Stretched Earlobes Research Paper

In Native American witchcraft, amulets and charms play the central role. Practitioners of one region dress similarly as well as use same kind of totems to have a sense of unity with each other. For them land is considered as deity that provides them with objects necessary for witchcraft and magic. These objects come in many shapes and forms. These may include herbs, stones, feathers, bones etc (world of Wicca, 2014).

Many Mesoamerican Indian groups in Mexico used and continue to use masks in their culture today. One of these Mesoamerican Indian groups includes the Hñahñu Indian people, also known as the Otomí Indians. Due to a loss of the unwritten customs and traditions that failed to continue by word of mouth, many mask-making origins have been lost. Researchers make assumptions with the little information they have obtained from researching the Otomíes and other close indigenous groups. The Otomí Indians associate many rituals with masks. Religious ceremonies and carnival celebrations often include masks. Masks were also often combined with storytelling, music, and rhythm (Bell). The masking rituals contain many religious and cultural aspects. The Otomí have a highly diverse history filled with cultural traditions in which masks are used to represent symbols or spirits. Masking traditions display the needs, beliefs, values and desire of a culture.

Eleanor Roosevelt once said, “The future belongs to those who believe in the beauty of their dreams” (Eleanor Roosevelt). My dream is to help those in need to the best of my ability. After I graduate I hope to become a medical esthetician. A medical esthetician differs from the average esthetician you’d find in a salon. They’re usually working in hospitals or burn clinics, but it is not uncommon to find them working for a dermatologist or plastic surgeon. I hope to find work in Ocala, Florida in either a burn clinic or with a dermatologist. Throughout my whole life it has been my passion to help others and to live in Florida. Unfortunately, I do not have the stomach to become a nurse or doctor nor the money to move to Florida, hence why I’m still in Pennsylvania and currently working in a salon. Throughout my research I have discovered the need for this career, educational requirements, the salary and trajectory, and also the living comparison to help my dreams become a reality.

The Chippewa men wore headdresses made of stiff porcupine hair. These headdresses closely relate the Chippewa to the Mohawk and Mohicans. Women kept their hair long in length and braided it, with pieces of cloth and shells intermingled in them. Jewelry was something very important in the Chippewa culture. They wore copper bracelets and beaded necklaces. Also important in the Chippewa society were tribal tattoos and face paint. These distinct markings were used in times of war to differentiate between tribes.

In the book “Body Ritual Among the Nacirema” by Horace Miner, it describes the people of the Nacirema tribe; a North American group with a culture distinguished by their highly developed market economy as well as the immense amount of importance placed on the very specific ritual activity based around the human body’s appearance and impurities. Their customs and rituals are large part of who they are and when investigated closely this is very apparent as it gives more insight into who the Nacirema are as a whole.

The men would cut their earlobes and place stones in the holes of their ears making it possible for them to have earrings (“Cherokee”

Metalurgy first made an appearance in Europe during the Neolithic. (Levack et al 2009:16) Architecture improved and in many areas dwellings were made with sturdy supplies like stone and brick. Some villages, particularly in Southwest Asia, were surrounded by impressive stone walls for protection against enemies. (Leonard 1973:18)

Totem poles were used for different things in each tribe. For example, in the Lillooet tribe mortuary poles were used to mark grave sites (“Lillooet” American History). In the Haida totems were used as a way of indicating rank in lineage (“Haida” American History). For the Tlingit tribe mortuary poles are given as wedding gifts to be placed outside the home of the newlyweds (“Tlingit” American History). “Wood carving was probably the preeminent Bella Coola art. Masks, entry poles, house frontal poles (with entry through a gaping mouth), and carved posts were often painted and decorated with crest figures. They had no fully developed totem pole” (“Bella Coola” American History). “The Kwakiutl were artists. Even in utilitarian items, visual art was joined with rhetoric, mythology, and performance art to glorify the kin groups. Wooden objects, such as massive house posts, totem and commemorative poles (non aboriginal), masks, rattles, feast dishes, and other objects used for crest displays were carved and/or painted” (“Kwakiutl” American History).

Ojibway Indian men usually wore breechcloths and leggings. The women wore dresses and kept their hair in neat braids. Their shoes were called moccasins. They were made out of deer or moose hide. Customarily, they wore leather headbands with feathers in the back. The Ojibway Indians made pictures, belts, purses, and other objects out of beads. They loved to use wampum beads in their artwork. Wampum beads are purple and white beads made from shells. The Ojibway Indians make beadart by sewing the beads onto leather so they can be placed individually or sewn into strips. They make the strips by stitching the beads into a string. This is usually done by hand or sometimes with a bowloom. Beadart takes years to master and is very time consuming for the Ojibway Indians. The Ojibway also made dream catchers out of sticks and feathers. They believed that the dream catchers would protect them from bad dreams.

When the Europeans arrived in North America, they brought several new materials and items that the Native Americans were not accustomed to. Things such as beads and glass became common components of Native American artwork. Before the Europeans, the Natives relied on everyday perishable items like wood and fiber. They would also use hides from animals and quills as well. The later artworks of the Indians had a "daily life" theme to a degree. They would implement their art into things like baskets, clothing, headdresses and tools. The sky, underworld and earth all had great meaning to the Native Americans and all three were very evident in most of their works. Many of the headdresses could only be worn by proven warriors and they were

Native American beading has been accomplished for an unknown amount of time; but, beadwork is one of the most notorious art forms practiced by the Native American people. Native American people fashioned their own beads pending the appearance of Europeans. Since none of the Native Americans has metal tools, producing beads was a long, tedious, procedure. The tools the Native Americans did use, were made of stone or wood and adhesives such as sand. (Kansas

Native American religious rituals consist of ceremonial customs like dancing, singing, chanting, storytelling, and religious clothing. Warbonnets, porcupine roaches, and feather headbands are headdresses that some Native American tribes wore as part of their religion and culture. Only natives choose those who earn the right to wear them, as the headbands have a great spiritual and political importance. Religious figures wear sacred clothing during Ceremonies all the time, like when priest wear clerical collars. Religious imagery is sacred and protective.

Has it ever happened to you when you were browsing on a facebook page for a long time and suddenly when you look, your neck beginning to hurt. That means you have text neck.

Composed of limestone, alabaster, and gypsum by the Sumerians, the votive figures found buried near the altar of the temple in Tell Asmar are around 30 inches or smaller. Made to ward off evil and to communicate with the gods, their proportionally large eyes are inlayed with lapis lazuli or shells to simulate irises. Their hands are clasped in a stance similar to that of prayer as an offering to the gods.

Definition: Facial droop is also known as Facial paralysis. Facial paralysis is loss of facial movement because of nerve damage and therefore our facial muscles droop or become weak.