Stereotypes In Los Vendidos

Stereotypes are dangerous weapons in our society. “The Myth of the Latin Woman: I Just Met a Girl Named Maria” is a short essay in which the award winning poet and professor of English, Judith Ortiz Cofer, wishes to inform and persuade the audience that labels and stereotypes can be humiliating and hurtful. The author targets the general public, anyone that doesn’t understand that putting someone in a box because of a stereotype is wrong. Cofer starts out the essay by telling the reader a story with a drunk man who re-enacted “Maria” from the West Side Story, and how angry that made her feel. She continues by explaining how she grew up in the United States being a Puerto Rican girl trying to fit in, but always being labeled as an island girl. Cofer carries on by explaining why Latin people get dressed and act a certain way. Then she recalls some more stereotypical incidents.

The short play Los Vendidos portrayed by el Teatro Campesino shows the history of Mexican-Americans. It shows racist perceptions and actions towards Mexican-Americans. The title itself implies the exploitation of Chicanos. In translation from Spanish "Vendidos" can mean either those who sell-out others, or those who are sold. In the play either meaning can be applied. Those who are sold would be the eleven different characters that Sancho describes. But, the "sell-out" could be Ms. Jimenez, a main character, who is the exemplary "white-washed" Mexican-American.

Stereotypes are the shackles that keep masses of people unable to be free in the world. One of the main themes illustrated through the play is the basis of stereotyping in America and how it has and continues to affect chicanos. Valdez’s definition of actos is “to inspire others to take social action”, the playwright successfully fulfils his definition through the dialogues and events he describes. The dehumanizing way that Valdez introduces all of the characters in the play solidifies the pressure they feel to assimilate and why many resist assimilation. In the play Los Vendidos by Luis Valdez, the author fulfills his own unique definition of actos in the play by showcasing some of the stereotypes and prejudices held against Mexican Americans to illustrate the real social standards that are placed upon them.

In my analysis of this novel, The Adventure of Don Chipote or, When Parrots Breast-Feed by Daniel Venegas, I kept in mind that Nicolás Kanellos put great effort into getting this novel circulated in Spanish and in English. Kanellos argues that Spanish-language immigrant novels more accurately present the “evils” of American society such as oppression of the immigrant workers and deconstructs the myth of the American Dream, which permeates in English-language ethnic autobiographies. I believe Kanellos felt so passionately about circulating this particular novel was due to the fact that in Venegas’ novel we see clear representations of the three U.S. Hispanic cultures that Kanellos presents which are the native, the immigrant, and the exile cultures.

Drugs and violence are universal. Although not all drugs cause violence some drugs like alcohol, methamphetamine, and crack cocaine do and can have horrible results. Some of the behavior that these drugs can cause are: domestic violence, sexual assault, homicides, and property crimes. Although horrible things do happen people still use them and crimes like these happen too much. This is a social issue because people see this as a norm. This shouldn't be a norm and people need to start realizing that.

The writer portrays a people too conscious to lose their culture. Hence, they establish ethnic organizations, business, cultural institutions that would meet their varied “social, cultural, economic and political needs” (Miguel 6). Supreme in these establishments’ values was to selfishly guard “Mixicanist identity” (Miguel 6) by encouraging dual identity that was “neither American nor Mexican but a synthesis of both” (Miguel 10). The title, Brown, Not White is perhaps a reflection of this consciousness. In a country that has spanned decades clinging to nothing else but color binarity of white versus black, Mexican Americans find it hard to identify with either of the two. The Mexican Americans feel aggrieved by the mistreatments they continually receive from the whites, identifying with the African Americans whom they considered inferior in the American pecking order is unfathomable. The emphasis on the title, Brown, Not White is, therefore, a reflection of the Mexican American’s struggle with the problem of identity in the face of the looming assimilation from the most dominant

Minorities are almost always judged based on stereotypes, that are given to them based on what people see on the outside, and they don't always see the best in the minority's. In los Vendidos, their is a white women trying to buy a Mexican so he can be in administration for the governor's office, and she wanted to know how the mexican would do on boards. The salesman says, “you name them he's on them. Parole boards, draft boards, school boards, taco quality control boards, surf boards, two by fours” (Valdez 109). What the salesman was saying was that the mexican in an almost all government board like the patrol board and school board. He even told her he is on a made up board, the taco quality control board. He said the mexican is on two by

Gary Soto attempts to make it understandable, in his short story “Like Mexicans,” that a person’s race is not what defines them completely. Soto married Carolyn, a Japanese woman, after having claimed that he would only marry a woman of Mexican descent. Soto’s best friend Scott highly disagreed with Soto’s decision in being with Carolyn. He felt Carolyn was too good for Soto, and therefore this false assumption brought Soto down and distorted his thoughts on race and economic status. The essay by Gary Soto was well-written because it can be highly relatable to one’s life, especially to someone who is of Hispanic descent.

She gives the reader very vivid memories from her childhood and how being raised poor affects her identity as a person. She discusses how Mexicans identify themselves; since there are many different ways to identify culture, they make up several different cultures (Indian, Black, and Mexican). By the end she talks about the fight that Mexicans put up to stand up for their culture and their identity.

She discusses how Mexicans identify themselves; since there are many different ways to identify culture, they make up several different cultures (Indian, Black, and Mexican). By the end she talks about the fight that Mexicans put up to stand up for their culture and their identity.

Throughout the play there are underlying theme that suggest different ideas. The themes I will discuss is how Mexican American men are portrayed in relation

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Luis Valdez wrote “Los Vendidos” in order to address his view of the Mexican culture and in reference to the prejudices that surrounded him. The play defines four versions of Mexican men, shop owner Honest Sancho is trying to sell to a Secretary in Governor Reagan’s political office. The buildup of characters: The Farmworker, Johnny Pachuco, The Revolucionario, and the Mexican-American, symbolizes an evolution of what society deems the “ideal” Mexican-American should be. “Los Vendidos” translates to "The Sold Ones" or "The Sellouts” which is a solid interpretation of Valdez’s opinion on Mexican’s conformity to the American culture. Valdez creates a distinct characterization of all four models, Miss Jimenez, and Honest Sancho with snarky

Sandra Cisneros’ short story, “Never Marry a Mexican”, indirectly underlines her perspective, her interpretation, judgement, and critical evaluation of her subject, the work and its title. This perspective is evident in her use of literary devices, diction, and language structure in her narrative. The purpose of the use of these elements in the way that she does is ultimately linked to understanding her viewpoint on the subject. The author’s perspective is embedded in the meaning of the story and its theme. Her interpretations are valid, and justified in detail throughout the story to add color and vibrancy to her characters. Her judgment is lightly touched upon but only clearly and directly given at the end of the story, to allow the

Just a few days before I had to do this essay, my mom shared a story with me. In the middle of a Spanish lesson, one of her students asked her a completely unrelated question: Why do Mexican children always wear frilly dresses and slippers to the supermarket, and why do the men always crowd in the back of pick-up trucks to go to work? Although some of the students thought it was funny, my mother, of course, couldn't pass up this opportunity to respond and teach a more important lesson, interestingly enough, about stereotypes. She reminded me of our trip to Mexico some time ago and related those experiences to her students.