Cultural have push for female characters in mainstream films. Female leading roles have changed slowly in media. A strong female characters, with her own identity, agenda and courage’s attitude. From the old Disney movies, it showed the gender roles in media cultures. However, Disney recent produces princess that is independent, brave and heroic. It shows a strong female leads who stand along their male counterparts. This concept encourages the idea of equality between genders and built an acceptance of concept of definition. Frozen, Disney Princess movie shattered all previous gender role limitation. The story focused on two strong female leads, two sisters Princess Anna and Queen Elsa. The story focuses on Anna selflessly search for
Not only do Disney princesses result in bad self esteem, they also encourage passiveness and reliance on others. The feminine and vulnerable side of these princesses, reflect the reliance on their hero and true love. The Disney princess stereotype insinuates that girls should be sweet and submissive, and should fully rely on a male-counterpart. Conversely, new characters, such as Elsa (Frozen), Rapunzel (Tangled), and Merida (Brave), do not express this passive characteristic. At the same time, these princesses continue to need assistance to reach the desired solution. For instance, Princess Rapunzel still needed hero Flynn Rider, in order to navigate her to her parents throughout the movie. None of these princesses independently found a solution to the main conflict in any of these Disney films.
Just like what John Musker says, “We thought it would be very appealing to do a female empowerment story that didn’t center on any sort of romance” (Berman 2016). The hearts of their stories focused less on finding true love and more on journeys, selflessness, and self-discovery. The first thing to point is that nobody of these leads’ – except for naïve Anna – core story aims was to fall in love. Tiana (The Princess and the Frog 2009) driven hard to become an effective business holder, Rapunzel (Tangled 2010) desired to discover the outside world, Merida (Brave 2012) wished to evade being married off in the name of practice, and Anna and Elsa (Frozen 2013) were looking to save each other, reconstruct their relationship and keep their empire from being overhauled by an outside threat. This period in Disney cinematography also took the time to highpoint relations between women for the first time. Just like in Brave, the chief bond is revolving between daughter and mother. There are plenty Disney movies to have explored love, but this one stands out and is experienced by most teenagers – the altering scene of the mother–daughter bond. Similarly, Frozen mainly focuses on the sisterly bond between Anna and Elsa. Jennifer Lee states that “She wanted to create characters they both could relate to, and felt the bond between sisters would be more accessible to a young girl than the lure of romantic love” (The Columbian 2014). Again, Disney took steps to discover something foreign to its earlier movies. By representing firm women and the inner workings of their relations, the last few Disney animated films showed a more precise reflection of the world. Based on the past of Disney Princesses above, we are sighted stronger role models creating their way into children’s
The website is titled “Growing Up With Disney” and covers eight Disney movies produced in 1989 to 2016. Each movie gets its own webpage that focuses on the female lead character and each webpage includes a summary of the movie and a reflection of my thoughts on the character. The reflections focus on the formations of gender roles and how Disney has changed in the span of these eight movies. The audience targeted is those who share the same love for Disney movies and grew up watching them.
Heroes are found everywhere when Disney is involved. From a prince or princess to secretive toys to the smallest forms of life on earth, a hero can be found in anyone. Being attached to one or a few is entirely common. These certain characters may be the ones they look up to. Young girls often choose to look up to a princess, although, they are not what they were over 50 years ago. The very first Disney princess, Snow White, is purely a damsel in distress. The same goes for Aurora who appeared in Sleeping Beauty years later. As the years have gone on, that weaker vision of a princess has faded. The modern day princesses are anything but damsels needing to be saved by a man. Rapunzel chooses to give up her freedom in order to save Flynn Rider’s life. Tiana works hard to provide for herself so she can chase her dream. Merida rejects what everyone else thinks she should be and is true to herself. Elsa only needs the love from her sister. This list will only get bigger as Disney continues to create these young female heroines. If anything, Disney is preaching to young girls everywhere to be strong in a world that may play on their faults or weaknesses. During a time strong feminist movements, Disney manages to satisfy demands by allowing the girl to be the hero. Though Snow White and Sleeping Beauty are still timeless classics, the princesses of today set a better example for young girls everywhere and that is why they seem to be more attractive than the originals.
When you think of Disney, you think about how everyone lives their happy ever after fairytale. Most Americans grew up with Disney and have a strong connection with the brand. Yet, there is a lot more to a classic Disney film, then what the average American sees the first time viewing.
Over time people have started to talk about disney's underlying themes, and how they are ruining our kids at a young age. I Believe they do not. In fact I would like to think the opposite is true. But let's go and understand both sides. Disney has made numerous “princess” movie where they focus on a female character, facing a problem.
Even with all the things happening in history with women’s rights Disney took a step backwards. Part of the problem with these last 5 movies (The Little Mermaid, Aladdin, Beauty and the Beast, Pocahontas, and Mulan) are that they are mainly populated by men. Even the sidekicks are men. The only common thing of all the Disney Princess movies is that a princess is trying to get someone to marry her, but there are no women doing any other things. It wasn’t until 2008 when a new line of Disney Princess movies was released that the gender role that should have been the whole time took a turn for the better in women rights and equality.
Growing up, all I ever did was watch Disney movies and the Disney channel. Now as I’m older, I can’t help but realize that all the movies are exactly the same. The princess is stuck in a dilemma and then a perfect prince comes along and saves her and then they marry in the end. Other than a similar plot, all the movies have very similar character traits. England, Descartes, and Collier-Meek in Gender Role Portrayal and the Disney Princesses explain the characters, “traditionally masculine (e.g., athletic, brave) and traditionally feminine (e.g., helpful, nurturing) characteristics exhibited by the prince and princess characters through
For decades now, Disney Corporation has been providing us with countless films made to delight and amuse children and adults alike. But not all Disney films seem particularly appropriate for their target audience. Many of these films portray violence, gender inequality, and skewed views of leadership roles that seem altogether inappropriate for impressionable young children. Better and more contemporary heroines need to be added to Disney’s wall of princesses in order to counteract years of sexism.
Walt Disney Animation Studios is a large part in America’s entertainment industry. Reaching children and adults through their many platforms, Disney has been influencing people for over 90 years. These films have played a huge role in the society displays of gender roles. This is seen in the representation in their characters, more importantly females. Culture has been going through changes in the past couple of decades and Disney reflects the changes in society through its characters. Popular culture rises with each of Disney’s films and become well known with their recognizable roles. The Disney Princess line up has been a rising influence since 1937 with Snow White and the Seven Dwarves, and continues to present with the current release of Moana, the most revolutionary Disney Princess as of yet.
Like boys, girls also face issues regarding their physical representation in Disney films, there are also other feminist issues in the movies. Two Disney movies that are hailed for their progressiveness in feminism are Frozen and Brave. Disney Princesses often end
Walt Disney Productions prestige is to never disappoint and their latest movie Frozen, is no exception. The movie centers around the lives of two sisters, kind-hearted Anna and the frightened Snow Queen Elsa. Fearless Anna sets off on a journey to find her sister, who flees to an icy mountain after she accidentally traps the kingdom of Arendelle in an eternal winter with her ice powers. Disney’s 2013 animated film reeled in its target audience and more; the film intended to appeal to children’s of all ages surprisingly enough enticed a wider audience largely comprised of non-families. Disney’s reputation for promoting happiness and the well-being of American families led to the direct success of the movie Frozen. The film met its purpose, depicting a touching storyline – showing the importance of family and undermining the traditional concept of “true love.” Furthermore, Walt Disney Productions established sufficient credibility within its viewers and audience with the use of artistic proofs such as; ethos, logos, and pathos. Disney’s tradition is to provide the audience with an educational piece of entertainment, Frozen is undeniably one of those Disney animated films worth seeing. Walt Disney Productions strategic use of rhetoric made it evident that the movie was going to be an all-time hit – some may even say “the biggest children’s film of all time” – simply because it was just that, a Disney movie.
Many critics have analyzed the gender roles that Disney shows all throughout their movies. Princesses that are in
As a child, most children become infatuated with the newest Disney movie. Although Disney movies target children, watching them as an adult, we start to notice hidden messages and themes in our favorite childhood movies. A category of Disney packed with secret meanings is the Disney princess films. We watch in awe a young girl living, for the most part, the perfect fantasy life. She sings to animals, her hair is always perfectly in place, and there is always a prince to come and save her. In reality, there is much more to the princess persona than we realize. In 2014, Disney’s Frozen took the world by storm and became the highest grossing animated film ever. Frozen takes us on a magical journey with Princess Anna to find her sister, Princess Elsa, whose power to create ice has forever trapped their homeland, Arendelle, in eternal winter. Elsa is haunted by the memory of almost tragically killing her younger sister Anna because of her icy powers. Isolating herself from the world, Elsa dedicated her life to concealing her powers and learning to control them. The movie Frozen teaches the importance of social development among children.
Not many companies can influence the childhood development of many Americans like the Walt Disney Company. Disney, named after their founder, began as just an animation studio called The Walt Disney Studios, which the company describes as “the foundation on which The Walt Disney Company was built”. Today, Disney produces various items targeted at children like toys, clothing, and animation (“Company”). In the paper, Images of Animated Others: The Orientalization of Disney’s Cartoon Heroines From The Little Mermaid To The Hunchback of Notre Dame, Celeste Lacroix of the College of Charleston assesses the portrayal of female heroines from Disney animated films that depicts human main characters, examining the sexualization of non-European or the “exotic” others, and brings to light Disney’s strategy to instill an attitude of consumerism in children. Despite my memorable sentiment with Disney animations as a child, I agree with Lacroix’s assertion that Disney impose consumerism onto children, especially with DVD commercials, tie-in products and “apps” on smartphones and tablets.