Stereotypes In Hamlet

In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in

At one point in time, Ophelia was one who Hamlet truly loved and trusted. Ophelia comes and speaks to hamlet to return his gifts from her but Hamlet immediately realizes that something is wrong and finds out that Ophelia is being used by Claudius and Polonius to spy on him to find out the real reason of Hamlet’s facade of madness. After realizing this, Hamlet is incensed and acts as if he is truly insane. Hamlet is clearly hurt because of the fact that Ophelia has been as a pawn in Claudius’ game. The effects of the matter cause him to verbally abuse Ophelia and rejects her love by saying that they will never get married and also degrades women. At this point Hamlet is raged and does not understand how harsh his words can be to a woman, especially a human being in general. In conclusion, the death of Hamlet’s father had looked like as if it has not even affected his mother which he so dearly loved and the one true love he thought he had, seems to him as deceiving and just a pawn for his enemies. These factors continue to diminish the subordinate attitude that Hamlet has towards

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.

Throughout the play of Hamlet, there is an emerging of events that occur within Ophelia. She believed she would marry Prince Hamlet even though her father and brother advised her to stay away from him because they knew she was not worthy and that Prince Hamlet would only a predicament in her life. Laertes stated, “Hamlet might love you now, he is subject to his birth” (2640). Her brother also told her before he left for school, “Fear it, Ophelia; fear it, my dear sister, and keep you in the rear of your affection, out of the shot and danger of desire. The chariest maid is prodigal enough, if she unmask her beauty to the moon. Virtue itself 'scapes not calumnious strokes. The canker galls the infants of the spring too oft before their buttons be disclosed, and in the morn and liquid dew of youth, contagious blastments are most imminent. Be wary then, best safety lies in fear. Youth to itself rebels, though none else near” (2640-2641). During Laertes speech to Ophelia, he instructed her not to give herself away to Prince Hamlet because no one would seek her anymore, as she would be viewed as used goods. The reader can sense a form of foreshadowing in the play with the domination of men in Ophelia’s life affecting how she handled her various situations with Prince Hamlet. Later, Ophelia is indeed worked by

Ophelia is also put forth as a foil to Lord Hamlet. Before the events of the play unravel Ophelia, whom is the daughter of Polonius and sister of Laertes, gives us traits of Hamlet She reveals that he was a model courtier and scholar, “The glass of fashion and the mould of form, Th’ observed of all observers.” Ophelia also offers another dimension to the story, the love interest. They both love each other, even though it may seem that this love is not a legitimate one too many seeing as how Hamlet was going crazy. Or so it seemed, yet again she brings out information to us, that Hamlet was not nuts but just enraged.

The feminist school has various goals when being used to scrutinize a piece of literature. As Gillespie points out, historically texts were written by males with primarily male protagonists, and thus, the male sentiment is most dominantly expressed in many works of literature. The lessened representation of women in literature is usually confined to typical stereotypes of the historical period. This can be seen in Shakespeare’s play Hamlet, and this will be further explored and discussed. Through the feminist lens, women’s presence and portrayal in the play, as well as the common stereotypes about women in Shakespearean society, can be studied carefully, despite the centuries that have passed between the play’s conception and the present. Additionally, as stated in Literary Theories: A Sampling of Critical Lenses,

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

According to a quote by The Atlantic, America is still a “patriarchal community” (Cohen 1). The majority of humans live in a society influenced by men and have little to no understanding of a matriarchal society because it is not around. For centuries, women have fought for equality and it is a reoccuring theme in literature. This theme can show how people critique and analyze many works of art. Countless people can read a text and depict it differently, from the beginning to end. This depends on what critical lens they view it from, allowing people to comprehend the different ways literature is written. There is many different critical lens to choose from. An example of one of the critical lens is the feminist viewpoint. The feminist theory, analyzes the nature of gender equality. This approach shows how women can compare to men. This can be done politically, socially, or economically. In William Shakespeare's play, Hamlet, he can be seen going against the feminist theory. This lens will affect Hamlet’s two main, female characters Gertrude and Ophelia. While viewing Hamlet through the feminist theory lens, many male characters can be seen as being, aggressively, dominant; creating the women to have many stereotypes.

Feminists want the world to know the many ways men and women are treated, but in reality are far apart from being completely equal. The critical lens of literature is a way for people to look at an idea in their own way. This creates discussion and opinions on what these ideas represent, as well as the meaning of the theories itself when implemented in literary pieces. The critical lens of the feminist theory shows how the idea of women having inequality when spoken about in social and political roles. Mainly this theory was made to counter the patriarchal views in history in order to get a point across and further put together the lens that can be looked through. In Hamlet by Shakespeare, the female characters of Gertrude and Ophelia are viewed through the lens to fit the standards of women being mistreated by the misogynistic values and plot points place throughout the story. While looking through the lens of the feminist theory it can be said that in Hamlet the stereotypes of women is shown through the events that occur in the play.

Ophelia’s interactions with the male characters of the play reveal her limited agency. As Ophelia tells her brother about her relationship with Hamlet, Laertes responds, “For Hamlet, and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute, no more” (1.3.5-10). By instructing Ophelia on how to behave in her relationship with Hamlet, Laertes implies that he does not trust Ophelia’s judgement and she needs guidance with her personal affairs.

Ophelia is in love with Hamlet. She shares herself with him and is beginning a relationship, she wants to be with hamlet and believes he loves her "My lord, he hath importuned me with his love in honorable fashion"(pg 17 line 110). Polonius instructs Ophelia to stop seeing Hamlet. Polonius states that Hamlet doesn’t really love her and is only with her for one thing, and as soon as he gets enough he will want no more.

 In similar fashion does Ophelia manifest great familial affection, agreeing to comply with the advice of her brother Laertes: “I shall the effect of this good lesson keep / As watchman to my heart.”  When her father, Polonius, makes inquiry regarding the “private time” which Hamlet has been giving to Ophelia, she replies unreservedly, “He hath, my lord, of late made many tenders / Of his affection to me,” and elaborates mightily on the subject. Polonius insists that she “from this time forth” not “give words or talk with the Lord Hamlet,” and Ophelia dutifully complies with his wishes: “I shall obey, my lord.” She later even gives him her love-letters from Hamlet. When she acts as a decoy so that Polonius and Claudius can observe the prince, resulting in Ophelia’s chastisement by the protagonist, she nevertheless keeps him as the main focus in her life: “O, what a noble mind is here o'erthrown!” Her love for brother, father, boyfriend, and others generally, override her love of self. Her respect for the opinions of immediate family is greater than her respect for her own opinions even in the matter of her courtship.

Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words

When her character is first introduced, Ophelia plays a passive daughter and younger sister. She first listens to her brother Laertes warn her about the dangers of falling in love with a man whose only concern is his own agenda. He advises her to view her relationship with Hamlet as “a violet in the youth of primy nature” – quick to bloom and just as quick to die in an unweeded garden. She then listens to her father give essentially the same