Stereotypes Of Women In Grimm's Fairy Tales

“Fairy Tales and Gender Stereotypes” by Samara Green, A High school student from Pontiac made an article in February 13th 2014 that is very persuasive as she back ups her thesis that there's a stereotype that women are weak and are useless until a male comes into the scene. The article is somewhat one sided as she only talks about how women are weak and useless in movies like twilight and in books like the little mermaid. She says that women are weak and need men and she uses the movie cinderella to backup that statement. In the movie it shows a young women in which she goes to a dance and loses one of her shoes/heel and then a young gentlemen finds it and later gives it to her, This shows that the high school student is right about how women

Whether Female antagonists within fairy tales are portrayed in a positive or negative light their roles within the stories are very important if not crucial to the development of the protagonists. Karen Rowe in “Feminist and fairy tales” explains the divide between different female antagonists. Female antagonist come in all forms, Faeries, ogresses, evil queens, and evil witches step mothers and or step sisters. For the most part these characters are often divided between good and evil, or light and dark, but what is often realized, is that there isn’t much of a combination between the two groups in which an antagonist falls in between both categories. In this essay I will lay out the thematic roles of these different types of female antagonist’s portrayed within fairy tales.

Children fairy tales are some of the first books we’re introduced to growing up. Typically, the princess is saved by the heroic prince and they lived “happily ever after”. Some may think our life should be like a fairy tales while others don’t. These tales created gender roles in which appeared to be very important. In the Grimm Brothers fairy tale, “Hansel and Gretel”, the parents leave the children in the forest to starve due to not having enough money to buy food in order to sustain life. The children later find a house deep in the woods where an old, evil witch lures them in and tried to eat Hansel and Gretel. They eventually kill the witch and find their way home to their father with no stepmother to be found as she has died while the children were away. In the fairy tale, “Hansel and Gretel” gender and feminist criticism are highlighted throughout the tale by defining characteristics, consequences from their actions, and societal roles and expectations that were both prominent in German history and modern society.

This translated to today’s literature, by establishing that no one wants to read about an unflawed character or one with excess. This leads to discussion about another characteristic, the happily ever after. “Then he took her to his kingdom, where he was received with great joy, and there they lived long and happily.” (Grimm 94) In these fairytales, the down on their luck, the poor are rewarded with unknown riches or marriage into nobility, or escaping their curse. In Rapunzel, the cursed maiden is discovered by her long lost prince and married into royalty. The basic concept is that we want to read about flawed persons who rise to the occasion and best those who don’t believe in them, ending up happy. This echoes in today’s literature still, because we see ourselves in these flawed characters, seeing as if they can persevere, then so can we. What makes all of these happy endings possible (and why we connect to the characters) is the way these characters come upon riches and joy. Another characteristic of the Grimm’s stories are the main characters perseverance, selflessness, patience or beauty to achieve betterment. Rapunzel waited several year, while raising her children before she found her happy ending, but it states that “Rapunzel was the most beautiful child in the world” and that “as he drew near he heard a voice singing so sweetly that he stood still and listened. It was Rapunzel in her loneliness trying to pass away the time with sweet

Fairy tales and myths, although often cited as children’s stories, rooted in a distant world of magical realism, still form the bedrock of both literary history and cultural consciousness. As Duffy quotes “a part in our literary DNA.” (from the interview i listened too need to find it to refernce) Yet in most fairytales, such as disney, the works of Perrault, or Grimm, the tales remain governed by an archaic ideology, that do not represent the progressed gender equality of both 20th and 21st century auiences. Both Carter, and Duffy utilise this stigmatised genre to reflect the empowerment of women; the works of “the bloody chamber” and “the worlds wife” akin give a new radical voice piece for women in society. However critics of both works question wether the authors have replaced misogyny with misandry, using their work to mock masculinity.

In the folktale “The Blue Beard” written by Charles Perrault, conforms to both Dworkin’s and Lurie’s representations of fairy tale heroines. Perrault states, “The fatal effects of curiosity, particularly female curiosity, have of course long seen the subject of report” (133). Andrea Dworkin author of “Women Hating” and Alison Lurie author of “Don’t Tell the Grown-Ups” explain their different views regarding the heroines in fairy tales.

Feminism and gender roles play a huge role in our everyday lives, even if you do not quite notice right away. It can be anything from men having more power than women in, work areas, or political equality. It can be seen in stories, movies even newspaper articles to this day. One story in particular is Cinderella by the Grimm Brothers (1857). This essay will provide an in-depth look of feminism and how it is seen in the story such as; not being able to choose your own husband in certain situations, to women have to wear tight clothing, and the most obvious women not having the power men do.

Throughout the years, fairytales have had a crucial role in perpetuating stereotypes regarding gender roles in society that portray women as dependent and distressed, also that being an attractive,young woman is the cause of most predicaments, and how women are entitled to specific jobs in the house while a man is supposed to go out and do all the hard work. In most cases, a beautiful young woman is put in a serious situation by a villain and/or monster who needs a hero, more specifically, a male, to come to her rescue. This is typically classified as using the literary device “Damsel in Distress”.

The gruesome scene of the sisters who were demanded to “cut off your [their] toe” and “heel” (Grimm 3) shows the sacrifices women make for the sake of men and being loved by one. Feminists will view this to be an unequal way of seeing sacrifice because it is very rare that we see a guy sacrificing everything for a girl. Often times, we see girls changing their lives in order to please men, which is untrue in real life. Because of the influence of sexism in literature, women are viewed to be easily manipulated. The “gold and silver” (Grimm 2) Cinderella begs for symbolizes expensive goods used to win a prince’s heart. This shows a degrading attribute in how women use materialistic objects to appeal to men. The subtle symbolism seems innocent at first, but after a feminist-lens analysis, sexism and gender roles are

Original fairy tales restrict the opportunities of female protagonists, allowing their fate to be controlled by male characters and society’s restrictive expectations of women. Authors such as Perrault of ‘Little Red Riding Hood’ were quick to provide advice to their suggestible female readers in moral that girls should not try to drift from the path that society has laid out for them. Thus they became ‘parables of instruction’ (Carter) to indoctrinate the next generation in the values of a patriarchal society. Fairy tales of this time consistently remind us that those of the female sex will not prosper if they choose to ignore and defy the social constructs. Pre 1900s, the roles of women were entirely predetermined. A clear female dichotomy was established portraying them as either ‘the virgin’ or ‘the whore’. Stereotypical perceptions of women reduced them to biological functions and stated that they should acquire the role of wife and mother – objectified to such an extent where they were essentially their male counterpart’s possession. Both authors scorn the importance placed on domesticity and conformity, stressing the vital nature of being able to choose and uncover the consequences of societal ignorance. Carter highlights to her literary audience a passive generation of women who face the inability to vocalise their thoughts and opinions in the context of oppressive patriarchy. Within her work ‘The Company of Wolves’ “The

First of all, a rather sexist view of women has emerged from the evolution of a variety fairy tales. In older versions of many fairy tales, on can see the female dominant, matriarchal societies through the strong female protagonists. For example, as Yolen reminds, “Cinderella until lately has never been a passive dreamer….The forerunners of the Ash-girl have been hardy, active heroines” (33). One of the earlier Cinderellas belonged to a hunting community where “most important is the function of a female. She was at the center of this society and maintained a nurturing element” (194). As time went by Zipes concludes, women lost their supremacy and “fairy tales…reinforced the patriarchal symbolic order based on rigid notions of sexuality and gender” (qtd. in Tatar 338). As Zipes explains, “the heroines in these fairy tales remain pathetic , passive, and pale in comparison to the more active characters”, usually the men, when compared to those of the first generation of fairy

In fairy tales, female characters are objects, and their value centers around their attractiveness to men. Since fairy tales rely on cultural values and societal norms to teach morals or lessons, it is evident that fairy tales define a woman’s value in a superficial way. Fairy tales teach that, typically, beauty equates to being valuable to men because of their fertility and purity; whereas, ugliness equates to being worthless and evil, including being ruined because of their lack of virginity. Descriptions readers see from fairy tales like “Rapunzel,” and “Little Snow-White” revolve around the women’s, or girl’s, physical appearance, and both stories play out to where the women remain in a state of objectification. In addition, they are damsels

Once upon a time in a land not so far away, the society of man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales. From women depending on their prince charmings all the way to romanticized sexual abuse and lack of consent, stories like Cinderella and Snow White radiate sexism within an array of scenes of the stories and films. Not only does this affect the way that men view women, but it has had a relatively negative effect on the ways that many women view themselves. Many fairy tales have made their way into mainstream culture, and today many young girls and boys grow up hearing and seeing the subliminal messages in fairy tales. As more and more fairy tales make their way onto the big screen, it can be seen that all princesses seem to share a common feature other than their crowns and lack of self worth without a man by their side; their tiny waists. In recent years during the 21st century more and more people in the media have been calling out fairy tales for their anti-feminist attitudes with sexism, body standards as well as societal comments about women being dependent on men.

Fairy tales are full of tropes and stereotypes that exist from story to story, one of the main ones being the “happily ever after” ending. Most fairy tales, especially the traditional Perrault or Grimm versions, fall prey to this trope where the main goal is for the princess to find her prince, get married, and live happily ever after. Many critics, particularly feminist critics, find this trope to be problematic because of the extreme emphasis placed on marriage as women’s main, if not only, objective in life. Karen Rowe, for example, states in her essay “Feminism and Fairy Tales”, that “fairy tales perpetuate the patriarchal status quo by making female subordination seem a romantically desirable, indeed an inescapable fate” (342). In other words, Rowe relates the “romanticizations of marriage” portrayed in fairy tales with promotions of “passivity, dependency, and self-sacrifice” expected of women in their everyday lives (342). However, it can be dangerous to assume that every fairy tale conforms to the singular promotion of marriage as women’s only option. While early fairy tales such as “Cinderella” and “Sleeping Beauty” tend to glorify the romantic ideal of marriage, and in turn female subordination, contemporary tales and adaptations such as Brave and Frozen, are working to give women a more powerful position.

When someone mentions the name “Cinderella”, the first thing that usually comes to our minds is the fairytale in which the fair maiden who works so hard yet it treated so poorly gains her “fairytale ending” with a wave of a magic wand. However, the fairytale of Cinderella written by the Grimm Brothers has multiple differences in plot from the fairytale we all usually think of. The plot of the Cinderella written by the Grimm Brothers, written in 1812, is that a young female’s mother passes away early in the story, departing with the message to Cinderella to remain “pious and good”. Cinderella remained true to this message given to her by her mother, and she showed this in her work ethic. Because Cinderella had remained pious and good, her mother, in return, watched over her in the form of the birds above her grave that gave Cinderella help and material things that she needed. In the end, Cinderella has her “happily ever after”, for when the prince held a festival to find a new bride, she was chosen due to her insurmountable beauty. The feminist lens critiques how females are commonly represented in texts, and how insufficient these representations are as a categorizing device. These representations of women often include them being passive and emotional—staying back while the men do the work. Cinderella relates to the feminist lens because she fits into the typical representations of women created by men. Feminist criticism is important to recognize because women are often falsely represented as helpless, thus needing a man to come to their rescue. It is common in literature to see helpless women, crying and begging for help instead of being able to work out their own problems and hardships. Others, however, may believe that it is still important to uphold the fundamentals of the feminist lens because it keeps the man in power, which they say is important in keeping the man the head of the household. Cinderella thoroughly represents the feminist lens because it shows how women in literature uphold the representations of passive and emotional, created by the man.