Stereotype Of The Angry Black Woman

Black women are always the leading role and image of negative identity. With the many amounts of stereotypes and verbal imagery, people will remain persuaded across the United States to believe such biased standards. They are persuaded to view Black women as characters in storytelling about incapable gender, race, and social class. Being slandered by the same oppressors who statistically rates them highest amongst all other races of women, also strips them morals, worth, and labels Black women destined for drug-abuse and incarceration.

Finally, black women are stereotype for being gold diggers, video vixens, and jezebels. Black women that are gold diggers exchange sex for money or gifts. These women are not committed in a relationship with men. They are sexually active and seek for sexual favors (Wallace, Townsend, Glasgow, & Ojie, 2011). For example, Hugh Hefner the founder of Playboy has 3 to 4 Playboy Bunnies (girls) that live with him in his mansion. These Playboy Bunnies have sex with Hef for fan and gifts. Black women that are video vixens appeared in hip hop music videos. These women are female models that exploit their body. They can be seen dancing in videos with their boobs and butts out. For example, Draya Michele is a video vixen. She appears in many videos

epitome of what black woman are portrayed as in the media. Because there are so many movies, shows and celebrities that have a strong and outspoken persona of black women, this is all these females are perceived as. This stereotype negatively affects those African American girls that are more modest in terms of personality. The views of black women are only seen as that one way by society, while there are many different types of personalities in the black female

In the film ‘Crash’ directed by Paul Haggis in 2004, several lives cross paths because of an adage, ‘it’s a small world’. The characters come from different backgrounds and social class, consequence, the underlying tone of race is presented in a facet which is a cause for concern. In today’s current tension infested race topic, stereotypes tend to push the notion that one’s perception of race, gender and class must be reality. The question becomes, where does an individual develop these notion and perception and does the blame belong to media and film. Looking at the movie ‘Crash’, it was nominated for over 100 awards and won 3 Oscars; impeccably depicted the intertwining of gender, race and social class that one would assume that the movie’s a depiction of reality. One may conclude that movies are responsible for the perpetual class and virtue given to the middle and upper classes only. Although Parenti’s belief that Hollywood films always attach virtue to the well-off middle and upper classes this is not always the class. Hollywood media and films are guilty of assigning privilege to some and strife to others, however the characters in the movie Crash, Brenden Fraser, Chris Bridges and Thandie Newton all form different economical classes display different types of class and virtue.

Using the language of the moving image, which includes cinematography, editing, sound, music and mise-en-scene, this essay will investigate the ideology of Racism in film. OxfordDictionaries.com describes racism as “Prejudice, discrimination, or antagonism directed against someone of a different race based on the belief that one’s own race is superior.” When we, the audience think of racism in film, we traditionally think of movies for adults and often overlook the sinister aspect of racism in children’s films. I have chosen to contrast a recent R-rated film with a G-rated Disney movie from the 1990s. Disney films, even up until the 1990s have persistently reinforced the image of blacks or latino and asian races as being below whites. The

Media always find a way to portray women as sexual object. What’s so upsetting to me is how society portrays women and its always one particular group that stands out the most. Just take a great guess on what group you think stands out the most. Yes you guessed it right, Black women in media always have a very negative view. Media supports negative stereotypes about African American women by showing them in an objectifying darkness. I feel society has to bring down a particular group and that group is black women. The images of black women is very negative falling typically into the stereotypical categories as “Gold Diggers, Mammy’s, Jezebels, Baby Mamas, Uneducated Sistas, Ratchet, Angry Black Women, Unhealthy Women, and my all-time favorite,

Black women’s bodies have always been seen as different. They are deemed as exotic and highly sexual because of the protruding nature and curvaceous shape of their hips, butts, and breast. An example of this exoticism and ridicule can be traced back to the early 1800s. Sarah Baartman, also known as the “Hottentot Venus” became an object of fascination, degradation, and humiliation. Her features were not foreign to Khoisan Women. However, the Europeans who kidnapped her and the people who went to view her body as an exhibit could not believe how big her butt, breast, and hips were. Sarah did not fit into the white standardized image of the body, so her body was seen was unnatural and even un-human. One online magazine writer asserts that, “what

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, asexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. The typical stereotype about Black men is the violent, misogynistic thug, and the ever-enduring pimp. These images portrayed in media and popular culture createpowerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women

Sapphire or the angry black women is one of the common stereotype associated with an African American woman. According to class, sapphire is the ideology that portrays black women as rude, loud, malicious, stubborn, and overbearing. Black women are harsh and mostly identified to put black men where they belong. Furthermore, it was discussed in class that the sapphire caricature mocks and belittles the African American man, who they are in often in conflict with. According to Jim Crow Museum, black women often mocked African American men for being unemployed and chasing after white women (The Sapphire). It was said black women acted this way because they were fearful about losing their partners. These stereotypes forces black women to be categorize into things

Discrimination, racism, classism, prejudice and more plague today’s society. These horrible issues do not affect one race, sexes, class, ethnicity, or age group; these issues affect all races, both genders, all ethnicities, and all age groups. For this film analysis, I have chosen to discuss the racism portrayed throughout a three-time Oscar award winning movie called Crash.

Samuels (2011) analyzes different television shows in an attempt to draw the conclusion of the portrayal and demeanor of African American women on television. Using current African American dominated shows that attract viewers such as “Love and Hip Hop”, “Real House Wives” and “The Bad Girls Club”, Samuels came to the conclusion that these shows use black women to justify the stereotype of the “angry black woman”. Although Donald Trump’s show “Celebrity Apprentice” is not an African American dominated show, Samuels uses it as an introductory and perfect example that black women are used on television as a whole to exemplify this stereotype when Star Jones and NeNe Leakes are shown arguing. Samuels analyzes simple things such as facial expression, movement and gestures on a variety of television shows that feature African American women using it as proof that it defines them as the angry black woman because Caucasian women do the complete opposite when being analyzed through the shows. When taking a look at VH1’s “Basketball Wives” and “Love and Hip Hop”, Samuels noticed that each show had a pattern and contained a confrontation between the women or the threat to do bodily harm to another person.

A few other stereotypes that are commonly found that depict the Black community in television, is mother’s who are single, working as a server and raising a few kids. That Black women are always increasingly louder and often more physically violent than White women, often being more sexualized too. In nineteen ninety-six, in the top released movies of the year, it was found that Black women used vulgar language eighty-nine percent more than White women; as well as being more physically violent by fifty-six percent (Entman & Rojecki, 2000).

Women of other categories like Asians, Latinas and Native Americans face similar stereotypes to Black women. The two Black women stereotypes that Asians, Latinas and Native Americans can be compared to are the Mammy and Jezebel stereotypes. These stereotypes are either a threat to masculinity or an ideal way to be feminine in the male thought.

In Patricia Hill Collins’ “Mammies, Matriarchs, and Other Controlling Images,” she illustrates four main stereotypes that Black women face. The first controlling image applied to African American women is “The Mammy.” The mammy is the faithful, obedient servant to the white family and the stereotype attempts to hide the fact that black women who work for white families are being exploited. By loving and caring for her white “children” more than her own, the mammy symbolizes the dominant group’s perceptions of the ideal black female relationship to elite white male power. The smiling mammy signals her agreement with the situation, seemingly accepting her subordination (Collins, 71). Next is the image of the Black matriarch (Collins, 73). According to the stereotype, they spend too much time away from home, are overly aggressive and unfeminine, and allegedly emasculate their lovers and husbands. This stereotype attempts to control conduct by punishing black women for assertiveness and hides the oppression by making it seem that black women are naturally this way (Collins, 74-75).

Patricia Hill Collins addresses the issue of how focussing on the naming of particular struggle can become a “political distraction” from gendered racist and sexist oppression that Black Women face (Alexander-Floyd & Simien 2006) Collins contends that womanism “exaggerates out group differences and minimises in group variation by assembling a stable and homogenous racial group identity” (Alexander-Floyd & Simien 2006) potentially, this comes with the ubiquitous essentialisation of Black Women struggles, which denies varied experience of Black Women who align with various social-culture heritages.