Streetcar Named Desire Analysis Essay

A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.

An astonishing drama was written and captured the attention of many people. Behind the success of the drama is the author. Tennessee Williams wrote A Streetcar Named Desire back in 1947 with the setting of New Orleans in the 1940s. A Streetcar Named Desire was famous that Williams recived the Pulitzer Prize for Drama. New Orleans inspired many of his plays such as A Streetcar Named Desire when he moved to Old South after college (“Tennessee Williams Biography.” Biography). Williams’s dramas were based on the way life was in New Orleans during the 1940s. His dramas were also inspired by the people he encountered throughout his life. The story contains numerous themes and symbolism, especially the meaning of the title. The play has many ironies

Tennessee Williams was born in Columbus, Mississippi in 1911. A Streetcar Named Desire was set at around his time and it describes the decline of the Southern Belle named Blanche DuBois. The pathos found in Williams’s drama came from the playwright's own life. Alcoholism, depression, loneliness, desire, as well as insanity all played a huge part throughout William's lifetime, thus, incorporating these into his own life. Williams portrayed different social groups in his plays, and how they clash (such as the role of men and women, the urban and southern lifestyles) to criticize many aspects of society such as social criticism.

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

    The author use Blanche and Stella see how the male companions as their only happiness and depend on the men to do stuff. In scene three it show the boys are playing poker around the kitchen table and drinking whiskey and very noisy in Stanley house during that time Blanche and Stella were not welcome while the boys is playing poker. While the boys were playing poker and the girls gossip and listen to the radio, but Stanley was mad at the noise the girl make because he loss major of his money from playing poker. “[ Stanley stalks fiercely through the portieres into the bedroom. He crosses to the small white radio

In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.

In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.

The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?

From the very title of the novel and beginning poem Levi implores us to consider the essence of what it is to be human, presenting to us the thought-provoking question, if this is a man? Levi this way allows us to engage on an emotional level with the events of the holocaust and examine our own consciences, and as he details in his preface ‘furnish documentation for a quite study of certain aspects of the human mind’, and accuses society of subconscious reasoning that ‘every stranger is an enemy’. In explicit stripping the prisoners depicted in the text of their humanity, making this uncomfortably apparent to us as we are consistently encourage to draw comparisons, or rather contrast, with our own lives and hence are perhaps

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

In both The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams makes use of very specific light cues. In his works, Williams uses lighting to declare relationships, portray moods, and connect with the audience. Tennessee Williams uses light in The Glass Menagerie and A Streetcar Named Desire to make the audience feel the characteristics of Blanche, Laura, and Stanley, the relationships between characters, and to show that The Glass Menagerie is a memory play.

In Scene 4 of A Streetcar Named Desire, examples of Blanche’s material and emotional hold over Stella are presented, yet leads to display how the roles will reverse at the end of the play as the audience view Blanche breakdown due to the combination of her past and her new morally-grey environment, which is shown through the racial and sexist abuse that both Blanche and the residents of Elysian Fields display. This extract is particularly significant in highlighting these traits due to its placement after a case of Stanley’s true temper showing through, coupled with the fact that Stella and Blanche believe themselves to be alone, which in turn allows Blanche to display what her true nature and worries over what is to come at the end of the

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe

Stanley for Blanche is a bright light that points out her flaws and deception. Blanche's character is known to shy away from the light because she is afraid of her reality, the reality of no longer being a wealthy southern bell. When Blanche first arrives at her sister Stella's house, she desperately asks for the bright lights to be turned off, due to her self consciousness. By being exposed by the light, Blanche believe that wrinkles and imperfections in her face are exposed to everyone. She requests not to be “be looked at in this merciless glare.” The importance of light in the play is quite important as it represents the truth and reality of Blanche. Blanche believes that she is no longer the women she once, that the moment she get to her sister house, she asks for the light provoking the reality to be turned off, so that she can lie without seeming

This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.