Stereotypes Is Jack Davis-No Sugar

Surgeon White's character has been established as selfless, brave, kind but above all others courageous by eating and exploring all of the different types of foods in Australia for the convicts to eat. Even though Surgeon White is not impressed by the new colony and many years until he returns to England or to have a ‘normal’ family life he still cares for the colony, he establishes a home in Port Jackson with his servant Maria, his native Nanberry, his son Andrew, his mistress Rachel and a pet o’possum. Surgeon White shows Isolation when Surgeon states “I’m lonely, thought the Surgeon. Deep, bone-deep lonely.” via the use of the metaphor “Bone deep”, it shows the reader how isolated and confined the surgeon actually is compared to everyone else that came on the first fleet. In the text surgeon is described as a one of a kind because there are no other doctors that came on the first fleet leading him to feel ‘stray from the crowd’. Another example of isolation is when Surgeon states “His father believed that nothing could come from New South Wales but dirt and squalor, that it was merely a huddle of captives at the bottom of the world” the use of a metaphor is to shows how isolated and lonely the surgeon felt when he was in Australia, The surgeon felt complete despair and there was no hope for the British to colonize Australia. Throughout the life of Surgeon White and the examples shown throughout the text of ‘Nanberry’, White Jackie French portrays colonial life as Isolated and

though he is the true aborigine. When a policeman pulls him over one night and asks him "where are you supposed to be?" (182), he clearly shows his alienation by thinking, "I knew there were plenty of places I wanted to be, but none where I was supposed to be" (182). He realizes he is "making people nervous" (183) because he doesn’t "fit the profile of the neighborhood" (183) in which he is driving. But it isn’t just that neighborhood, or any other nice neighborhood. He wants to tell the policeman that he doesn’t "fit the profile of the country," but he knows "it would just get [him] in trouble" (183).

The issue of cultural stereotypes and misconceptions thematically runs throughout David Henry Hwang’s play M. Butterfly. The play is inspired by a 1986 newspaper story about a former French diplomat and a Chinese opera singer, who turns out to be a spy and a man. Hwang used the newspaper story and deconstructed it into Madame Butterfly to help breakdown the stereotypes that are present between the East and the West. Hwang’s play overall breaks down the sexist and racist clichés that the East-West have against each other that reaffirm the Western male culture ideas. The stereotypes presented in the play revolve around the two main characters, Gallimard and Song. The play itself begins in the present with Gallimard, a French diplomat who has

24. Darcy says to Blacky "You be careful of those gins now, lad". What does he mean? How does this reflect his attitude to Aboriginal women? How does Blacky misinterpret his advice? (p. 122-123)

Jimmy serves as the voice of protest throughout the play. Make a list of the ways Jimmy fulfills this role.

The Novel Jasper Jones by Craig Silvey revolves around a young boy named Charlie Bucktin living in the small Australian town of Corrigan in the 1960’s. Charlie is exposed to the confronting issues of racial prejudice, injustice and moral duality. He is challenged to question right from wrong, has to come to the realization that law doesn’t always uphold justice and we as readers are positioned to understand that people are capable of holding two conflicting values and remain in confortable harmony. The ideas are portrayed through Silvey’s use of narrative conventions that are used to either challenge or reinforce our values, attitudes and beliefs on the issues explored.

Jack Davis also allows Gran to be seen as self-sufficient and independent. Through the course of the play, the audience realizes that Gran is able to make flour using natural resources as well as aid in the birth of a baby. She is also knowledgeable in the using of medicinal leaves as seen in Act IV Scene III where she "fetches some medical leaves". The use of stage direction and dialogue thus shows that Gran is knowledgeable in the traditional female roles.

The word “Inheritance” has a variety of meanings, both in the context of the play and in the general community. In the play “Inheritance” written in 2003 by Hannie Rayson, generates the definition of the word “Inheritance” by portraying the two families (the Delaney’s and Hamilton’s) both families have different perspectives about Inheritance and they have different values in life, as both lives in different environments, one of them lives in rural areas and the others in urban areas. These families fighting fiercely for who will take over the inheritance of the farm (Allandale), The prejudice of this sensitive topic, within the family brings up a contradiction between them, as many of the characters suffered particularly Nugget, and Lyle, as there are the two candidates in getting the inheritance of the farm and they are the only farmers both from the family. In this play we saw the prejudice of William against the aboriginal people have a big

It is a natural part of human nature to long for the feeling of belonging, even if it means following a corrupt and unjust social regime. Craig Silvey weaves this idea into the novel Jasper Jones, in which the “half-caste” deuteragonist and protagonist Charlie Bucktin discover the death of the shire president’s daughter, Laura Wishart, and work together to find the culprit as to avoid the inevitable scapegoating of Jasper for this crime. Silvey’s implementation of the historical setting of the 1960’s introduces the themes of fear, racism within a social regime and scapegoating; these ideas relate to the racism present in Australia at the time, due to the reign of the White Australia Policy and the effect of the Vietnam War. By integrating these key ideas into the story of Jasper’s experiences with scapegoating, Silvey reflects on real-life examples of racism present in Australia during the 1960’s, as well as other developing nations, and how the need to impress others is the major drive for the wider

Race in the South has always been a major topic within the canon of southern literature ever since John Smith’s discussion of Native Americans in “The Generall Historie of Virginia.” The majority of this ongoing conversation on race has revolved around African Americans, white people, and Native Americans. However, in Bitter in the Mouth, Monique Truong challenges these stereotypical ideas of race in the South, namely assumptions on how race and outside appearance impact cultural identity and personal ties to southerness. Her primary strategy of doing this is the structure of the paper, where she keeps Linda’s race a secret for the first part of the novel before exploring it in-depth during the second half. Within this larger structure, she uses the juxtaposition of place to contrast southern aspects of Linda’s identity with northern culture and highlights stereotypical cultural markers of southerness such as dialect and food within Linda’s identity. With these strategies, Monique Truong uses the unique point of view of Linda Hammerick, who is racially Asian but culturally southern, to challenge the reader's assumptions of how race affects cultural identity and to expand understandings of what makes someone southern in today’s cultural landscape.

creates a play that illustrates not only the struggle of growing up in a prejudiced world but also

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

In this scene we tended to speak loudly, often finding ourselves shouting and making rude innuendos and racist comments. As we workshopped the scene further, we discussed how this was a representation of the Australian society that we had seen in the media. It could be concluded from my workshop, that in a production of The Removalists this familiarity of character was an opportunity, as it allows the faults within the stereotype to dominate.

Popular media allow for the general public to be able to properly digest the matters of racial prejudice that are prevalent in our society. There are various ways that racial prejudices are exposed through actions and the structures in society that stems from the perceptions that race is this biological hierarchical supremacy. Additionally, these race classifications that are made by those in power has structured society in a way that puts some in advantage and many at a disadvantage that has continued into modern society. These are disadvantages are revealed through such things as microagressions and socioeconomic structures that favored and continues to favor the “dominant” classes. These matters can be best expressed through personal experiences relating to experienced prejudice, such as Lorraine Hansberry conveying artistically her experience with racial housing issues in Chicago. In her play, The Raisin in the Sun, Hansberry reveals through the Younger family, such issues as community acceptance, lost dreams, and racial discrimination on an economic level. Bruce Norris’s play, Clybourne Park, considers these issues as well as he expands on Hansberry’s world in his personal adaptation of The Raisin in the Sun’s primary plot point. Through experiences shared in the Younger’s future home, Norris explores privilege, systematic racism, white flight, community, and gentrification. Through reference and analysis of Raisin in the Sun and then of Clybourne Park, followed by

The play No Sugar by Jack Davis has various themes and issues covered in it. My understanding of society helps with the meaning of this text, through multiple aspects. These aspects are shown in the text through various themes/issues. These themes portray society and help with my understanding of No Sugar. The themes/issues are as follows; colonialism, economic depression and the patriarchy society. All these topics were a big part of Davis time, and when he wrote the play. This is the reason that we can see these issues portrayed through his play. Racism is a big part of his play and in the era when the play was written as well, and it’s shown not as a separate issue but is portrayed