Stereotypes In Movie Essay

Rhimes is often praised for her revolutionary casting and taking risks. However, after being inducted in to the National Association of Broadcasters’ Broadcasting Hall of Fame in 2015, Rhimes gave a speech in which she said: diverse casting is not brave, it is human. She is proof that a successful black woman behind the scenes of multiple hit TV shows means that there can also be successful shows on television with nontraditional casts. But why doesn’t this happen with someone like a white male behind a TV show? The 2015 Hollywood Diversity Report also studied why white males might not cast a person of color as a lead. “Individual stakeholders in the industry (typically white and male) look to surround themselves with other individuals with whom they feel comfortable, with whom they feel they have the best prospects for producing a successful project,” (Hollywood Diversity Report, 54). If shows and movies with minority representation have proven to be successful when done right, then it seems strange that there is still such an over representation of nonwhites in mainstream entertainment.

However, the most typical type of portrayal that can be seen in modern television is the one that includes black actors to portray black characters without prejudices or ideas about their “otherness.” As suggested in the study by Parks and Kumar (2003), it is normal for the modern television to contain images of black bodies in the same contexts as the white ones (p. 423). Instead of pointing to his blackness, the authors of the Criminal Minds have included Derek Morgan as an ordinary character into the team of behavioral profilers who do the same job. The only distinction of Derek Morgan from other members of the team is his ethnicity. Therefore, this type of stereotyping should be discussed along with the other efforts of the TV series creators to include a black role model, a “good guy” into the

A few people are not impressed by the movie, and do not think that Hollywood should be changed. However, this movie was encouraging for many minority groups since usually the hero is white, while the villain is a person of color. The author of “‘Black Panther' inspires more than African Americans” declared, “Let me be brutally honest: If you are a minority, it's challenging to not be angry with Hollywood for the irresponsibly negative ways it has depicted blacks, Latinos, Muslims, Arabs and other minority groups -- all in the pursuit of making millions, if not billions, of dollars.” This is a clear example of how this movie was different from the others as it shows Africans as the heroes. Minority groups are almost never represented in movies which could make them angry. This movie was a change and by seeing how flourishing the movie was, other movies and casts will be

There are many stereotypes that the film industry will never get tired of enforcing. In 2002 the film Paid In Full was released. Paid In Full was a film about a young man who was working in a cleaning shop but he encounters a drug dealer. The drug dealer convinces him to join and he becomes one of the top leaders of the drug cartel. He also recruits his friends and they join him as well. The uncle of the protagonist asks him for money but he refuses to give him some. The uncle kidnaps Ace, the protagonist’s brother, and eventually kills him because Ace was not able to recruit the amount of money that his uncle was demanding. This film sends the negative message that African Americans will go to any extend, betraying their own family members, in order to obtain power and money.

In most films, African Americans are also shown in a stereotypical manner that promotes notions of moral inferiority. When it comes to the terms of movie characters shown by race African Americans use more vulgar profanity than whites. African Americans are also being physically violent and restrained than whites. The despite history of African Americans in television, there has been improvement in some of the television and movie roles and portrayals. Improvement in media roles still needs to accurately reflect our diverse roles in society.

Often in many films that undermine African Americans, they are depicted as thief's, murders, or unintelligent. These images are used to show that African Americans are unlike their white counterparts. According to Friedman, "This formulation undermines the racially and sexually based violence toward African Americans, wiping out the memory of rape, castration, and lynching of slaves that occurred in the past" (Friedman). The development of African American films, or films that truly put African Americans in any type of positive light did not really start to occur until the 1970's or 1980's. Before then films were often negative in spirit. Paula Massood describes the Hollywood depictions of African Americans in the previous era as, "failing to recognize the sociopolitical changes in the American landscape. African American characters most often appeared within a southern setting, largely ignoring the black city space and culture that figured in the lives and the imaginations of a vast majority of African Americans" (Massood). However, in the following years the development and progression of African American films was able to be seen.

African Americans have had a long history in the American motion picture industry. Early depictions of African American men and women were limited to demeaning stereotypical images of people of color. During the first decades of the 20th century, many films depicted idealized vision of life in the South. These films glorified the image of the Old South .African American characters, in keeping with the dominant stereotypes, were portrayed as incompetent, child-like, hyper-sexualized, and criminal.

American actor Anthony Mackie once said “There are a lot of limitations and stigmas that are placed on young actors, specifically young black actors.” You have probably seen black male actors play the leading role of a drug addict, drug dealer, abusive husband or a even a thief. Although they do get a chance to be displayed on the media, they more often than ever are represented or viewed as the antagonist. Why? Because they are set up according to certain limitations in which they must obey. The lack of accurate representation on black actors in the media today is the result of prejudice and racism occurring in society. Racism and prejudice which are demonstrated in the films directed by Spike Lee, Do the Right Thing and Jungle Fever.

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

G. Willow Wilson once said that “there's a burden of representation that comes into play when there aren't enough representatives of a certain group in popular culture.” The articles “Opinion: “Black Panther" gives me a personal reason to cheer for a new superhero” by Brandon T. Harden, “Opinion: "Black Panther" and the beauty and strength of black women” by Mary-Jean Nleya of Al Jazeera, and “'Black Panther' inspires more than African Americans” by Dean Obeidallah illustrate why movies such as “Black Panther” have impacted Hollywood and its viewers. Despite the fact that there are some people who do not attend the movie theater and may not care about renown movies such as “Black Panther” or “A Wrinkle In Time”, it is clear that these movies with diverse casts will impact and support accurate and inclusive representation in Hollywood.

In a time where the media has possess a strong impression on the minds of those consuming it now has become the jobs of directors, producers, and film companies to be mindful of the stereotypes they are putting forth with their content. How can we erase the negative connotations that we associate with races when these images are being maintained in the media? The Tom or Uncle Tom stereotype of the well-mannered elderly negro is one that should have vanished by now, but as of late it has been revived by award-winning filmmaker Quentin Tarrantino in his blockbuster film Django Unchained. The stereotype had previously reared its head in Disney’s live action film Song of the South. The aforementioned Disney film was made in 1946, while the Tarrantino film was released in 2012. Were those 66 years not enough to lay to rest a foolish racial stereotype?

Redefining Black Film by Mark A. Reid is the book I’ve selected for the mid-term reading report. This book is an eye opener learning experience as well as a beginning guide to understanding African American film, filmmaking, actor/actress and directors. Mark A. Reid discussed the challenges and obstacles African Americans faced during the turn of the century up and through the civil rights movement of the Sixties including the focus on feminism in black cultural production . Redefining Black Film fits in the history of filmmaking as it relates to the ground breaking movements of African Americans in film as well as production process. The acceptance by white society of African Americans in film was a major part of this book as African American

Films have the power to both influence and reflect society. The stereotypes prevalent throughout American culture are reflected in most films. While the United States is becoming an increasingly diverse country, this diversity is not portrayed within American cinema. Minority figures often occupy

“Oscars So White” a phrase that began trending on social media sites after the 2016 Academy Awards announce their nominees for Best Actor and Best Actress, it was predominately white for a second year in a row. The movie industry is no stranger to controversy and since its inception it’s constantly been guilty of underrepresenting ethnic people. It’s evident that film is a type of mass media that has a certifiable amount of power to influence audience’s views, yet this platform constantly disregards the need for diversity in favor of stereotypes. Movies such as Breakfast at Tiffany’s (1961), Scarface (1983), and Pan (2015) are all guilty of this. The depiction of non-American characters in Hollywood movies are constructed around racial

According to Wilkerson, “From the beginning, television, the image mill for the mainstream has not known what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it.” The media has portrayed black characters as nothing more than, buffoons, hustlers, pimps, and prostitutes.