Streetcar Named Desire Monologue

Blanche needs Mitch as a stabilizing force in her life; if her relationship with him fails, she knows she faces a world that offers few prospects for a financially challenged, unmarried woman approaching middle age. She tacitly admits to Mitch that she needs him when she accepts his embrace, but her fears of acknowledging her past and current situation overpower her and prevent her from telling the full truth. She hides her past not only from Mitch, but also from herself because to acknowledge it is to also admit the unhealthy choices she has made. When Stanley tells Mitch about Blanche’s blemished past Mitch recognizes that Blanche’s deceptions have relied on a symbolic and literal darkness which obscures reality. When Mitch asks Blanche to be honest about herself she says, “I don’t want realism. I want Magic! I don’t tell truth, I tell what ought to be the truth” (145). In these lines Blanche clearly expresses her desire not to deal with reality; this inability to face her circumstances signifies that Blanche is not recovering from her mental stress, but rather descending further into it. Blanche becomes desperate and delusional and her descent into mental

It is clear that Blanche DuBois is willing to do what she believes is necessary to get what she wants. This often includes deceit. She feels that she needs to lie about herself in order to seem more appealing. Because Blanche is so afraid of aging, she keeps her age to herself. While she is dating Mitch, she often deceives him by never letting him see her in bright light in order to conceal her faded looks. When she comes to New Orleans, Blanche does not tell her sister that she was fired from her job; she says that she is merely taking a vacation from the job. She says this in order to keep up the fake persona she holds. Blanche is very open about her lies with her sister. “I know I fib a good deal. After all, a woman's charm is fifty per cent illusion, but when a thing is important I tell the truth.” (69) This shows that Blanche’s lifelong choice of avoiding harsh realities leads to her breakdown. With all of the lies and deceit Blanche tells, she is living an unreal existence.

She had invited Mitch to her birthday dinner, but Stanley had already told him all the bad things about her past. This is when she starts to slip. She tries to make conversation and tell jokes with Stanley, but obviously, he isn’t having it. The point where it is evident that she is really slipping is when Stanley says he has a gift for her. “Oh, have you [a gift for me], Stanley? I wasn’t expecting any, I—I wasn’t expecting any. I—I don’t know why Stella wants to observe my birthday! I’d much rather forget it—when you—reach twenty-seven! Well—age is a subject that you’d prefer to—ignore!” (Williams 135). Blanche is thirty years old. This goes back into the fantasy idea. She uses it as a coping mechanism. Finally, there is something going good in her life, and that is roughly

She even tells Mitch that she doesn’t tell the truth, she tells what ought to be truth. So Blanche is aware that she is lying and continues to do it, which end the end causes grief for her.

Blanche desired gentleness and kindness, but it was always out of her reach. She could not seek kindness from her family, so she sought it from strangers. “Whoever you

Blanche’s fear of becoming undesirable has caused her to create an illusion in an attempt to revive her youth. Throughout the entirety of the play, Blanche is constantly worried about her appearance and looks for compliments from others. When she is first introduced, “her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district”

She tries to hold on to him but is unable to keep him attracted. Blanche is lost, confused, conflicted, lashing out in sexual ways, and living in her out own fantasies. She has no concern for anyone’s well being, including her own. Thus, this is her utter most harmful demise. She has no realistic outlook for the future.

In spite of Blanche living in an imaginary world creating ‘temporary magic” and enjoying it, she is materialistic and pragmatic in her approach to Mitch – she considers her circumstances, and clearly realises that the only way to survive these, as she announces in Scene 5, is to be with Mitch in order to live in New Orleans and “not be anyone’s problem” essentially, to have a stable and respectful marriage.

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

However, as we get to know Blanches character and situation, we begin to feel much sorrier for her and even begin to pity the situation she is stuck in. Having lost the family’s luxurious plantation house in Belle Reve, although we do not know whether this reclamation of the house is solely down to Blanche or just generally a family-wide debt issue that has forced Blanche from her home so cannot blame anyone specifically for this, Blanche has essentially ended up wandering around the area, looking for somewhere to stay before she ends up, literally on her sister’s doorstep at a last minute request. Her manic and slightly frenetic behaviour when she does arrive suggest that she is desperately nervous or getting increasingly desperate for support and some friendship, someone to rely on. She is however, a woman who is quite dramatic and emotional, as she is not someone who understands empathy. This is apparent when she has just arrived at Stella’s and is talking to her sister about where she lives. Now most people, when arriving in someone’s house at the last minute to stay there for an unspecified amount of time, would never dream of doing or saying something to insult the host. Yet Blanche, when asking Stella how many rooms there are in the apartment says ‘What? Two rooms did you say?’ in a quite demeaning and slightly insulting tone and to follow this comment up she laughs sharply, in an almost

     Furthermore, Blanche claims to have an old friendship with a man who is now a millionaire, a certain Mr. Shep Huntleigh. She believes that if she needs help at any m point in time, especially monetary aid, “darling Shep” will be there to cable in some money. Shep Huntleigh represents Blanche’s idea of the perfect man, a rich, debonair, suave gentleman. She sees Stanley as everything but that perfect man, cruel to her sister and even crueler to herself. Blanche constantly claims she is going to go off and see Shep, and after Mitch reveals his knowledge of the truth about her, she claims she is going to spend a month or so abroad. “I received a telegram from an old admirer of mine,” she claims, “A cruise of the Caribbean on a yacht!” However, Stanley crushes her spirit almost immediately, tearing her fanciful dreams apart into ragged threads. “There isn’t a goddam thing but imagination!” he screams. It is Stanley who refuses to let Blanche live in a dream world.

She begins to ramble on more, have more delusions and lie about crazy things such as Shep Huntleigh inviting her on a cruise to the Caribbean. She begins to shower more often or “hydrotherapy” as she calls it, because it “is necessary for her probably to wash away the feeling of guilt as also the stains of her promiscuous life” (Kataria 96). As the play comes to an end, Blanche becomes more psychotic and no one is on her side. Blanche appears to swirl into oblivion towards the end of the play when a fiight with Stanley gets physical. “She finally realizes to her dismay that she has lost her reputation, a place to go to, and what is worse, her charm. This realization, painful as it is, coupled with the rape, sends her reeling into a world of shadows from which she was never really far away” (Kataria 182.)

While drinking heavily after Mitch’s refusal to marry her, her delusional madness worsens. With very little self esteem left Blanche begins to pretend that there are people

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe

Blanche's tragic flaw that cause her downfall or hamartia is her reliant on men, so much so that she makes choices and does things that are morally questionable. She manipulates and lies to potential suitors to make herself seem more attractive and younger-which in her mind is the only way a man will love her. She does this with Harold "Mitch" Mitchell and it seems to be working until Mitch is informed of all the lies he's been fed, at which point Mitch breaks up with Blanche and leaves her vulnerable for Stanley to