Stop All The Clocks Poem

The poem, “Annabel Lee” by Edgar Allan Poe, has a dark and eerie tone. This poem is so sullen and creepy because the narrator’s wife, Annabel Lee, was killed by the heinous, chilling winds that were dispatched by the angels. Her husband, who became a widower, wrote the poem beside Annabel Lee, who was dead in her tomb. This has a very dark and glum toon, which causes the reader to jump into a somber mood. The text states in a dreadful and shocking tone “that the wind came out of the cloud by night/chilling and killing my Annabel Lee” (Poe 25-26). The poem “i carry your heart with me(i carry it in my heart)” by E E Cummings, is a very powerful poem about love. It is mainly about a man who knows that his life is complete because he has his love by his side. Cummings uses passionate and warm hearted words to make the reader incorporate and feel an emotional mood towards the poem. In a spiritual and loving tone it states that “i want, no world(for beautiful you are my world,my true)” (Cummings 6-7). Each one of the poems are unique in their own way, but both have completely divergent feelings and tones to them. “Annabel Lee” has a dark, gloomy, and cold tone that makes the reader feel a sense of loneliness. Poe sets a sorrowful and mournful

One way the poets explore the idea of love and loss is through the use of language. Christina rossetti starts her poem of with the use of the word “remember”, which evokes the sense that she will be gone and gives her lover the instructions to have her in mind when she is gone which highlights the loss that is occurring between the lovers. The use of the word “remember” creates a sense that an eternal loss is taking place between the lovers as it seems like she will become a past memory which her lover will only “remember.” the word “remember” also runs , like a refrain, throughout the sonnet through the use of repetition and seems as if the power decreases throughout the poem which portrays an image as if the voice and memory of the speaker is fading from life, further portraying the idea of loss that is occurring between the lovers.the repetition of the word “remember” also allows the reader to pay close attention to

Two literary pieces, “Do Not Go Gentle into That Good Night” by, Dylan Thomas and “Because I Could Not Stop for Death” by, Emily Dickinson are both poems that discuss the topic of death. While there are some similarities and comparisons between the two poems, when it comes to the themes, both poets writing styles are quite different from one another which makes each poem unique. Thomas and Dickinson both use identical figurative language devices and other literature symbolisms as they explain their main themes which contrasts the differences to the concept of death. These distinct variations between poems are apparent in both the form, and how the choice of words is used in the poems. Both of the authors have presented two very different ideas on death. The poems are well distinguished literature devices, they share minor similarities and differences between each other and how they present the meaning of death to a toll.

The poem "Clocks and Lovers" by W. H. Auden’s contrasts the idea of whether or not love will outlast time. Initially, the poem portrays a lover affirming the belief that love will triumph over time. The poem transitions and depicts the clocks' argument that due to time, love will eventually fade away. The narrator contrasts the two arguments with usage of imagery, personification, tone and diction. The argument that love will prevail over time is contrasted by the belief that as time goes by, time can never be stopped and love will not last. Overall, neither belief is represented as correct because the narrator contrasts the two opposing arguments by displaying that two arguments are incompatible. In regards to their following arguments, time is not as malicious or arduous to love but love is not impervious to time.

Mourning and mortality is a constant concern that transcends time. Slessor’s poetic treatment of these ideas continue to engage readers as it evokes a sense of awareness. This is evident in Kenneth Slessor 's poem Five Bells as the persona 's grief for his deceased friend, Joe Lynch causes him to realise the significance of time and the strength of spiritual attachments. This further leads him to question the purpose of human life.

In the first stanza of “Remember”, Rossetti allows the reader to explore the narrator’s thought about death. When she writes “……Gone far away into the silent land;/ When you can no more hold me by the hand….” the narrator believes that death is final because that connection cannot ever be re-established regardless of how much one wants it. The “silent land” and “gone away” are metaphors for death, and when the narrator says that no one will be able to “hold me (her) by the hand”, this symbolises the one thing death takes, the physical presence of the person. Likewise, Auden’s “Stop all of the Clocks”, explores death with imperatives. Auden writes “Stop all the clocks, cut off the telephone,/ Prevent the dog from barking with a juicy bone,/ Silence the pianos and with muffled drum/Bring out the coffin, let the mourners come.” Because the narrator wants life to cease, because with the death of their loved one, there is no purpose in life and it simply cannot (……..) .

describes the terrible moments before and after his death with vivid language. He uses the words “shrieking” and “whistling dirges” to describe his painful cries which adds on to the sadness in the beginning of the poem (Stern lines 6-7). Shrieking is usually applied to someone who is in pain or afraid while dirges refers to funeral songs or someone in mourning. The dog is mourning for his own life and the suddenness of his death. With these choices of words, the tone darkens. For the lover of dead things, the dog describes the poet looking terrified by stating, “ I think his pencil must be jerking and the terror of smell- and- sight- is overtaking him” (l. 15-16). Jerking is a strong verb for shaking violently and with “terror” added in the statement, the tone comes close to fear. The dog’s tone changes

The poem progresses from mourning of the deceased to praising of his achievements and fate to die before his glory withered. Therefore, the tone shifts from somber and quiet to upbeat and positive. Such shift of tone is achieved by Housman’s use of sounds. In first two stanzas, Housman describes the funeral procession as he remembers the time when the young athlete was proudly brought home after he won a race. Then, he solaces the mourners by reminding them it is better that the athlete “slip betimes away from fields where glory does not stay” (lines 9 and 10) because the laurel “withers quicker than the rose” (line 12). The soft “s” sound stands out especially in second and third stanza and it creates a sense of calm and quiet tone and evokes an image of townspeople mourning the death of their “hero”; Consonance of “s” sounds is present in words “shoulder, set, threshold, townsman, stiller, smart, slip, betimes, fields, does, stay, grows, withers, and rose.” In addition to consonance, soft sound alliteration in “road all runners” (line 5) helps to create a quiet tone. As the poem progresses into praising of the young athlete in stanzas four through seven, the consonance of hard “c”, “t”, and “f” sound become prominent. Readers can immediately detect

Thomas evokes the reader’s response, through raw emotion and imagery, using desperation that the speaker has to bring out that same response from the reader. The poet uses sensuous imagery to bring out the intense pain that he is feeling that comes with mention of torturous devices that are “twisting on racks when sinews give way,” insinuating that this is what the speaker is feeling in the time of his father’s death, and making the reader feel in the way that he does. This occurs similarly, in “Funeral Blues,” where W. H. Auden wants the world to know how much the death of a love one affects him, and wants the audience and the world to acknowledge this. The poem “ And Death Shall Have No Dominion” by the same composer, Dylan Thomas, is a juxtaposition to “Do Not Go Gentle Into That Good Night”, in that there are different views portrayed, stating that dying is something that is good, rather than it being the be all end all of life.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

In “Stop all the clocks, cut off the telephone” by W.H. Auden the author uses different literary devices to portray the theme of overwhelming grief and loss. In the poem, the speaker is someone who has recently lost a loved one. The person is so distraught that they start issuing harsh demands. The speaker wants everything to stop and all noise to seize. He or she then starts revealing more personal details by telling how much the loved one meant to them. This poem is dramatic and successfully uses literary devices to show how the speaker is feeling in their time of grief. W.H. Auden uses metaphors, personification, and overstatements to reveal the effects of overwhelming grief.

Two of Emily Dickinson’s poems, “I heard a Fly buzz-when I died” and “Because I could not stop for Death” are both written about life’s stopping point, death. Although the poems are written by the same poet, both poems view death in a different manner. Between the two poems, one views death as having an everlasting life while the other anticipates everlasting life, only to realize it does not exist. While both poems are about death, both poems also illustrate that the outcome of death is a mysterious experience that can only be speculated upon with the anticipation of everlasting life.

In the third stanza, Hardy states: “But not so. How arrives it joy lies slain / And why unblooms the best hope ever sown?” Immediately in this stanza, he realizes that there is no point to human pain and suffering, because he can 't find evidence that humans ' pain has meaning to God. He dismisses the idea brought about by the first two stanzas, and admits his faith in meaning is crushed. He’s lost his hope that he’s held onto for so long, and there’s no “joy” left. He comments that his hope was “the best hope ever sown” because belief in the significance and universal importance of human life was a beautiful lie spread throughout humanity. However, the third line of the poem reads: “—Crass Casualty obstructs the sun and rain,” symbolizing happiness and optimism, which are obstructed by the reality that nothing happens for a reason. The sun and rain he mentions represent the beautiful, seemingly significant things in life. However, the love and the beauty the narrator has experienced are all rendered meaningless by the insignificant misery of his lifetime. The “Crass Casualty” is the inane and pointless pain he’s experienced, along with every other human who has lived on earth. The worst part is that the pain lacks an origin of reason, and doesn’t matter to whatever God Hardy wants to believe in. Scholar E. S. Ownbey discusses how Hardy struggled to conform to the religious expectations of his time. He says that “a number of Thomas Hardy’s poems are built on

Mourning over the death of a loved one can be a difficult situation for a person and can result in conflicting feelings. In Stop All the Clocks by W.H. Auden, the many contradictions can be explained by the contradictory nature of a person in mourning. The narrator, mourning over the death of a loved one, is torn between wanting life to move on after mourning and wanting everything to cease to exist rather than feel the pain of loss.

The astonishing level of agony presented in a person when losing a loved one is described in the poem, “Stop All of the Clocks, Cut off the Telephone” by W.H. Auden. In this poem, the poet describes the pain of ending an intense sensation of love when one of the partners passes away. The inability to cope once one’s love has ended provokes the feeling that life has ended due to the thought of not being able to live alone. This is found in the poem when Auden states, “For nothing now can ever come to any good” (Auden, 16). The author’s use of figures of speech, imagery, and diction allow her audience to understand the speaker’s true emotions over its’ overwhelming grieving period.