Structure in Sophocles' Antigone Essays

Creon is a man who has just become the king of Thebes and has a flaw of having too much pride. He can’t control the power of being over other people and he lets the power go to his head. “ I now possess the throne and all its powers. No, he must be left unburied, his corpse carrion for the birds and dogs

Antigone has been acclaimed as a model that challenges authority and insists on just acts. However, according to Aristotle, a tragedy requires a man’s harmartia, which means error. Therefore, as a main character of a great tragedy, Antigone must possess flaws.

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Biographical information about the author: Born at Colonus, son of Sophilus. Sophocles was a playwright and served as a priest. He had a son with Nicartrata, who was also a playwright. And he also had a son with Theoris. Wrote 123plays but only 7 survived: Ajar, Antigone, Trachinian women, Oedipus Tyrannoss, Electras, Philocetes, and Oedipus at Colonus. Also increased the number of chorus from 12 to 15. Powerful imaged occur in Ajar’s sword, Philocetes bow, and Electras urn. Actions in his play unfold in a more natural way and avoid the expository prologues of his contemporary. The modern concept of tragic drama begins with Sophocles.

In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of

I die tonight. It has been so determined by those who think I deserve it. God only knows I feel myself entirely innocent of the charge. I have only sought to educate the negro. I little thought when leaving you that we should thus part forever so distant from each other. But God's will be done. He will be to you a husband better than I have been, and a father to our six little ones. . . .

To die, to sleep-- / No more—and by a sleep to say we end / The heartache, and the thousand natural shocks / That flesh is heir to! ‘Tis a consummation / Devoutly to be wished. To die, to sleep-- / To sleep—perchance to dream. (III. i. 60-65)

Daniel Nierenberg Comparative Essay 11-20-01 "Oedipus Rex" & "Antigone" It is only natural that an author use similar vessels of literature, such as figurative language, literary devices, and elements in his/her work. It is even more apparent between works that are connected by character, time, and theme. Sophocles did this when he wrote "Oedipus Rex" and "Antigone". When comparing the two pieces, it becomes evident that very similar vessels connected these very different plays.

Before advancing to the throne, Oedipus had unknowingly killed Laius, his father and the king of Thebes. Shortly after killing the king, he married the dead king’s wife, his mother. He had committed incest by marrying and having children with his own mother. As a result he became father of Polyneices, Eteocles, Antigone, and Ismene. Oedipus stabs his eyes out and his sons, Polyneices and Eteocles killed themselves in combat, over the power of the throne. Creon was in the process of reconstructing Thebes from the ruins that his own family created. He also had to make a name for himself, after all the chaos the past rulers had made. If Creon did not set an example for civilians they would simply rebel. Creon was to stand firm by his word because no one is above the law, no matter who committed the act. In other words Creon was not a villain; he was the antagonist of Antigone. Imagine how biased Creon would appear to the Theban population if he did not pursue the punishment that he himself had instituted. In agreement to his law, Creon’s intentions were just. There’s no doubt about it, Creon’s law was harsh but when truly analyzing the situation, Polyneices was a traitor because he allied with other cities and attacked his homeland. Creon’s strong and steadfast attitudes were to support Thebes. But unfortunately, he was a little too late to understand that his fierce dedication to his decree was an error on his part.

Creon's actions are guided by the ideal that states "man is the measure of all things." The chorus emphasizes this point during the play by stating that "There is nothing beyond (man's) power" (Sophocles page #). Creon believes that the good of man comes before the gods. Setting the example using Polynices' body left unburied is a symbol of Creon's belief. "No man who is his country's enemy shall call himself my friend" (Sophocles page #). 

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins

When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that Creon is indeed the tragic hero of the play Antigone.