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Stephan Crump's Jazz Review

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Stephan Crump, an extraordinary bassist/composer of great sophistication, puts together a brand new quartet whose freshness, robustness, and creativity are to be praised. Rhombal showcases a knock-down frontline composed of Ellery Eskellin on tenor saxophone and Adam O’Farrill on trumpet, and a persuasive rhythm section with Crump and the drummer Tyshawn Sorey. They blend funky grooves and avant-garde artistry in a fascinating way. “NoD for Nelson” makes a strong entrance. The initial vamp boasts a gracing urban groove that consistently supports the reedists’ work, whether playing in unison or individually. If the ingenious young O’Farrill stands out on this opening tune, the astute Eskelin is impressive in “Grovi”, which gently flows with its laid-back posture and luscious melodies. It also shows a pretty active Sorey, who …show more content…

“Loose Bay” captivates through enigmatic undertones. Crump’s occasional bowed bass intensifies the atmosphere while O’Farrill and Eskelin deliver beseeching and steadfast solos, respectively. A danceable funk-rock returns with “Eskima Dream”, vigorously delineated by the obliging rhythm section and adorned with terrific horn unisons and counterpoints. “How Close Are You”, a dainty ballad of complacent melody, opposes to the confidently swinging “Tschi”, just before we get to “Birdwhistle”, the only tune exceeding ten minutes long, which levitates with a sort of hiccupped melodic phrases. Crump’s fluidity and tempo, together with Sorey’s combustible drumming, weave an exciting foundation for the improvisers. Throughout Eskelin’s raucous solo, the tune plunges into avant-garde territory before returning to the groovy head. The enchanting “Pulling Pillars-Outro for Patty” closes the cycle in a well-marked 6/8 time

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