Stereotypes In Daisy Miller

Daisy knows that she is marginalized. When her daughter was born, she claimed that, “the best thing a girl can be in this world [is] a beautiful little fool” (17). It can be argued that this statement is actively perpetuating the substandard roles of women in the 1920s. However, Daisy is limited in her power, and she knows this. She wants her daughter to be protected. Daisy is not happy in her marriage. She is surrounded by wealth and affluence, but her husband is cheating on her and she does not want to be in the marriage. But, she has to act the fool. She cannot cause a

Gender and sexuality – Gender plays a large role in the story of Daisy Miller. In the beginning and at the end, Winterbourne is known to be “studying” in Geneva. What this really means is that he is spending time with older, foreign coquettes. On the other hand, Daisy Miller is heavily looked down upon especially when she is in Rome. When Winterbourne arrives in Rome, his aunt tells him “When she comes to a party she brings with her a gentleman with a good deal of manner and a wonderful mustache.” Also, people continue to question her actions throughout the novella. For example, when Daisy Miller explains that she is going to the Pincio, Mrs. Walker replies with, “Alone, my dear—at this hour?” The carriage scene is another example of this happening. Both Mrs. Walker and Winterbourne tell her that she should go home because they are worried about her reputation being ruined by her walking the streets of Rome. In conclusion, Winterbourne is never confronted about what he does with older foreign ladies whether it is in the beginning or in the end of the novella. However, Daisy Miller’s actions are criticized. Both gender and the attraction between Winterbourne and Daisy Miller play a large theme. Winterbourne’s ultimate desire is to have Daisy Miller to himself to ultimately marry

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Daisy puts up with her husband’s infidelity because of the benefits he provides, his background, his “old money”, and his reputation. When I talk to Daisy she’s always quite cheerful and peppy, but there are moments when I see how sad and lonely she is, “'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool – that's the best thing a girl can be in this world, a beautiful little fool… you see I think everything’s terrible anyhow… I’ve been everywhere and seen everything.” (17) In a society corrupted by greed and scandal, the best thing that one can hope for is to be too stupid to realize what’s actually going on and therefore not get hurt.

In The Great Gatsby by F. Scott Fitzgerald, characters are depicted as corrupt human beings influenced by their own personal agendas. With an indistinguishable line between right and wrong, they remain unaware of the consequences that follow their actions. Daisy Buchanan is portrayed as the “golden girl” of her time. She is the woman every man wants to call their own, although they only focus on her superficial features rather than personal qualities. Throughout the novel, her true self begins to unfold, displaying how she misleads others to protect her social stature and reputation. Daisy’s submissive nature continuously hurts the people she cares about by allowing her to engage in dishonest activities.

In Henry James’s “Daisy Miller” and Edith Wharton’s “The Other Two,” the narrators each disclose the complications of their party’s social formalities during circumstances within their own society. In both short stories, Winterbourne and Waythorn try to figure out their adored ones character and motives but for different reasons. In “Daisy Miller,” it’s noticeable that Mr. Winterbourne ends up longing for Daisy Miller as he tries to fully categorize the character she’s carelessly ruining. While in “The Other Two,” the narrator examines a society of how a married couple, Waythorn and Alice, adjust to an awkward

Daisy illustrates the typical women of high social standing; her life is moulded by society’s expectations. She is dependent and subservient to her husband. She is powerless in her marriage.

The women in the novel, Jordan, Daisy and Myrtle, are often seen as immoral. How do you respond to this, taking into account the novel’s social and cultural context?

James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.

Taking Daisy with appreciation and without alarm, we also re-read her character and re-evaluate her moral status. We (the readers) seem to meet James’ sophistication with out own, by agreeing on a mixed interpretation of Daisy: she is literally innocent, but she is also ignorant and incautious. (1)

“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is

Daisy Miller, a novella written by Henry James, and A Doll’s House, a three-act play written by Henrik Ibsen, are both set in the late 1800’s. Women were not allowed much freedom from their husbands at this time. They could not own property, keep their own wages, or enter into contracts on their own. For example in A Doll’s House, Nora was not allowed to borrow money without her husband's help but Nora did not want her husband so she had to lie. Nora plays her role as a women in the play A Doll’s House just like the women of that time normally would, until the end when she gains courage to stand up to her husband. In Daisy Miller, however, Daisy does not fit in with the role women would normally play. The heroines in each of the stories have significant roles

In 1878, Henry James wrote, Daisy Miller, a novella about a young American girl and her travels in Europe. Daisy Miller is a complex short story with many underlying themes such as appearance versus reality, knowledge versus innocence, outward action versus inward meditation, and Nature versus urbanity. In this short story, one is left to judge whether Daisy Miller, the main character of the story, is “a pretty American flirt” or a misunderstood, modern young woman. By probing into the complexities and contradictions of Daisy’s character, it is obvious that Ms. Miller is merely a misunderstood young woman.

When Winterbourne first meets Daisy, he is willing to accept her for the vivacious young American girl she is. Although Daisy's customs are not what are expected of young girls in European society, Winterbourne is charmed by Daisy and her original ideals. He defends Daisy to the aristocracy, claiming that she is just "uncultivated" and is truly innocent. As the story progresses, Winterbourne finds himself questioning Daisy's true nature in comparison to the standards of European society. Winterbourne's opinion of Daisy changes from acceptance to condemnation as his tolerance of cultural standards is clouded by the prejudices of the European aristocrats.

Daisy Miller" by Henry James, is a study of a young American girl's rebuttal of all things "proper" and refusal to conform to social standards. One can see that realism is apparent throughout the text. The characters utilize free will throughout, are affected by their environment and familial relationships, and ultimately make their own choices. These choices eventually affect the outcome in an unhappy ending. Jame's creates characters that encompass both sides of the social sphere in this work. Winterbourne, Mrs. Costello and Mrs. Walker are all individuals that come from old money, a higher societal background, and expectations of what is deemed right and proper. In contrast, Daisy Miller, Mrs. Miller, Randolph and Eugenio are the opposite in many ways coming from an average societal realm and more realistic, modest lifestyle. Winterbourne has a rather telling conversation with Mrs. Walker and her statement to him upon asking what exactly it is that Daisy does that pushes "too far" sums up the overall reputation Daisy is establishing for herself. "(she does) Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o'clock at night"(James, p. 1537). Daisy's ability to make her own choices and follow her free will are aspects of realism which writers began to utilize. Again, her environment and family most definitely affect her behavior.