Streetcar Named Desire Compare And Contrast Essay

The considerable characters of A Streetcar remain relatively indistinguishable in both versions of the work. The play and film versions of the characters were an exact match. The seamlessness allowing the stars, who acted as these characters, to act in both play and film

     This play takes place in New Orleans Louisiana. New Orleans is a very lively town that is known as a party town and for it being a rough town. New Orleans is a town in which inhibition is suppressed and people try to have fun all the time, while not worrying about the little things in life. This is especially true for the French quarter of New Orleans, which is the setting for this play. New Orleans is know for Mardi Gras and illusion, but it is also a city of reality. Blanche does not

Stella's marriage to Stanley, on the other hand, seems to have given her the happiness and fulfillment, which Blanche has attempted to find in a guilt-ridden life of loneliness with promiscuity. As a result Blanche has become neurotic and alcoholic, slipping increasingly into insanity. Stella, meanwhile, appears to have been thriving in a profane, coarse, but wholly satisfying sexual relationship with Stanley. Thus, superficially, the main contrast between Stella and Blanche seems to be one between sickness and health, perversity and normality, particularly in the sexual relationship. Stella is thriving; Blanche is disintegrating. But a closer examination of these sisters begins to show more complex differences in their characters and situations. Blanche is disintegrating for reasons other than sexual perversity, and Stella is paying a rather steep price for her so-called "normal" life with Stanley.

The similarities between the play and the movie are both show the struggles of being a lower class in an upper-class world (at the time). The movie expresses

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the

The illusions that make up Blanche’s life while she is staying with her sister are something I have experienced first hand. Her time spent in New Orleans is blurred between what is real and what her mind conjures up for her to believe. At the beginning of the play Blanche lies and knows that she is lying, telling her sister that she is just “taking a leave of absence” (Williams Page???), and lying about her age. However as the play continues Blanche begins to fall victim to her own lies, convincing herself, possibly more than Stella, that Steph Huntleigh will come and save the two sisters. Losing touch with reality more and more as the play continues, Blanche Blanche lives in a dream world, and in scene 7 her reference to a "Barnum and Bailey world, just as phony as it can be-" exposes that she has created an illusion in her mind(Williams, Page 120). Like Blanche, much of my childhood and adolescence was spent denying what was

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

Although there is nothing wrong with Stella offering her sister a help and let Blanche stays in her place, but the biggest missing component, in this case, is the cause a huge embarrassment, that is Stanley. Stanley is Stella’s husband, they live together with peace and entertainment so far; nevertheless, the involvement of a third person would interrupt or even shatter the situation, and this person is Blanche. Stanley represents the new rising Americans, and we can envision him as urban-hunkey. His lifestyle is full of manhood; he goes to bowling, loves poker party, and we gain the picture of him as an aggressive, dominant and very sexual person. To satisfy Stanley is quite simple, first, his sexual desire would override his other senses, which means his sexual relationship with his wife is extremely important to him; second, Stanley enjoys maintaining stereotypical gender roles in his home and being respect as the head of the household. After Blanche’s visit, both of his old habits are being disturbed because Blanche takes herself as someone who’s more superior which goes against his gender role and she sleeps right across them with only a thin layer of the barrier which also stops his lovely night party with his wife. These reasons caused Stanley being so unsympathetic to the way Stella treats Blanche, which furthermore

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

Similar to Stanley, Blanche also faces a power struggle. Her ultimate downfall is a result of Stanley’s cruelty and lack of understanding for human fragility. Comments about Stanley’s ‘animal habits’ and ‘sub-human’ nature act as the agent of Blanche’s downfall. Stanley cannot deal with her mocking him in his own home and is fed up with her lies. During the final scenes his

In Summary, with these three examples it is shown that the play and the movie contrast quite a bit. Most of the story line and the dialogue were very similar to the original story in the movie but some things were changed, possibly to shorten the story to be able to make

Stanley overhears these comments as they are ‘unaware of his presence’ (S4:pg.164*; and wants to dispose of Blanche to protect his marriage as Blanche has a hysterical determination to urge Stella to leave Stanley. Stanley refuses to accept Blanches’ conduct as she had no right to intervene and arbitrate as a guest in Stanley’s home supporting the idea that Stanley was preparing her downfall all along.

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe