Stereotypes Of Rap Music

This qualitative study takes a look at the relationship between gangsta rap music and violent behavior because there is little research devoted to this area.

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

It is clear that the hip hop culture plays a huge role in the lives of many people. It has influenced the way people dress, the way they talk, and the way they act. Unfortunately, many big corporations have taken advantage of this and commercialized rap music in order to gain a profit (Blair, 497). Commercialization is a very complex topic; however, it is important to understand. This is because of the fact that when something becomes widely known, such a hip hop and rap have, it is vulnerable to change (Phillips, paragraph 9). An example of this is when author Nicole Phillips states, “Hip-hop became more about edge and less about the content of the message. It became about sales….” (Phillips, paragraph 9). Therefore, in order to prevent any further change, one needs to understand commercialization and how it works. This paper is going to explore the complexities and nuances of commercialization of the hip hop culture. In order to do this, this paper will consider what commercialization of hip hop culture entails. This paper will also discuss how Elizabeth Blair, author of “Commercialization of the Rap Music Subculture,” conceptualized commercialization, as well as how she discusses the situation in general. After discussing these topics, the paper will move on to discussing cultural appropriation. This discussion will include how authors describe cultural appropriation, and a debate regarding this topic.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

In the article Rap and Moral Character by Susan Dwyer, the subject of concern is the consequences of listening to rap music and the effect it has on moral character. The author argues that rap music contribute to the corruption of moral character, it is misogynistic, promotes violence and street crime. In this paper I will examine the author’s claims, use of key concepts, and her reasoning. By doing so, I will be able to demonstrate that Dwyer’s thesis is unjust and unsupported. In what follows, I will analyze the claims to show that the author’s arguments are irrelevant and lack sufficient evidence to support her thesis. Secondly, I will examine the author’s reasoning to point out fallacious reasoning and lastly I will evaluate her use of

Many Americans today embrace the culture of hip-hop. Since hip-hop became mainstream its influence has surrounded most Americans. People engage in social issues from the hip-hop culture In his recent work, How Hip-Hop Holds Blacks Back, John H. McWhorter have offered harsh critiques of hip-hop for delaying and marring the success of black people. McWhorter asserts hip-hop music “celebrates a ghetto life of unending violence and criminality(10).” He believes hip-hop contributes to the stereotype nearly all Americans maintain in regard to black people. Reflecting on harsh song lyrics McWhorter attempts to strengthen his argument. McWhorter acknowledges not all hip-hop promotes violence in people. He concedes “not all hip-hop is belligerent

To gaze into the lyrics of both Notorious B.I.G. and Tupac Shakur is like living in the ghettos of New York City where violence never stops. Both of these artists grew up seeing and living a life filled with violence. Gunshots and drive-byes, death and murder were a daily occurrence. Although the lyrics of both artists are simply telling their life stories and how hard it was to grow up in their “hoods” they contain vulgar, hateful, and sexual verses that send the wrong message to their listeners. Whether these listeners are teens or adults, white or black, they are continually sending notions of hatred and fear through their lyrics and actions. Ultimately,

With the violent diction, many people were put off by it. “Although violence, sexism and obscene lyrics have always been a part of American popular culture, what made gangsta rap intimidating was its lyrics…The lyrics came instead from the minds of what many white Americans considered to be the most violent and threatening segment of America-‘young angry inner city black men”(Canton 245). Much like today, the incarceration rate for black men was incredibly high, which can be seen through the aftermath of the Watts Riot, the formation of the Black Panther Party as well as countless other civil movement events. Gangsta rappers’ goal was to appeal to the masses of their culture. As many of them at least knew someone that had been put in jail, making songs about what got them there pulled a strong audience. For example, prominent gangsta rap group, NWA combined the violent rhetoric and political charged diction in their song, “F*ck tha

The corruptness of music today seems to be linked to the crude language and aggression found particularly in hip-hop and rap music. Some rap artists use vulgar language in their lyrics that are easily adoptable by teens (Holden). Not only have certain lyrics influenced the way teens speak but also their actions. An article on Headliners.org stated that “lyrics in the music are too violent and are to blame for many problems.” The problems range anywhere from suicide and aggression towards women to underage drinking and drug use. Lyrics are not only to blame, but also what people see in artists’ music videos can affect what they do (Doaks). The urge to emulate these rap musicians has escalated quickly causing a spike in rebellious tendencies among teens.

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

Boom, boom! Boom, boom! The kind of bass that drains batteries and the kind of lyrics that unload clips, these are the sounds that rap music produces. I chose this topic because I am extremely interested in rap music and I want to explore the violent aspect of the industry. I have never had a chance to look at the violent side of it and I plan to find answers to questions I have in my search. Tupac Shakur is one of my favorite artists and when he was shot and killed I really started to take notice of the violence. People were getting killed because of an image that was being set. What I really want to know, however, is why rappers feel compelled to graphically describe the violence.

Take the late Tupac Shakur for example. The deaths of Tupac Shakur and the events surrounding his death had and still have many people believing that rap music and the industry in general played a part. Everyone that was against rap music used his death as an excuse to blame rap for violence. They were saying that his violent lyrics are part of the reason that he was murdered. C. Delores Tucker, a very famous anti-rap music advocator, was quoted as saying "Mr.Shakur always talks about violence and now it has come back to him." What type of thing is that to say about someone who has died? Shakur did talk about violence in a lot of his music but he also has just as many positive lyrics. He has made songs about teen pregnancy, suicide, and one of his all time bests was a song called "Keep Ya Head Up." This is a song dedicated to black women. He tells the black woman that he loves her and begs other men to honor and respect her as a mother, sister,etc... The point of this brief on Tupac is that yes he talked about violence but rap music is not to blame for his death. Shakur grew up in a terrible environment which caused him to have a negative outlook on life. Tupac like many other rappers was educated and wanted to be positive all of the time. He said, "Yes, that's what I want to do. I want to move people. I want to heal them, but I'm still just tryin to silence the

In addition to the actualization of women, rap also promotes extreme violence and abuse towards women. Besides the ?mild? abuse the vast majority of rappers perpetually depict, some rappers display a loathing so deep it can only be classified as misogyny. In the song ??97 Bonnie and Clyde,? by Eminem, he says ?There goes mama, splashing in the water. No more fighting with dad, no more restraining order. Blow her kisses bye-bye, tell mommy you love her? (Bonnie). In a sinister fashion, the song goes on to describe how he murdered and disposed of his ex-wife with the assistance of his three-year-old daughter. Here the violence towards women crosses generations and involves the traumatic use and abuse of a three-year old girl. It promotes that violence, even toward our most vulnerable, is acceptable if they are female. Undeniably, the hip-hop culture?s perverse attitude towards the treatment of women has gradually been accepted by society. It seems society has been desensitized to the violence of rap by

     Most rap songs that contain violence reflects incidents that occur in today’s society such as the Rodney King incident. “Rap music brings together a tangle of some of the most complex social, cultural, and political issues in contemporary American society.” Rap and hip-hop artists write songs that promote the killing of enemies as well as targeting institutions such as the church, government, and justice system (Ro 145) Most artists relive their own painful experiences over and over again though their music, delaying their own society’s process of recovery . for example, in 1989