Stereotypes In A Cinderella Story

The second mythology placed on black women was that of Mammy. ”Mammy was the woman who could do anything, and do it better than anyone else.” (White, 47) Mammy was basically the super nanny of the plantation who lived in the house, she would oversee the kitchen, manage the household and at sometimes raised the white children. Mammy was also so respected that she often served as friend and advisor to the master and mistress. (White, 48) Mammy was often called around the clock to and was expected to be available for assistances and nursing at anytime. From the chapter it could even be concluded that Mammy was asexual, maternal, and virtuous with nonexistent sexuality, the complete opposite of Jezebel. The Mammy mythology is as misleading as the Jezebel image. The image

Our culture is full of fairy tales. Girls are taught at a young age about Prince Charming and happy endings while boys are taught to be the girls’ heroes. They are taught these dreams and desires through fairytales and movies. These fairy tales started out as entertaining stories, but as they were handed down from one generation to the next, they slowly became more than that. They became bedtime stories for children, and as such, they have great importance because they teach children how to be in the world. One such fairy tale I want to focus on is Cinderella.

The danger of a single story is that they let the powerful downgrade the weaker because they create stereotypes, they can hurt the people, and no one gets represented from the culture.

All African-Americans have been portrayed in stereotypical roles since their arrival into American society for the entertainment and amusement of others. Many people find it difficult to appreciate the diversity of the African American women. So instead of trying to do this, they create identities based on negative stereotypes. There are several negative stereotypes associated with the African American woman. The Mammy archetype is the one chosen to be analyzed in this essay. Collins described the mammy as “-the faithful, obedient domestic servant. Created to justify the economic exploitation of house slaves and sustained to explain Black women’s long-standing restriction to domestic service…” (72) She is commonly seen trying to soothe

In her novel, Cinderella Ate My Daughter (2011), Peggy Orenstein describes that in today's society, young children are exposed to feeling obligated to be the best girl (or boy) they can be in society. They are not free to be themselves. She discusses this topic by first address the issue of “Disney Princesses” and how they can play a major role in what a girl chooses to do in their life. Next, she talks about how it’s not the children who choose the specific lifestyle, the parents play a major role as well. Finally, Orenstein expresses the idea of children and the internet. Her purpose is to explain that there is a major separation between the two genders and how it plays a major role in how people act during their day to day life. The audience consists of mothers who want to learn how to let their children be themselves and feminists.

African Americans have consistently been the target of cinematic and television comedy. Considering African American women, the Mammy has emerged as an icon throughout the 20th century, representing the foil to American white women (cf. Atkinson, 2004: 3). Having its roots in antebellum Southern America, the Mammy “was an important figure in the socialization of white Southern children” (DelGaudio, 1983). Considerably, various depictions of the Mammy present her performing arduous domestic duties in the household of their slave owners. Therefore, the Mammy replaces the white lady in educating and taking care not only of the white children but also of the home (cf. Jewell, 1993: 38). In their work, Jennifer Bailey Woodard and Teresa Mastin stand their

A fairytale that almost everyone knows is Cinderella. Cinderella is about a young girl whose father decides to remarry after her mother dies. The women who he remarries is evil with two evil daughters. As Cinderella's father is out of town for various things the evil step-mom makes Cinderella do all the chores. They treat her like a servant rather than someone apart of the family. Since Cinderella has no friends she becomes friends with animals who help her complete her daily chores. One day they receive an invitation to a ball. Cinderella is allowed to go if she completes a set of chores but Cinderella ends up staying home while her stepmother and stepsisters go to the ball. Cinderella's fairy godmother shows up and makes her beautiful (changes her dress, etc) but says she has to be home at midnight because her beautiful dress will disappear and she'll go back to her old self. She goes to the ball and the prince falls in love with her but she has to leave at the strike of midnight. As she is running out of the ball she loses one of her glass slippers. The prince searches town for Cinderella. He then finally finds her and they live happily ever after.

What people see is not necessarily all they get; there are more significant aspects that encompass what people use, hear, or see, besides the obvious messages employed throughout popular culture. It is not uncommon to find hidden messages within our culture today, especially in the context of movies. One movie in particular, the newest Cinderella, is full of these hidden messages. Besides the common message that is employed throughout Cinderella over and over again, the message to “have courage and be kind”, there are several hidden meanings that are often not discovered by viewers. These messages include “being a light” when surrounded on all sides by darkness, believing in the unbelievable, recognizing the fact that parent’s greatly influence their children, and seeing that it is okay to want a happily ever after kind of love.

Disney makes over $3 billion on their Disney Princess products every year and now have over 25,000 items in their princess collection (Orenstein 2). Disney has played a big role in shaping not only societal viewpoints on what young girls should like, but also what little girls believe they should enjoy as well. Gender stereotypes have been around for a long time, but now with technology advancements, such as media in western society is able to play a bigger than ever role in influencing people’s perspectives. Not only do we see gender roles and stereotypes in television shows, but also in advertisements and in children’s toys. Although many readers of Peggy Orenstein’s “What’s wrong with Cinderella” have argued that the princess culture is corrupting today’s young girls and making them more dependent on men, a closer examination shows that many girls grow out of the princess phase with no negative repercussions and choose whatever passions they want.

In Patricia Hill Collins’ “Mammies, Matriarchs, and Other Controlling Images,” she illustrates four main stereotypes that Black women face. The first controlling image applied to African American women is “The Mammy.” The mammy is the faithful, obedient servant to the white family and the stereotype attempts to hide the fact that black women who work for white families are being exploited. By loving and caring for her white “children” more than her own, the mammy symbolizes the dominant group’s perceptions of the ideal black female relationship to elite white male power. The smiling mammy signals her agreement with the situation, seemingly accepting her subordination (Collins, 71). Next is the image of the Black matriarch (Collins, 73). According to the stereotype, they spend too much time away from home, are overly aggressive and unfeminine, and allegedly emasculate their lovers and husbands. This stereotype attempts to control conduct by punishing black women for assertiveness and hides the oppression by making it seem that black women are naturally this way (Collins, 74-75).

Writer Ngozi Adichie says a feminist is a “person who believes in the social, political, and economic equality of the sexes,” meaning both sexes are treated equally. “Cinderella” does not portray women as equal to men, rather it suggests that a woman’s value highly depends on a man and teaches girls to become patient victims. For instance, it places attention on a woman’s chastity, beauty, passiveness, as the story accepts abuse, discourages powerful women, and insists on a double standard.

When I was only a little girl, I had been told that true beauty came from within. Yet as I grew up, I noticed that looks mattered. From their attractiveness, race, age, or gender, anyone’s image was always up for scrutiny. Under those circumstances, I grew up thinking that if people were to judge me based on my appearance, that I should judge them the same way. Though, as I became older, I at some point learned that how a person looked wasn’t always in their range of control. A person simply isn’t born with the choice of picking what they look like, nor are they born with the choice of having a genetic disorder or disease. In that case, I believe that nobody should be defined purely based on what they look like.

Each person in the world has heard of Cinderella, no matter what kind of version it may be. Cinderella is the one fairy tale story that has been popular and will always be the one tale that has to be told to children. Words and story lines might be twist and turn, but in the end the knowledge of the story will be learned in similar ways. As we all know when one story is told another is created, when one is at its best then another is at its worse. One version will always be better than another, but no matter what version it might be the story will be told.

Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She

African Americans have consistently been the target of cinematic and television comedy. Considering African American women, the Mammy has emerged as an icon throughout the 20th century, representing the foil to American white women (cf. Atkinson, 2004: 3). Having its roots in antebellum Southern America, the Mammy “was an important figure in the socialization of white Southern children” (DelGaudio, 1983). Considerably, various depictions of the Mammy present her performing arduous domestic duties in the household of their slave owners. Therefore, the Mammy replaces the white lady in educating and taking care not only of the white children but also of the home (cf. Jewell, 1993: 38). In their work, Jennifer Bailey Woodard and Teresa Mastin stand