a cult center for Hathor (goddess of ruling kings). A new entrance was created with a staircase leading to a new burial hall carved out of rock. Although her choice called for those extensive alterations of the existing tomb, Hatshepsut wanted to be remembered as a highly regarded leader and appointed Senemut to carry out with those building plans. Hatshepsut’s choice resulted in one of the most beautiful temples in Egypt, known as Djeser Djeseru, meaning holiest of the holy. This specific project displayed Hatshepsut’s creativity

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

Ancient Egyptian and Greek statues have many similarities. Hatshepsut in a Devotional Attitude is an Egyptian statue from 1473-1458 BCE. It is almost 8 feet tall and almost 2.5 feet wide. It is made of granite and is a statue of Queen Hatshepsut, the wife of Tutmose III, one of the most dynamic egyptian kings of the eighteenth dynasty. The Marble Statue of a Kouros (youth) is an Archaic Greek statue from 590-680 BCE. It is a little over 6 feet tall and about 20 inches at its widest. It is the representation of a nude male figure and is made of marble. However, the artists of both the statues are unknown.

She was responsible for many famous buildings such as the enormous memorial temple at Deir el-Bahri. It is considered one of the architectural wonders of ancient Egypt. The temple Deir el-Bahri is a testament to the accomplishments of Queen Hatshepsut. By building many significant projects she left a huge legacy behind for historians and archaeologists to

At times, it was a Pharaoh, dominating their status over their subjects or claiming territory. Other times, it was of a god, showing the kingdoms religious devotion. The wealthy, high status and revered were also immortalized in stone, among other people of importance. This deduction helps archaeologists narrow their search for the face of the Great Sphinx.

Through the propaganda she used and hoodwinking of the general populace into believing that she was a man when she was quite obviously a woman, Hatshepsut was able to subvert the patriarchal order to become Pharaoh of Egypt in 1473 BC. By becoming the monarch, Hatshepsut forfeited her representation as a beautiful woman and instead “chose to be represented as a man in both statues and illustrations on temple walls” (Thomas, 2003, p. 9). In doing this she shifted the predominantly male-based system into one that accepted her as a female ruler. An ancient