Story Of An Hour Self-Oppression

Written in 1894, “The Story of an Hour” is a story of a woman who, through the erroneously reported death of her husband, experienced true freedom. Both tragic and ironic, the story deals with the boundaries imposed on women by society in the nineteenth century. The author Kate Chopin, like the character in her story, had first-hand experience with the male-dominated society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience.

Kate Chopin is known for being criticized for empowering the subject of female sexuality and independence. In Chopin’s short story, “The Story of an Hour”, it is placed in a time where men were known as being the head of the household while women were only in charge of raising the children and caring for the home. In the 1890s, women didn’t have so much power to themselves compared to today’s society where female empowerment is frequently encouraged. Chopin’s story narrates a sequence of Mrs. Mallard’s emotions that goes within the motion of the story. As she overcomes the sudden death of her husband, her emotion of grief soon turns into the sudden feeling of freedom, later on emerging into a strong independent woman.

The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; “ She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,” possesses beautiful imagery that brings the reader into the emotional conflict Mrs. Mallard is experiencing. (Chopin)

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

`The Story of an Hour' was written in the nineteenth century and during this time highly restrictive gender roles forbade women to live as they saw fit. Kate Chopin presents in her story,

The last example occurs during and after Mrs. Mallard watches the “tops of trees that were all aquiver with the new spring life” (Chopin 1). This shows that the character’s image of the world is already changed since she was informed of her husband’s death. In the twelfth paragraph, Chopin uses her character’s new perspective of the world to exemplify the confinement women felt. The character understood she had “no one to live for during those coming years; she would live for herself” (Chopin 2). Mrs. Mallard’s thoughts revolve around her limitations during marriage. She soon realizes that she would have “no powerful will bending hers” (Chopin 2). Mrs. Mallard was likely controlled her entire marriage; and now she is released from her husband’s dominance. Before opening the door for her sister, she was thinking about “all sorts of days that would be her own” (Chopin 2). The character looked forward to her new life ahead of her because of the new freedom she has gained; she thought about the future that involved her freedom from marriage. Mrs. Mallard eventually says a prayer to herself

Mallard seems hallowed out, empty. However, her emotions change abruptly. Mrs. Mallard was opening up, her life, her mind, all into new ideas. She began to realize that she then had potential and possibilities to her mind “ But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky”(307).

Within the past century, the United State and the world has undergone a dramatic revolution in the status and empowerment of women in society, as women search for and fight for selfhood. “Story of an Hour” by Kate Chopin questions social conventions concerning marriage and women’s independence. “Story of an Hour” illustrates the themes of the quest for identity and the subjugation from romantic love through the depiction of the open window, death, and “heart trouble,” symbolizing Mrs. Mallard’s transformation from her newfound freedom from the subjugation of marriage. Mrs. Mallard is portrayed sitting “facing the open window,” as she contemplates the death of her husband, and soon comes into the realization of the freedom she has attained.

Patriarchal ideals in “Story of an Hour” enforce the inferiority of women, and breaking the patriarchy liberates womankind. Kate Chopin sheds light on the deadly results that patriarchy can bring. From the very first line, patriarchal ideals are expressed by letting the reader know that “Mrs. Mallard was afflicted with a heart trouble, [and] great care was taken to break to her as gently as possible the news of her husband’s death” (Chopin). Mrs. Mallard is too feeble to hear of her husband’s death, and keeping this news from her means that her truth is being withheld. While not explicit, this is an example of patriarchy at work. Mrs. Mallard is not strong enough for her truth, so a man must tell her sister, who then tells Mrs. Mallard. This extensive filtration supports the notion that women are inferior because they cannot handle the stress of bad news. In a turn of expectations, Mrs. Mallard sees the news of her husband’s death as a beacon of liberation. By her lonesome, Mrs. Mallard assures herself that “there would be no one to live for during those coming years [after her husband’s death]; she would live for herself.” (Chopin). Patriarchy laid down upon Mrs. Mallard so much that the breaking of it frees her. She discovers her truth for herself, not a filtered truth by a man, which is a result of the patriarchal forces in her life being dissolved.

Chopin includes that Mrs. Mallard tried to fight off these ideas with her will (Booth 307). Her embraced feelings of independence could have been viewed as forbidden. Although she is excited by these thoughts, she tries to resist the pleasure she truly feels when she realizes the freedom that she has gained. The words “free, free, free!” escaped from her mouth (Booth307). She attempted to hold back the overwhelming desires for her own life. Perhaps she is hesitant to welcome these feelings because of the public view on women’s rights, and the potential consequences for those who opposed such views. Despite the faithfulness and love Mrs. Mallard showed for her husband, the extreme relief she felt in no longer having a marital obligation overpowered her feelings of sadness and loss.

Mrs. Mallard feels tied down and trapped in her marriage. The lines of her face "bespoke repression" (paragraph 8). Once Mrs. Mallard receives the news of her husband's death, she knew that there will "be no powerful will bending her" (paragraph 14). There now would be no husband who believes he had the "right to impose a private will upon a fellow creature"

A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman

Mrs. Mallard that her better half was significant dead in a railroad accident. In the first place, she was heart-broken yet she soon understood the steadiness that her life will bring. She was confused by the new acknowledgment of her life of turning into an unmarried woman. In the content it states, “There would be no one to live for during those coming years; she would live for herself…there would be no powerful will bending hers in that blind persistence with which men and women believer’s. Mrs. Mallard thinks about the great things because of his death and she cherishes having the capacity to live for herself as opposed to worrying over an entire family unit. Chopin shows those

In Kate Chopin The Story of An Hour Feminist Criticism applies to the short story by showing a woman that wants to be independent and wants take control of her life . It is evident in the patriarchal society's stereotype of a woman and a women that want her identity. Mrs.Mallard wants to be seen as her own her and valued just like men are

Author, Kate Chopin, presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. Finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow: "Free! Body and soul free! She kept whispering." In her soul, the dark clouds are disappearing because she is illuminated. All the memories of her husband are now of the past. She is living in the present. At this point, she is no longer "Mrs.Mallard." She is Louise and is ready to welcome a new horizon of freedom : "Spring days, and summer days, and all sorts of days that would be her own." Overwhelmed with a new sense of herself, she feels as if she