preview

Stereotypes In 'Belle And Beyond The Lights'

Better Essays
Open Document

Introduction For the longest time society has strived to use a classification system to group people and things together according to common relations or affinities. These classifications are meant to define who a person can be and who they are; however, society is quickly learning that trying to sum up everything a person is into a narrow classification is extremely complex. This paper is an exploration of the complex intersection of race, class and gender in their textual and sub-textual representations in the films Belle and Beyond the Lights.
Film Summaries
Belle
The film Belle written by Misan Sagay directed by Amma Asante takes place during the 18th-century in England and “depicts the fraught life of Dido Elizabeth Belle (Gugu Mbatha-Raw), …show more content…

The director uses two significant scenes to present this to the audience: one of Dido sitting in front of a vanity mirror attempting to rub the color out of her skin and another of the family hosting potential suitors where Elizabeth shows her talent of singing and playing the piano and once she is finished one suitor requests Dido to show her talent where she then plays a much more intricate piece on the piano. The director shows Dido’s struggle with race as both internal and external in the film. Internally she struggles to accept herself as well as be accepted internally by her family. Externally she struggles to find justice for those like her other half—the slaves. Dido attempted to balance both her connection with whites and blacks even though society tried to make her choose one without fully identifying her as a whole one or the …show more content…

Noni learns that her mother was basically disowned for having a black baby at a young age and she felt that she needed Noni to become of something to prove all of the naysayers wrong. Viewers then learn that Noni’s core issues are with her mother—the first person that essentially made her feel less for being different. The director was able to incorporate race in the film without strong-arming the audience and without falling into the genre of being a traditional “black film”.
Class
Race and class representation in films often intersects with one another. Class representation within films typically follows dramatic stereotypes that have become associated with the variations of class. The directors of both films were able to demonstrate class in unique ways throughout the viewing of the films. Belle highlights class in a way that many would perceive to be traditional while Beyond the Lights depiction of class requires a more in-depth look.

Get Access