Story Of An Hour Patriarchy

“But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely” (Chopin 157). She feels free from the obligations to her husband that was forced upon her during the Victorian era and she is looking forward to the years of independent freedom that are yet to come. “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature” (157). Mrs. Mallard did not want to submit to the oppressor, who in this case, was her husband. She wanted to make her own decisions and didn’t want to take orders from her husband. She was forced to live that way because her husband controlled her. Once she found out that he was supposedly dead, she felt free from the male oppression that she had been a victim of since the day she and her husband exchanged vows. Mrs. Mallard would rather live for herself and not have to live for her husband, and his alleged death allowed her to live for herself without getting a divorce, so her society wouldn’t look down upon her.

In the short story “The Story of an Hour” written by Kate Chopin, the character Mrs. Mallard is a grieving wife who pictures her life by herself. While grieving her husband’s death, she is thinking about being free and independent. Mrs. Mallard and women in the days where they depended on their husbands to provide for the family, while they stayed home and took care of the house. “But she saw beyond that bitter moment a long procession of years to come that would be hers absolutely.” (Chopin 548) She was a sympathetic character who loved her husband but is ready to be free. Mrs. Mallard’s reactions to Mr. Mallard’s death is justified by the way she grieves for him. The way she is dealing with the loss of her husband is admirable, even though in the end it kills her.

Angelyn Mitchell interprets Chopin’s work “The Story of an Hour” as a feminist piece of work. She believes that Chopin wants to prove the double conscience of females, which is when women connect their inner self with their outside and gain freedom. “In ‘The Story of an Hour,’ the quest for freedom is complicated by three important factors: biological determination, patriarchal social conditioning, and the patriarchal institution of marriage.” Mitchell uses Mrs. Mallard’s heart condition to show biological determination. “Richards, a friend of her husband, rushes to relate the sad news of his death before someone ‘less careful, less tender’ can do so.” Patriarchal social conditioning is shown by showing that Mrs. Mallard does not act as a woman

Louise Mallard is the protagonist of The Story of an Hour. The entire story is about her preservation. Chopin portrays Mrs. Mallard as a woman who is in deep suffering. She is not only suffering from a marriage she is not happy with, but she is also suffering from her medical condition. As if she had not suffered enough, she also puts a threat to her own life. We see this when Josephine is knocking on her door while she refuses to open it (Chopin). What is unknown to Josephine however is that her sister is in fact not suffering but savoring the moment.

Men were considered the alpha male as a focal point in marriage back then which evasively caused women to serve the men. Since Kate Chopin is a woman who lives between the late 1800’s, and early 1900’s, she experiences the gloom of marriage in that time. Kate Chopin was speaking of the story as if her own true feeling about women, and marriage. “A clear and exalted perception enabled her to dismiss the suggestion as trivial”(206). Perhaps Mrs. Mallard dies because of the endeavor that women face, and implies that dying is better than being of the oppression of man at that time. There is a sense of women being fearful of men, and wanting a say against men who over oppress in their relation of their

Mrs. Mallard finds out that her husband has just died, "she wept at once, with sudden, wild abandonment." The character of Josephine is there to represent her conflict against society. As the story starts up, she as Mrs. Mallard turns to her sister Josephine and weeps in her arms after hearing the sudden news of her husband's death. This is her acknowledging the grief that society expects her to feel. Her openness to Josephine represents the acceptance that came with acting in accordance with what society expected. Mrs. Mallard displays her strength, “When the storm of grief … away to her room alone.” The fact that she does not bring Josephine with her implies the conflict that is about to take place." Josephine is the social norms, assuming that she is weak without her husband by her side. Mrs. Mallard's isolation from this assumption represents that she has strength and can stand on her own. This expected strength is confirmed as Chopin writes, "Josephine was kneeling … lips to the keyhole”, imploring for admission. "Louise, open the door! … before you make yourself ill." The closed door to Josephine shows her decision to close her

Kate Chopin’s, “The Story of an Hour”, uses the death of Mrs. Mallard’s husband to reveal the female oppression that took place in their marriage. Chopin uses a great deal of symbolism, particularly in the open window, to reveal the theme of the oppression of women in this story. Chopin chose to begin the story with “Knowing that Mrs. Mallard was conflicted with heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death” (Chopin 555). While the reader assumes that Mrs. Mallard has a medical heart condition, anyone who has done a close read of this story can assume that Chopin chose “heart trouble” to symbolize the conflicting feelings Mrs. Mallard

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

Everyone who reads a story will interpret things slightly different than the person who reads it before or after him or her. This idea plays out with most every story, book, song, and movie. These interpretations create conflict and allow people to discuss different ideas and opinions. Without this conflict of thought there is no one devoting time to debate the true meaning of a text. Kate Chopin’s “The Story of an Hour” tells about a woman who is informed of her husbands death, processes the emotions, and becomes content with this new status as an individual person – losing all the expectations that society expected her to live by within a marriage. This story however is written in a way that the reader has the final interpretation of the text. There are many different interpretations on not only the reason for the main character’s death, but also on the overwhelming emotions that she faces.

The two short stories I read were both extremely symbolic pieces of writing where the author mainly strayed from directly criticizing patriarchy. In the Story of the and Hour by Kate Chopin, the protagonist, Mrs. Mallard is introduced to having heart trouble. Her sister and husband’s friend are with her while she is delivered news of her husband’s death. Because of this event, Mrs. Mallard is initially overcome with a “storm of grief.” Throughout the story, she is psychologically portrayed as to being insane because of her inverse reactions to her husband’s death. This is similar to Dino Buzzati’s The Falling Girl where the protagonist Martha, relays her thoughts as she is falling from a skyscraper. These portrayals relate to gender issues

Patriarchal ideals in “Story of an Hour” enforce the inferiority of women, and breaking the patriarchy liberates womankind. Kate Chopin sheds light on the deadly results that patriarchy can bring. From the very first line, patriarchal ideals are expressed by letting the reader know that “Mrs. Mallard was afflicted with a heart trouble, [and] great care was taken to break to her as gently as possible the news of her husband’s death” (Chopin). Mrs. Mallard is too feeble to hear of her husband’s death, and keeping this news from her means that her truth is being withheld. While not explicit, this is an example of patriarchy at work. Mrs. Mallard is not strong enough for her truth, so a man must tell her sister, who then tells Mrs. Mallard. This extensive filtration supports the notion that women are inferior because they cannot handle the stress of bad news. In a turn of expectations, Mrs. Mallard sees the news of her husband’s death as a beacon of liberation. By her lonesome, Mrs. Mallard assures herself that “there would be no one to live for during those coming years [after her husband’s death]; she would live for herself.” (Chopin). Patriarchy laid down upon Mrs. Mallard so much that the breaking of it frees her. She discovers her truth for herself, not a filtered truth by a man, which is a result of the patriarchal forces in her life being dissolved.

In the story, the label that Chopin gives to Mrs. Mallard’s problem is “heart trouble’ which involves both physical and emotional factors. Similarly, I think it’s very ironic for the writer to use the phrase “joy that kills” in the last sentence of the story because it is actual joy that Mrs. Mallard feels when she realizes her husband is dead, and pain so great that kills her when she sees her husband walking through the door. However, other characters are unaware of the transformation that has occurred in Mrs. Mallard. The dramatic irony in the end is that Louise doesn’t die because of joy as the doctor claims but actually because of loss of joy. Her husband’s death gives her a glimpse of new life and when that new life is swiftly taken away, the shock and disappointment kills her. Therefore, the main character, Mrs. Mallard

The next thing feminist care about are women's desires. This means they encourage women to take the journey of finding out who they are and what they want to do in life. A wonderful example of someone who supports feminism when it comes to figuring themselves out is, Kate Chopin, author of "The Story of An Hour". This story describes the awakening of a woman named, Mrs. Mallard, as she becomes aware of her own desires. As she starts her journey, she receives news that her husband has passed, which turns out to be false, but that's not the most tragic thing in this story. Chopin wanted the entire tale to demonstrate the patriarchal society that defines gender roles and enables women to freely go about their lives. We can see this in the line,

The relationship between men and women presented in the short story “The Story of an Hour”, is that men dominated society. A Woman’s freedom was nonexistent. Throughout this short story, women are presented as powerless and dependent while men were considered to be superior. Women were tied down through marriage, such as, having been expected of doing as the man pleased without having any say in the relationship. Through a feminist critical perspective, this short story supports a patriarchal society that is presented though marriage and women’s lack of freedom.

Throughout the course of human history, societies worldwide tend to follow a specific pattern of male domination in politics, economics, and culture. From the earliest city-states of Mesopotamia to the massive empires of China and Rome, women were forced to take a limited role in society. This systematic oppression of women is indicative of a patriarchal society, in which “women have been subordinate to men in the family and in society generally” (Ways of the World 59). Though these civilizations share the characteristic of male supremacy, each had different practices governing interactions between the genders. Each society had a unique idea of exactly what rights women were afforded and how the patriarchy was enforced. The Mesopotamian, Chinese, and Greek civilizations were undeniably patriarchal, but how the dominance of men was expressed varied between each society.