Stefan Sagmeister : A Graphic Designer

Falling in love with detailed art work, he decided to attend the Rhode Island School of Design in which he earned his Bachelor of Fine Arts Degree in 1978. He started as an illustrator for other authors until his imagination and experience took over. His genre is mostly comprised of imaginative literature for pre/beginning readers. Some of his own book illustrations are single combined with doubled paged artwork.

In recent years, the rushing tide of typing has overwhelmed the once necessary skill of handwriting. As the days pass by computers and other 21st century electronics are becoming more and more a part human lives. Gone are the constant needs for pen and paper, often times all that is needed for notetaking is a laptop and working fingers. A recent article published by Anne Trubek titled “Handwriting Just Doesn’t Matter” analyzes the importance of handwriting in the computerized world that is lived in today, as well as through a discussion on the teaching of cursive and other handwriting exercises in schools. Using a mix of pathos, logos, and minor amounts of ethos, Trubek is able to comprehensively convince her audience that handwriting is not as important or useful a skill as it used to be.

Graphic design lives on a spectrum of consequences. The beginning of the spectrum houses the design that remains unnoticed by most. This idea is illustrated in the novel when the narrator begins to discard a chewing gum wrapper. The narrator would not have registered any thought on the wrapper’s design without the outside force from his graphic design professor. This is not an indication that the wrapper’s design was unsuccessful; the wrapper’s purpose was not to shock the internal working of its audience. In this case, ease is desired. The wrapper’s design remaining unnoticed is a reflection of all of the things it did

“Mrs. Pontellier had brought her sketching materials, which she sometimes dabbled with in an unprofessional way. She liked the dabbling. She felt in it a satisfaction of a kind which no other employment afforded her” (40).

Leslie Slater is a handwriting enthuses who believes that the future of technology is crippling our art of writing and her strong evidence suggest that she might be on to something. The tone in opinion piece is pure and evidential, Leslie mention a substantial amount of studies and she really worry about good old fashion ink writing.

His style for logos was minimalist and simple use of lines with the use of negative and positive space. He also designed US postage stamp "Science and Industry"

Throughout time, there have been countless artists, designers and typographers that had the opportunity to make a bold statement, invent the next best thing or to engrave their name in the design industry for all eternity. Although ordinary people don’t realize a good design when they see it, they know it has attracted them somehow and they feel the need to ask and wonder how it came to be. Without question, Eric Gill has note ably revolutionized the type world. Without him there would be no benchmark for humanist typefaces; without Gill, there would be no Gill Sans, the font that will consistently be seen as a crisp, clean and readable font; as all typefaces should be. Despite for his one notorious face, he has created 11 typefaces, wrote

Abi Howe is an 8th grade student who spends her free time laying on the couch and forcing herself to get out of bed. When her parents won’t let her do nothing she is kicked into the swimming pool and onto the tennis courts, but she will willingly go to volleyball. Now, trying to be serious, she took quite a bit of time to pick the perfect font, and works very hard when she feels like it. Abi surprises herself by getting straight A’s and tries very hard to keep them that way. Abi enjoys reading and drawing but has always lacked an artistic

It is almost impossible to imagine how many lives Seymour Chwast has touched with his work. Chwast was and still is the driving force behind the creation of countless advertisements, book covers, magazines, and other works of art. It would be difficult to imagine the field of graphic design without his influence.

Saul Bass was born to a Jewish family in 1920, studied at Brooklyn college and got his start working for commercial companies after he moved to Los Angeles. Bass became involved with opportunities in Hollywood and ended up creating a name for himself. In fact, Saul Bass is responsible for many iconographic logos that we see almost every

known in the industry by his advertising and illustrations. A lot of attention was given to

Graphic design set its first roots in Germany in 1455 with the introduction of the Blackletter typeface and Johannes Gutenberg’s Gutenberg Bible. Coined as the godfather of printing Gutenberg helped to spread Blackletter in popularity. With the advent of Martin Luther’s New Testament, however, a schism was created between those that chose to use

Paul Rand, a top influence in the field of design brought America into the modern era of design. This study will give a background to Rands life and how his upbringing impacted his future endeavors. It will then cover his primary works and discuss work that became a defining part of his career and the industry. Following that, it will discuss how Rands work in advertising and Corporate Identity set the groundwork for today design thinking. Finally, the thesis will examine modern designers that sought out Rand as a source of inspiration. This thesis will look at why Paul Rand is said to be one of the most influential graphic designers in history, and why his principles translate into good design that resonates for generations to follow.

During the time, a man named A.M. Cassandre, an immigrant from Russia, designed posters for travelers. His art work too was simple shapes and colors, so his designs were classified as Art Deco. He soon immigrated to the US, and ended up designing fashion magazine covers. Another artist of the Art Deco era is Karl Schulpig. He was known as being the father of all modern logo designs, also because of his Schulpig woodcuts. Schulpig also designed the meaningful facial expressions for theatre.

He also worked at freelance in London between 1972 up to 1979. He is a member of the German Design Council board and past president of the International Society of Typographic Designers (ISTD) and the International Institute for Information Design (IIID). He is also a professor at the University of the Arts in Bremen and he received an honorary doctorate from Pasadena Center of Art. As a typographer, he has made many accomplishments in his life such as being the founder of the following typefaces: FF Meta, ITC Officina, Lo-Type, FF Unit, Berliner Grotesk, FF Info and many more.