Stoicism In The Pianist, By Roman Polanski

The drama in Casablanca comes from the use of low-key lighting. The lighting is used to capture the essence of the drama. The filmmaker uses light or the absence of light to mirror the emotional response of the character for the viewer. The filmmaker uses three different types of lighting key-light, backlight, and fill light.

Often in a film, lighting is controlled and manipulated to achieve expressive affects that controls a viewer’s subconscious. Bright, high key lighting might be used to make the scene seem less threatening while low key lighting might be used to add a threat

Tim Burton done this to help the movie have a dark twist or to help the movie take a serious turn. In the movie Edward Scissorhands you see low key lighting when they show the castle. Nightmare Before Christmas shows a lot of low key lighting too. When Jack sings his song about taking Christmas away. They use low key lighting to show his song is dark and scary.

Stoicism made the transition from an intriguing foreign philosophy to a popular practice because it was taken up by several high profile figures. Scipio Africanus, the original esteemed Roman Stoic died in 129 BCE, but about 40 years later a new crop of celebrated Romans took up the Stoic practice. During the fall of the Roman Republic a group of famed orators, generals, and statesmen including Marcus Junius Brutus (85-42 BCE), Marcus Tullius Cicero (106-43 BCE), Pompey the Great (106-48 BCE), and Cato the Younger (95-46 BCE) all professed themselves Stoics. This group of powerful statesmen and leaders practicing Stoicism disseminated it throughout Rome. Octavian (63 BC- 14 AD) who later became Caesar Augustus had a Stoic tutor and many

In Maus the main character is young son named Artie. His father Vladek survived the concentration camp and he also shows compassion towards his father on his unbelievable will to survive. The Pianist” is a little different. In it the main

In ES he uses low key lighting Edward in the Big dark castle when the lady first encounters him. This shows how isolated and lonely he was. And him coming away from that darkness signified him trying to really come out. In CACF he uses low key lighting to a similar effect. He uses this on Willy Wonka. When he puts the low key lighting on Willy’s face this shows how in his factory he was very alone and had a troubled past. Which caused him to be more distant when the time came to actually socialize with the kids that came to the factory. In the Corpse Bride he uses this as well. When Victor sits down and plays this piano we get a shot of him and the piano surrounded by low key lighting. This shows how isolated and lonely Victor was. That when he plays his music or paint his painting that he actually comes out of his shell. This shows that lighting that he uses really has a effect on his

“The Pianist” by Wladyslaw Spilman is a extraordianry story about a man’s survival in the holocaust in Warsaw, Poland. The book explains how Szpilman survives the holocaust in Poland by hiding, escaping, and with luck. Szpilman is important to society because he explains the following topics in his perspective for them not to happen again, religious discrimination, human rights, and punishment in crimes involving genocide. Many of the issues raised by the holocaust continue to have an impact on the world today.

The Pianist is a movie that shows the life of one man, Wladyslaw Szpilman who was a popular Jewish Pole radio station pianist. In the World War II which is a background of the movie, How Szpilman suffered and how he survived are presented in the movie. While the movie portrays Szpilman’s life, it also shows how the Jewish people are dehumanized by Nazi during the war. The director, Roman Polanski, successfully uses camera angle, lighting and plot structure, and characterization to present the theme of dehumanization.

The author’s lighting adds to the tone by having the lights dim when it is tragic. In the clip of Tim Burton’s, Vincent, there are no colors and it is low key lighting. This makes the scene look like Vincent is a kid with a very dark imagination. In Edward Scissorhands, the lighting at the beginning when Peggy first finds Edward is low key

‘The Pianist’ is a cinematic masterpiece by the Polish director Roman Polanski. One of the key ideas that appear throughout much of the film is that of ‘hope being instrumental in our survival’. This idea is portrayed through Wladyslaw Szpilman, a Polish pianist, as he struggles for survival in Warsaw as everybody that he once knew and everything that he once had is lost. The idea of ‘hope being instrumental in our survival’ is worth learning about as it allows the audience to realise the importance of hope in todays society – and to understand how Polanski uses music to symbolise ‘hope’ for Szpilman in the film. Polanski effectively utilises an array of visual and oral text features such as music, dialogue, and lighting to build further

Director Tim Burton exploits lighting to construct a suspenseful and dismaying feeling in the audience. One way Burton does this is when he uses low key lighting in Charlie and the Chocolate Factory. For example,when Willy Wonka ventures through the jungle, the low key lighting creates shadows cast by the leaves surrounding Willy Wonka making the area seem more dangerous; with the tension that the fierce creatures that inhabit the jungle will come to attack. By creating the dismaying feeling of the jungle and it’s creatures,

In the first place, Burton uses high key lighting to create a bright, open and superficial scene without suspicion or suspense. For example, when looking at the neighborhood in the high key lighting

The film The Usual Suspects has all of the qualities of being a film noir movie, like Double Indemnity and L.A. Confidential. A modern film can still be identified as a film noir movie. I think that if it has everything that qualifies to be one it can. The Usual Suspects has the typical element that every film noir has, which is crime. Along with The Usual Suspects, the other movies that have crime are Double Indemnity and L.A. Confidential.

Most of the actors are wearing darker clothing as well which makes their faces stand out even more. This lighting style also adds to the tension and the mystery of the scene. It makes the audience on edge. The contrast filled lighting of film noir is also effective at bringing out the extremes of emotions and thought. The darkness of the genre makes anything that goes wrong seem less taboo, because the lighting of the genre sets up the norms for the world that the film lives in—and in that world, bad things happen. The lighting of the film helps the audience understand the world that the characters are in.

An important aspect of polanski is the use of aural elements such as diegetic and nondiegetic sound of the piano playing which is a motif throughout the visual text as we see the same piece of music being played either by Szpilman himself or as background music the song is played in the beginning and also in the scene parallel to the scene where he encounters the german soldier. In the encounter with housefield the lack of verbalization where the music is the factor which determines Szpilman’s fate. Because Szpilman had such a passion for music that he would hold onto his whole life and this was the thing he would hold close to himself even when all his family was gone and when Szpilman begins playing the piano we