Stephen Crane's Maggie: A Girl Of The Streets

Even thought Pete does not show caring emotions, his actions say all the words. For example: Donald said, "Pete do you ever dream about me?" Pete replied with, "What kind of question is that? Of course I don't dream about you." He said untruthfully. (pg.367). This is one of the only parts in this short story that shows the reader a very small part of Pete's soft side. Another example compares in a similar way that Pete does in fact have a connection with his only brother Donald. "There was something wrong with me, and you were helping me out. Taking care of me. Just the two of us. I don't know where everyone else was supposed to be." Pete said. (pg. 369) If someone were to analyze only this part of the story it would portray that in his dream he depended on Donald. When he says it was just the two of them, it gives the reader an idea that was the way it was supposed to be, that Pete didn't need anyone else in the world to help him but only needed the person he could truly rely upon. Dependency is one of the main concealed habits between siblings, not only growing up, but continuously throughout one others life. Another common inconspicuous idiosyncrasy is rivalry.

Have you ever noticed how some people just stand out from the crowd? Like the clouds in the sky and blades of grass, people are all different. “Everyday Use” by Alice Walker has a good example of an interesting, unique character. Maggie is a young girl who is not only physically but also mentally scarred. The way the burning house, her stuck-up sister, and society affects Maggie makes her different from everyone else.

“[E]nvironment is a tremendous thing in the world, and frequently shapes lives regardless.” (“Although it’s origins…”) Stephen Crane was influenced to write his 1893 novella, Maggie: A Girl of the Streets, as a result of his religious family, the secrecy to publish a novel that reveals the reality and impurity of the real world and from the impact of needy, urban landscapes that ended realism and began naturalism.

     Maggie is shamed from her scares of being burnt by their previous house. As her mother describes, "She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to

The way the burning house, her stuck-up sister, and society influenced Maggie make her unique in relation to others. Maggie was so damaged from her home burning down that she turned into a meek and undervalued young lady. Maggie is so unsure that her mother says she walks like a dog run over by a car: “chin on chest eyes on ground, feet in shuffle, ever since the fire that burned the other house on the ground.” This demonstrates that Maggie absence of self-confidence make her frightened to look. She imagines that on the off chance that she can’t see the individuals around her, then they can’t see her. What’s more, Maggie’s discernible scars have impacted on the way she conducts herself. As indicated by Mama, when she was pulling Maggie out of the fire, her arms were adhering, “her hair was smoking, and her dress was tumbling off her in minimal dark papery pieces.” This is huge light of the fact that indicates how much the flame really physically scarred her. This additionally clarifies why she is so apprehensive about individuals seeing her. Maggie’s apparent compressed version of confirmation in herself is created basically by the fire. The barbaric way Maggie’s sister, Dee, presents herself awful impact on Maggie’s certainly. At this point when Dee inquired as to whether she can have some unique quilts and Mama says no on the grounds that she

Maggie feels terribly unloved in her marriage with Brick. Because of her unfulfilling marriage with Brick, she seeks affection and attention with someone close to Brick. In addition, when Mae interrupts Maggie and Brick from conversing by talking about her own children and how adorable they are, Maggie says, “why did y’give dawgs names to all your kiddies... sounds like four dogs and a parrot”(29). Maggie has a grudge Mae because she has many children with Gooper. Maggie feels insecure about having children, so she mocks Mae and her offspring to reassure herself and make her self feel better. Margaret has a dreadful relationship with Brick and also with Mae and her kids.

Maggie is described as being unattractive, very shy and self-conscious about the way she looked. Maggie always looked down at herself and thought she could not compare to her sister. She thinks her sister lives a life that she missed on, by getting an education and having the finer things in life. The scars she has on her body from the house fire done more than just scare her skin but has scared her soul too. Maggie, mother talks about her daughter in a way a person would think no mother should ever do.“ Have you ever

On the other hand, lies Maggie, who is not homeless nor an orphan when she is introduced to the reader. She lives in

In the opening stages of the novella, Maggie tries to escape her troubling life through her relationship with Pete. As Maggie grows up, she becomes a beautiful girl who hates her life in Rum Alley. She sees Pete as a savior who could lead her away from her poverty stricken life and bring her into the world of leisure because he introduces her to popular music, dances, and dramas, all of which seem extravagant to her. Maggie “begins to note the well-dressed women she meets. She [envies the women’s] elegance (11).” Most of the melodramas that Maggie watches with Pete show the American dream of a person going from rags to riches, which is a goal that she thinks Pete will help her in achieve.

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

Maggie, who is self-conscious of her appearance, and will “stand hopelessly in corners, homely and ashamed of

Without taking note of how many people make up Maggie or Huck’s, their poorly functioning homes are almost exact when considering their chaotic and unpredictable nature. With a mother like Mary and a father like hers, it can hardly be surprising, the novel implies, Maggie grow up as they do. Nonetheless, Maggie and Huck are seldom aware of what mood the drunk/abusive parent might be in.

Maggie grew up in poverty, living out her childhood in a shabby apartment in Rum Alley. This poverty influenced her beliefs. The story says “when Pete arrived Maggie, in a worn

He seemed to be doing better than Maggie, and could provide a way to a better life. Pete showers attention upon Maggie, leading her to believe that he is genuinely interested in her. Sadly for Maggie, Pete is not what he seems to be. He works in a bar, and regales Jimmie and Maggie with tales of the fights he got into at his job (Crane 969). His attitude is one of fighting, and he’s proud of that fact, which a reader would be hesitant to trust. Even his shoes are described as “[looking] like murder-fitted weapons” (Crane 967), which seems to scream that he’s not a man that is going to do better. Maggie doesn’t realize this, though, when she must decide whether to go with him or stay home after the battle of her mother and brother. For her, it’s either a chance to remain the way she’s always been, or the possibility of improvement. She chooses Pete, which leads her to the downward spiral ending with prostitution and death. Maggie could have avoided this by saying no and staying home. Her life may not have led to grandeur, and instead meant a life in a terrible factory, full of monotony and unhappiness, but it would have kept her away from the awful place she ends in. Even if neither option was fabulous, she did have a choice.

Crane’s Maggie: A Girl of the Streets opening scene features violence, which is a taboo subject during the time period he wrote the piece; “His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head”(946). The three children experience abuse, both physical and emotional, from the mother and the father in the early chapters of this work. Stephen Crane states, [ Youse allus fightn’, Jimmie, an’yeh knows it puts mudder out when yehs come home half dead, an’ it’s like we’ll all get a poundin’ (949).] Furthermore, this abuse is evidenced by the following quote from Stephen Crane [The mother’s massive shoulders heaved with anger. Grasping the urchin by the neck and shoulder she shook him until he rattled(949).] Violence is a