Essay
In A Streetcar Named Desire, Blanche declares, “I don’t want realism, I want magic!” Discuss the role of magic and illusion in the play. Consider the how magic comes into conflict with realism, and what values and ideas this conflict expresses. Please also consider the style of Williams’ writing – are there significant moments of magic or illusion in the storytelling?
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Sigmund Freud argues that “Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must, therefore, accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces.”(Reflections on War and Death, 1918). In A Streetcar Named Desire, Tennessee Williams explores
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Blanche and Stanley have opposing models of human behaviour; Blanche is excited by the prospect of self-alteration, insisting “Yes, clothes are my passion!” while Stanley argues,“Look at these feathers and furs that she [preens] herself in! What's this? A solid gold dress, I believe!” Although superficial, donning ostentatious jewelry and clothing can be transformative for one’s character and allow fluidity of identity. In this way, our appearance is a powerful tool for improving self-perception and confidence. However, Stanley’s crude honesty and negative connotations of the verb “preen” communicate that opulence lends itself to rampant materialism, an objectively shallow worldview. This makes it easy for Blanche to lose grip on sources of true happiness in life, as these material goods never add long-term value to her life. Conflicts between the two divisive philosophies climax when Stanley accuses Blanche, “Not once did you pull any wool over this boy's eyes! You come in here and sprinkle the place with powder and spray perfume and cover the light bulb with a paper lantern!” Blanche’s immersion into an idyllic fantasy world seems undeniably attractive, and the subscription to a life of illusion permits an opulent bliss, even if ignorant. Our commitment to the ideal leads us to believe we will eventually achieve it, driven by contemporary proverbs such as “fake it til’ you make it.” Conversely, while Stanley may be critical, his perspective is reasonable and honest. Brash truth is necessary in a dog eat dog world that demands use of our primal charges - fantasy only exists to cloud our vision. Therefore, realism - removing the wool over our eyes - appears to be the most rational choice to avoid deception. Mitch is also seen torn between illusion and realism regarding his relationship
How does Williams present the themes of illusion and fantasy in A Streetcar Named Desire?
One of the roles of this excerpt is to provide the background towards understanding Blanche, and the justifications for her mental state and actions. It is evident that in the past she belonged to a higher class where extravagance was common. But when her family in
Tennessee Williams uses the constant battle between illusion and reality as a theme throughout his play A Streetcar Named Desire. Many use illusion to escape the reality they are living in. This theme is present in all of his characters in different ways.
Mitch has a very courteous and gregarious perspective on life. He basically believes that everyone deserves a chance. When he first meets Blanche, he begins to fall in love with her but soon after Stanley reveals the true Blanche to Mitch, he feels betrayed. At that point, his perspective changed because, he begins to become a little more like Stanley. An example of this is when he finds out and comes to meet Blanche and tells her
When she was young, "sixteen, I made the discovery - love. All at once and
It is Williams's brilliant and intriguing characters that make the reader truly understand the play's meaning. He also presents a continuous flow of raw, realistic moods and events in the play which keeps the reader fascinated in the realistic fantasy Williams has created in A Streetcar Named Desire. The
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's
She had many ways to gussy up, Blanche always needed compliments and admiration to get throughout the day. Stella exclaims “and admire her dress and tell her she’s looking wonderful. That’s important with Blanche” (Williams 33). In the dimness preferred “she smells sweet and appears on the outside” (Clough n.p.). Blanche owned pieces of clothing that seem to be expensive but really were just cheap pieces of clothing. Not so promising to Stanley, “look at these furs that she comes here to preen herself in! Whats this here? A solid gold dress, I believe! And this one! What is these here? Fox pieces! Genuine fox fur-pieces, a half a mile long” (Williams 35). Blanche also had what was assumed to be expensive jewelry collection but was just simple costume jewelry. “And diamonds! A crown for an impress!” (Williams 36). “She perceives herself as a beautiful object which has to be properly decorated in order to sell well” (Oklopcic n.p.). Even with a great outer appearance Blanche was still ugly on the inside and she knew this. She hated looking at herself in the mirror or being in front of Mitch without being properly dressed. Blanche portrayed herself as having manners, she expected men to stand at her appearance and grant her with
In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.
The characters of A Streetcar Named Desire and The Glass Menagerie are bound to their own hold on illusions as a means of coping. In A Streetcar Named Desire, the character of Blanche exemplifies the hold of illusion when she says, “I don 't want realism. I want magic!” Blanche exemplifies the idea of delusion as a means of coping. In The Glass Menagerie, the character Tom Wingfield sets the tone of the play with his opening monologue in which he says, “I give you truth in the
It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.
The way this theme contributes to Stanley destroying Blanches’ mental health is that his necessity for reality intrudes on Blanches’ desperate attempt at surviving illusions. Stanley is ‘simple, straightforward and honest’ (S2:pg.137*) and incapable of understanding Blanches’ delicate
Ways of knowing; the pentacle is the diagram and shape that I take and wear, it representation to me is, the top point is a spirit, the two sides are fire and air and the bottom is water and earth they represent freedom Mother Earth and a harmony. When I excess knowledge through either sounds, language shapes or print when is images of faraway times the sounds of the voices the printing of the letters the shapes of the bodies and then landscape
Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may
What does equality mean? For many centuries, America has had a difficult time answering that question. In the seventeenth and eighteenth centuries, African Americans were not equal: white Americans would call them their property, put them into iron shackles, and would mercilessly beat them. From the seventeen to the nineteen hundreds and a lot longer before then, women were forbidden to vote; instead, women were expected to act as homemakers or work long hours within small factories in filthy conditions. Yet today, the issues of equality have been challenged by affirmative action. Across the nation, the use of affirmative action in education has stirred significant controversy. Some people believe that instigating affirmative action in the