Stereotypes In Gran Torino

After watching the movie Crash in class it was immediately added to the list of my favorite movies. I have always been a huge fan of mystery movies. When I say mysteries I don’t always mean murders or crime but those that don’t quite make complete sense until the end. Crash is that type of movie.

Films represent groups to differ from one another due to their physical characteristics. This is especially true in Clint Eastwood's f2008 film Gran Torino. The film follows the changing attitudes of Walt Kowalski, as he learns that cultural difference between himself and his Hmong neighbours are only surface deep. Walt's friendship with his neighbours evolves into a need to save them from the Hmong gangs who harass them, and in doing so, find his own salvation. The characterisation of Walt challenges the stereotypical representation of both the elderly, and war heroes. The representation of the Hmong also challenges dominant attitudes towards this group of people, revealing them to be very similar in values to Walt himself.

The movie Crash is about people with different types of background, ethnicity, religion and lifestyle. Everyone is different from the things they believe in to the color of their skin. But in the end everyone is human and they have their own story, they might have been raised in a bad environment or grew up being taught that. Throughout the movie, everyone had different types of stereotypes on other races, because they are black they are bad guys and crooks, or because they are hispanic they are gang members and they do illegal things, every perception put on the characters are perceptions that are set towards each race. Everyone in the story had played a role of being an accuser or a victim to racial discrimination, they have a chance to accuse someone for a certain prejudice and are accused by others. Some of the characters end up fitting the racial prejudice put on them, but others didn't. In the end some broke the stereotypes that were placed upon their race but some acted exactly how they were perceived as. Even though they did good deeds in the end, they still did things according to how others saw them as. In the end everyone is human and they make mistakes.

This film portrays both the Native and White men as human beings, instead of saints or villains - all have their own personal and cultural flaws, but yet they all act morally correct according to each set of culture beliefs. The Jesuit priest (Father Laforgue) attempts to bring Catholic faith

The first section will explore the themes of culture and socialization through specific examples from the movie. The rest of the paper will explain the sociological significance of the movie and why a sociologist would find this movie interesting. This section of the paper will also

Because my analysis is limited to a single film, the specific discursive elements I observed are not generalizable to all representations of Native American identity in film. However, they do reveal explicit themes present in American culture respecting the relationship between Native American groups and the Anglo-American population beyond the realm of Lilo and Stitch. To better explore these themes, I have transcribed interviews from Native Americans regarding their views of the stereotypes surrounding their cultures. Alongside the examination of HIE in Disney movies, these interviews will allow me to further investigate the implications of nonstandard HIE in film and assist my synthesis of the modern perception of indigenous American culture. Each transcription can be found in

Crash is set in Los Angeles, mainly focusing on the divide between race and social class. The movie starts with a wreck between a White and Asian woman resulting in racial slanders. As the women point the blame a body’s discovered on the side of the road, though it's not clear to us who it is until the end of the movie. Next, a white man gives a Persian guy, who he calls Arab, trouble while simply buying a gun from his store. The movie goes on to show two black men walking in a nice part of town after dinner discussing how they felt they were discriminated against. Though their waiter was black, they still felt as if she labeled them with the frequent stereotype of black people not tipping causing her service to be terrible. One of the guys

Koreans, Italians, and Caucasians. A powerful scene in the film is one involving the character

Several characters ' stories interweave during a couple of days in Los Angeles. There is a African American detective who does not have a relationship with his mother and his criminal younger brother with a gang member; a Caucasian district attorney and his prejudice and pampered wife; a racist white police officer who dislikes his partner because he is so idealistic; an African American Hollywood director and his wife who have some problems with the racist white cop; a Persian-immigrant father who doesn 't trust others and a hardworking Hispanic family man who is a locksmith. The film different from other racial films for it is impartial compared to others. For example, the movies does not split the characters into victims and offenders.

The film Gran Torino directed by Client Eastwood challenges The issues of stereotypes through the attributes of contemporary assumptions of status, gender and ethnicity. Exploring the themes of absence of a male dominate figure, enabling protagonist Theo to be a feminine figure exploits the idea of gender portrays the Hmong men to be stereotyped.Ethnicity and status also express multiple meanings through the cinematography and the Hollywood narrative style illustrates many representation  of the western and eastern cultures These key terms gender, ethnicity  and status all intertwine with each other during the entire film. The Hmong culture have been stereotyped by the western culture concerning that the American way is the only way which

culture. This movie clearly brings out the cultural clashes and conflicts between the high context Chinese culture and the low context American culture.

The movie Gran Torino, is an American film directed by Clint Eastwood, who also stars as the main character. The movie was set in Highland Park, Michigan which was a nearby suburb of Detroit. In prior years, Highland Park was populated by white families that had come to the area to work in the Ford car factories, but over time, “the damn chinks” moved into the neighborhood as Walt Kowalski would say. This show was the first American film to show Hmong Americans, which were war refugees that had resettled in the U.S. following the communist takeover of Laos in 1975 (Yuen). The main character, Clint Eastwood is a widowed Korean War veteran who often shows bursts of racism and anger towards people of different race, especially the Asian immigrants in his neighborhood. His neighbor, Thao Vang Lor, a young Hmong teenager becomes a key character in the movie after he gets pressured into stealing Walt’s 1972 Gran Torino in an attempt to be initiated into a Hmong gang in which his cousin is involved with. While attempting to steal the car, Walt catches Thao and is sure to prove a point that he is not going to take any slack from him and or the Hmong gang members.

The 2008 movie “Gran Torino” starring Clint Eastwood is filled with an abundance of cultural diversity, which is met with much resistance, stereotype, and prejudice by the movies’ main character, Walt Kowalski. Walt’s world is changing; his Detroit neighborhood is decaying, his relationship with his sons is distant, and his Korean War memories continue to destroy his ability to fully enjoy life. Through an unlikely bond with the Hmong children next door, Walt finally receives redemption by coming face-to-face with the same destructive prejudices consuming neighborhood teenage gang members

Many people say that old people fear change as they have grown so accustomed to their old ways, however, in Clint Eastwood’s meaningful and captivating drama Gran Torino, it is exemplified that anyone is capable of change. Gran Torino shares a story about tolerance and cultural differences, but also one about hope, self-sacrifice, and unlikely relationships. In the film, an abundance of cultural diversity is met with much resistance, stereotype, and prejudice by the movies’ main character, Walt Kowalski. Walt’s world is changing; his wife has died, his Detroit neighbourhood is deteriorating, his relationship with his two sons is distant, and his Korean War memories continue to affect his ability to fully enjoy life. Through an unlikely bond with the Hmong family next door, Walt finally receives redemption by coming face-to-face with the same destructive prejudices consuming neighbourhood teenage gang members that have consumed him. Through the devices of characterisation, symbolism, and dialogue the viewers will witness Walt emerge as a more compassionate individual who becomes more accepting of other cultures and ethnic backgrounds around him.

One of the major ICC themes in the movie is the conflict between individualism and collectivism. Although not explicitly expressed, it has a strong impact on the whole course of the movie. The 4 immigrant Chinese mothers, having spent their childhood in Mainland China, embodied a strong collectivistic value. This is a dominant value in Asian culture, especially that of China. In such society, the priority of a group far exceeds that of an individual,