Stereotyping Ethnic Characters

Asian American actors and actresses are portrayed in Hollywood movies as always being the silent and yielding foreign victims to social injustice and prejudice. Whether or not these depictions are true, they are nonetheless stereotypes that Hollywood producers have come up with. According to the US Census in the year 2000, Asian Americans make up 4.2% of the entire American population, and knowing that most Asian Americans live on the west and east coast of the United States, many Americans living in central parts of this country have not really been exposed to any Asian Americans. Because of this fact, it is highly probable that most Americans get their exposure to the Asian American lifestyle only through television and movies. Even if

Whether it is on TV or movie screens, the faces of white actors and actresses have always been prevalent in the media. For generations, many teenagers have been exposed to countless movies with white people in major roles. Moreover, the few roles that are cast to minorities feature the characters in their stereotypical personas (Bonilla-Silva 179). Even in advertising, Asians are placed in business settings, upholding the hard-working Asian stereotype (Taylor and Stern 50). As Taylor and Stern mention in their paper, the “model minority” has made the issue of stereotyping seem less important for Asians. The majority of these actors that are examined, regardless of race, are typically middle-age and well established in their acting careers. However, there is a lack of research behind Asian youth acting and their perceived roles. To account for this knowledge deficit, I examine how whiteness influences the media to portray youth actors as individuals that stray from their stereotypes in an attempt to achieve whiteness. My research site centres around Fresh Off the Boat (FOB), a comedic television series featuring a Taiwanese family. The title of the show Fresh Off the Boat or “FOB” is also a term used to describe a person that is considered too ethnic and as a term of denigration. I utilize Pyke and Dang’s categorization of “FOB” and “whitewashed” to analyze the narrator, Eddie Huang. I chose to limit my research primarily to the first “pilot” episode where the audience is

Media has become the key source of entertainment in United States especially on the sector of movie production. Most United States movies have some type of involvement with racial stereotype on specific ethnic groups. United States movies usually portray the negative side of African-Americans in all their movies. This is a huge problem to the society of United States especially black Americans. The presentation of the negative side of African-Americans in the media effects how they perceive themselves in the society and it also changes how other races perceive themselves. Many people may ignore the issue but it is menace because it is more related with racism. Many Americans and other races have lost hope in Americans because of the picture that is created in their minds by the media. Media argue that racial stereotype has no effect and it is one way of boosting movie and other entertainment industries. However, racial stereotype on blacks in United States is of no good at all. Racial stereotype in the media can be discouraged by the government of United States by instituting a law that would prohibit the production of movies and other entertainment materials that portrays the negative side of a specific ethnic group.

Television and film is a huge part of American culture. As the “face” of America changes, it is expected for our media to reflect it. Unfortunately, this is not the case. Since the beginning of film, minorities have been misrepresented and underrepresented. While there has been a significant increase in minority actors since the beginning of film, there is still a huge underrepresentation present in American television and film. Our media needs to reflect out diverse country. This topic is always important and relevant because race, gender, and sexuality, in general, have been issues throughout the growth of television and film. Even today, minorities are subject to

During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.

I like that you mentioned the effect of race with European settlers and indigenous people and the myths and stereotypes that come with race. This is such an interesting topic because much of the USA's history with race has strong associations with stereotypes that were used to keep a group of people oppressed.

As an Asian-American woman, I want to see better representation for the Asian community; if media is supposed to reflect the real world, then there is no excuse for leaving Asians out in American films. I want to dissect why Asians are still marginalized and stereotyped today when there is a demand for more diversity in media. In addition, I want to cover the history behind the stereotyping and whitewashing of Asians in Hollywood and how that still has a negative impact today. In fact, recent movies have white-washed Asian roles in favor of white actors. In May 2015, Sony released “Aloha,” where Emma Stone portrayed Allison Ng, a part Chinese-Hawaiian fighter pilot. This blatant erasure is also evident in Dreamworks’ casting of Scarlett Johansson

In today’s mainstream media, there exists a visible lack of Asian American representation. When they are given roles in film and television, those roles often maintain the stereotypical ideology which has been dominant for decades. Asian American stereotypes in these media range from hard-working and servile to masters of the martial arts and often put forth a misguided or exaggerated impression of what Asian Americans are like as a group. I argue that these stereotypical representations of Asian Americans manifest themselves in viewers’ minds and affect the way they view the minority group far after the they power off their television sets. These stereotypes are challenged when individual Asian Americans emerge and do not fit the mold that Hollywood has created for them. The quotes “looking at independent media artifacts, we can see the difficulties of self-representation, the potential for changing and configuring problematic images from Asian American and the media”(Ono) gives us a understanding to what independent media is to Asian Americans. Along with the quote “Inspires the creative expression of “Asian Americans who have felt excluded by particular forms of racialization”(Ono). These quotes will illustrate the shifting paradigm within the media from mainstream media to independent self produced work becoming the norm and how it can change Asian American lives demonstrated in these two films WHITEWASHING & ASIAN REPRESENTATION | Diversity Speaks - 2017 LA Film

Throughout the documentary the many stereotypes of Asian Americans generated by Hollywood are discussed. For example Cary Hiroyuki Tagawa discusses how he can either play ”The wimpy businessman or the villain”(Cary Hiroyuki Tagawa, Slanted Screen). The extreme nature of these roles causes Asian Americans to be seen as different from American society. As well those who view the media will associate their roles with their identity even though the films are fictional. The role of a wimpy businessman or a villain means that Asian Americans are either insignificant or when they are of importance it is because they have malicious intentions.

Asian and Latino women, are also ethnic minorities who are predominately portrayed in mainstream media as sexualized and or exotic (Brooks, 2006). Particularly in film, Asian women are frequently represented as passive characters, whose sole purpose is to be of service to men, especially White men. Asian American’s have been described as being the ‘model minority,’ and are often portrayed as nerdy or associated with technology (Mastro, 2015). Once more, the racial representations of Asian Americans influence audiences’ perceptions and can take misinformation about the group or culture as the truth (Brooks, 2006).

In Living Color: Race and American Culture, Michael Omi discusses that, “In contemporary television and film, there is a tendency to present and equate racial minority groups individuals with specific social problems. Blacks are associated with drugs and urban crime, Latinos with ‘illegal’ immigration, while Native Americans cope with alcoholism and tribal conflicts” (632).

Today, the entertainment industry has been amplified due to cinema emerging through the combination of new advancements in technology and has broaden the media and film industries horizons, the entertainment business has opened up the “opportunity gates” and has taken a turn for many minorities (African Americans, Hispanics, Asian, etc.) to live the dream and be a part of the uncontrollable whirlwind of entertainment. However, in some cases, the media does not always shed the best limelight equally for each minority. For example, by looking at the past motion pictures and television shows that stared African Americans as unsophisticated young men and women who has impulsive behavior that has been influenced by

People are much more gullible to false information the media and Hollywood productions give them, regarding the characteristics of a certain race and/or ethnicity. Hollywood depicts false Asian stereotypes not as a parody or an over-dramatization, but instead as a norm and reality. Such casual use of false characterization of Asian Americans in Hollywood productions is an indirect form of encouraging ignorance towards any other culture than “American popular culture”. A majority of the audience would not go out of their ways to seek accurate information regarding Asian American women, instead they prefer being spoon-fed any information given to tem. Thus, creators of Hollywood productions should feel a sense of obligation to either accurately portray certain ethnic characteristics or opt to great an original and personal

Films have the power to both influence and reflect society. The stereotypes prevalent throughout American culture are reflected in most films. While the United States is becoming an increasingly diverse country, this diversity is not portrayed within American cinema. Minority figures often occupy

One point that is mentioned in the video is how the film industries still refuse to include diverse casts because of their belief that having such casts will hinder ticket sales of a production. Therefore, this fear has led the movie industry to produce less diverse casts in comparison to the television industry. Xing, on one hand, states that there is a “lack of specific data” to determine how audiences respond to ethnic images (11). Thus, Xing believes that it is too soon to make the judgement that audiences will not watch productions with diverse