Stony Rubbish And The Great Gatsby

      Gatsby's tragic flaw lies within his inability to see that the real and the ideal cannot coexist. Gatsby's ideal is Daisy. He sees her as perfect and worthy of all his affections and praise. In reality she is undeserving and through her actions, proves she is pathetic rather than honorable. When Daisy says "Sophisticated-God I'm sophisticated" (18), she contradicts who she really is. The reader sees irony here, knowing she is far from sophisticated, but superficial, selfish and pathetic. Gatsby's vision is based on his belief that the past can be repeated, "can't repeat the past? Why of course you can" (111)!  The disregard for reality is how Gatsby formulates his dream (with high expectations), and the belief that sufficient wealth can allow one to control his or her own fate. Gatsby believes youth and beauty can be recaptured if he can only make enough money. To become worthy of Daisy, Gatsby accumulates his wealth, so he can rewrite the past and Daisy will be his. He establishes an immense fortune to impress the great love of his life, Daisy, who can only be won with evidence of material success.  Over the five years in which Gatsby formulates this ideal, he envisions Daisy so perfect that he places her on a pedestal. As he attempts to make his ideal a reality things do not run as smoothly as he plans. Daisy can never live up to Gatsby's ideal, though

The Great Gatsby is considered to be a great American novel full of hope, deceit, wealth, and love. Daisy Buchanan is a beautiful and charming young woman who can steal a man’s attention through a mere glance. Throughout the novel, she is placed on a pedestal, as if her every wish were Gatsby’s command. Her inner beauty and grace are short-lived, however, as Scott Fitzgerald reveals her materialistic character. Her reprehensible activities lead to devastating consequences that affect the lives of every character. I intend to show that Daisy, careless and self-absorbed, was never worthy of Jay Gatsby’s love, for she was the very cause of his death.

After the war, Gatsby’s only goal was to posses enough wealth to bring Daisy back. He acquired millions of dollars from businesses he did. “Gatsby bough this house so that Daisy would be just across the bay” (78). His love for Daisy was the only thing that made him the man he was. He was intelligent, rich and even famous, all because of her. He threw big parties were many celebrities went and were thousands of dollars were spent in liquor and food just to call Daisy’s attention. “I think he half expected her to wander into one of his parties, some night…” (79), recalled Jordan, Gatsby’s friend, one night. All that Gatsby possessed was only and exclusively to show Daisy he could give her the life she wanted.

She was a girl with wealth, connections and means—everything a seventeen-year-old boy could aspire to one day attain. It is this illusion that Gatsby falls in love with, not Daisy, and he dedicates his life to become a man that could parallel Daisy in both social status and wealth. “So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end.” (98) Though Gatsby appears to be blinded by material possession and unethical in his means to acquire it, Fitzgerald sets him up to be the hero of the novel by contrasting his virtue to the sea of corruptness and material greed that made up the ambitions of most young folks in the 1920s. True, he made his money through illegal means, but his incredible sense of loyalty is striking against the dishonest, scheming American society. In the novel, it is clear that Gatsby is unfailingly loyal to everyone he loves, from his father to Dan Cody to Daisy, who he dedicated “five years of unwavering devotion” (109) to, even if they were not loyal to him in return.

American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.

Gatsby is determined to win back the love of his life. He concludes that if he amasses a substantial wealth, he will be able to manipulate time, erasing Daisy’s marriage and fixing her future with him. Perhaps, this is why so many people are able to resonate with Gatsby, he invokes the sentiment of a common man. So many others have believed that if they simply change one aspect of their life and imagine it to be a particular way, the future will fall right into their hands.

Gatsby creates an identity for himself as a wealthy man, who lives a glamorous life by throwing huge parties, and is known by the most prestigious figures in New York. What the partygoers don’t realize is that the parties and his wealth is all in the hopes of rekindling with his love from the past, Daisy. In the novel The Great Gatsby, F. Scott Fitzgerald tells the story of a young man named Jay Gatsby, who came from nothing, and built up to be everything that he had hoped and dreamed of being. However, his one dream did not become a reality due to misfortunate events. All the money in the world couldn’t make Gatsby happy, as he died as his true self, not the identity he created for himself.

Gatsby’s unrelenting desire to prove his worth to Daisy motivates him to take long strides away from his lowly farm life to a high status of wealth and courtly sophistication. Like the poor knights often coming from the bottom of the feudal estates, Gatsby materializes from humble origins. His parents “were shiftless and unsuccessful farm people,” but Gatsby dedicates himself to “His Father’s business, the service of a vast, vulgar, and meretricious beauty,” in an attitude closely resembling a medieval knight’s binding oath to serve the Lord. (100) Gatsby restlessly chases the elusive wisps of his aspirations, “bound to get ahead” (176), when suddenly another “meretricious beauty” intervenes to claim his life purpose—Daisy. By chance, Gatsby encounters the enchanting maiden and catches himself falling in love.

Gatsby does not belong to his own class and he is not accepted by the upper class, therefore he becomes an exception. Because of disappointment of being looked down upon and impossibility of accept by the upper class, he has nothing left except his love, which is also his “love dream”. Gatsby’s love for Daisy has been the sole drive and motive of his living. Gatsby’s great love is also the root of his great tragedy, because he is desperately in love with a woman who is not worthy of his deep love. Fitzgerald offers Gatsby with the spirit of sincerity, generosity, nobility, perseverance, and loyalty. All his good natures can be seen

Gatsby’s obsessions are not limited too simply possessing wealth, but they also extend to the manner in which it was acquired as well. First Gatsby claims having attended Oxford, and even goes so far as to flaunt Nick a picture,“ A souvenir of his Oxford days…” (71). Gatsby openly avoids mentioning how long he was at Oxford and why he was there. The small dishonest taste that Gatsby has of Oxford only serves to make his desire to change the past more consuming than ever before. Gatsby wants a simpler time, a better time with more noble aspirations. Gatsby uses the photograph to undo his past. In addition, Gatsby furthers the tales of his grand life insisting that he lived in all the capitols of Europe like a rajah. Fitzgerald proves Gatsby’s stories to be lies beyond any reasonable doubt. Jay sounds like a fool, and his condescending willingness to underestimate the intelligence of his listeners proves he acts as a fool. Gatsby’s false stories suck him deeper and deeper into the abyss that is self-worthlessness. Finally, the rainbow that Jay Gatsby follows through life has the ultimate treasure at the end –true love. The desperate alteration of his past serves only one purpose, to impress the shallow Daisy Buchanan. Gatsby innocently assumes that his money and accomplishments can buy anything – even

Daisy’s impact on Gatsby is immediate and cathartic. As “the golden girl” she represents the ultimate prize, “the best part of a world […] of heightened, refined delight, the realization not only of [Gatsby’s] desires but of generalized desire as well” (Fitzgerald 127, Lathbury 60). Inevitably, in the limitless capacity of Gatsby’s imagination, Daisy is elevated to the ideal, becoming the embodiment of “the youth and mystery that wealth imprisons and preserves”

Q5 "Much of what Eliot writes about is harsh and bleak, but he writes about it in a way that is often beautiful". Comment fully on both parts of this assertion.

     In the final part of his poem, "What the Thunder Said", Eliot offers a possible solution to the wasteland in the words "Datta. Dayadhvam. Damyata.", which mean "give, sympathize, control", as a way

Beyond all doubt, T. S. Eliot’s “The Waste Land” is one of the most excruciating works a reader may ever attempt. The reading is painful to the point of exhaustion for the poetry-lover as he scrutinizes the poem pericope by pericope. However, all this suffering (self-inflicted or otherwise) suggests that the author has likewise labored over the poem, emptying himself into his work--pericope by pericope. Suddenly, the reader understands that the poet intends to deliver a specific message, luring

In “ The waste land “ , Eliot referred to The Bible , myths and works of old literature . “ With its fragmentary images and obscure allusions, the poem is typical of Modernism in requiring the reader to take an active role in interpreting the text “ ( Kuiper , Para 1 ) . The title of the poem is a reference to a myth called “ The fisher king “ which recounts a story about a king who get injured causing his kingdom to become waste ( barren ) . Throughout the text , Eliot referred to the works of Shakespeare , The Tempest ( Line 48 , 191 , 257 ) , Antony and Cleopatra ( line 77 ) , Hamlet ( line 172 ) and Coriolanus ( Line 417 ) . Furthermore , in “ The Burial of the Dead “ ( First section of the poem ) , Eliot referred to Richard Wagner ‘ Tristan und Isolade ( 19th-century composer ) ( Line 31-34, 42 ) , and in “ The fire sermon “ ( third section ) , Eliot referred to a song from his GÖTTERDÄMMERURG opera ( Line 266-291) . Moreover , Eliot referred to the works of Dante Alighieri ( Italian poet ) , Inferno ( line 62 – 65 ) , Purgatorio ( Line 293 – 295 , 412 – 415 ) in order to present the modern life as a place like hell . In addition , In “ the fire sermon “ ( Third section ) , Eliot referred to Tiresias ( a character from Ovid “ a Roman poet whose famous for his group of myths “ ) , But Eliot transformed The character into bisexual persona who see into the gloomy lives of present-day Londoners .