Essay on Steven King

“Each life makes its own imitation of immortality.” is exactly what Stephen King, one of top selling writers in history said when quoting on his own life. As one of the most renowned and famous authors of modern history, Stephen King has published a countless and immense number of bestsellers and worldwide hits. The King of Terror Stephen Edwin King is one of today's most popular and best-selling writers. His countless number of books have circled around the homes of millions of readers who are so intrigued by some of his most famous works. His works continue to embody the minds and fears of its reader while increasingly becoming ever more popular. Stephen King is not only a figure of present history but also a household

A horror classic by Abraham Stocker, Dracula, may be one of the most notorious villain stories of all time. Bram Stocker is a Irish writer who changed the view of what to read in his time. He shows dark and twisted situations and metaphors throughout Dracula and many other of his horror novels. This novel was released in the Victorian era, which saw his type of writing as equivalent to the devil. This era was a long time of peace and bright minded people. Stockers style surprised many readers, because he always has you thinking it can’t get any darker than it is but it always exceeds the previous twisted situation or event. Bram Stocker shows Dracula as an iconic creature, with many reasons to be feared, but displayed in the wrong time era.

The fear of the unknown is a common Gothic theme that is used to create fear and uncertainty in the responder. This is achieved through the use of a number of different techniques and conventions. The fear of the unknown is expressed through dark, uncertain and mysterious circumstances cause responders to feel vulnerable and fearful. In Bram Stoker’s Dracula the overpowering force of the sublime, the prominence of religion, death and use of darkness accompanied by typical Gothic techniques evoke a fear of the unknown in responders. This common Gothic themes can also be observed in The Road by Cormac McCarthy, in which the fear of the unknown is enhanced by the sublime, the prominence of religion, death and the use of darkness. Furthermore,

King creates the ideas behind many horror films and books, he’s liable to support the

Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.

Mr. King again takes the opportunity to throw a mite of humor in when he mentions that “neither of those two amateur-night surgeons,” Jack the Ripper and the Cleveland Torso Murderer, “were ever caught, heh-heh-heh.” Mr. King begins his conclusion with a few sentences that very nearly restate his thesis: “The mythic horror movie, like the sick joke, has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, or most base instincts let fee, our nastiest fantasies realized.” This restatement adequately summarizes the main points of the whole essay, and also provides a good connection to the beginning of the essay.

In Stephen King’s somewhat subjective essay in the 1984 Playboy magazine, Why We Crave Horror Movies, King describes his reasoning behind why so many people are fond of watching movies residing in the horror genre. The content of his essay, though inserted in an unconventional area for

“Monsters” do not have to be literal to create an enjoyable piece of horror fiction. King and Hautala are both able to create thrilling stories by utilizing fear of the unknown and exploiting

Stephen King’s father deserted his mother Millie and his older adopted brother David at the time he was two years of age, this had a profound affected on his writing, family moves numerous times during his youth, and money would all ways be limited. During this time he had several babysitters. As a toddler, he witnessed a friend being struck by a train and killed. In elementary school Millie began encouraging King to write. During, a decade of cultural change, drugs, rock 'n roll, hippies, man space flight, and the Vietnam War, King begins his influential teenage years, occurrences from the 60s inspired various stories.

Born on September 21, 1947 in Portland, Maine, Stephen King was a surprise to his family. Stephen was raised by a mostly single parent. Stephen’s father “left the house to buy a pack of cigarettes…but never returned. Stephen

Stephen King is a wise man who has lived a lot longer than I have, therefore, he carries much more wisdom with him about writing and what it takes to be one. King tells of why he writes and his experiences with bad writing in books he had read in his younger years, which made him a better writer. He also gives advice to those who wish to write and how they could be better. These are just a few things King shares in his work On Writing.

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

It was a dark, cold, November night. The moon overlooked the lake as it mirrored its reflection. It was peaceful, too peaceful. I was on my way to my aunt’s, who lived a mile or so from my house. I didn’t want to go, but my mother made me. She was working a double shift at the hospital and she didn’t want me to be alone tonight. Tonight was the night my brother died two years ago. It’s a funny story how it happened, but that’s a story to tell another time. According to Stephen King’s essay “Why We Crave Horror Movies” he draws viewers into horror stories like the one above simply because we crave it. King claims in his essay we obsess over the wanting of horror as if we are daring the nightmare. The human condition is finally allows people

The author George R. R. Martin was born September 20, 1948 to Raymond Collins Martin and Margaret Brady Martin. He was born in Bayonne New Jersey. George has two sisters, Darleen Martin Lapinski and Janet Martin Patten. He was the oldest of the three children. George began writing at a young age. George’s first novel, Dying of the Light, debuted in 1977. Martin has had many bestselling novels. Martin says that his in the position he is in today because he was “born with a typewriter in my hand.” (Georgerrmartin.com. Why I’m Here Today, or, Secrets of my Black Past).

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.