Stuart Thomson Analysis

Grinning, he spread her legs wider and shifted his body up. The tip of his cock brushed her slit as he moved, bringing forth a groan, before he slipped back down, an ice-cube held between his lips. He met her gaze, then let it fall from his mouth, slightly melted, onto her torso. "That's a good girl, beg for me." He hold of her wrists, lifted his arms above her head and kissed her lips. "Should I let you come, Elena?" Brett arched a brow, then dipped his head and kissed her neck, issuing bites, licks and nipples to her flesh, and slowly began to make his way

There are various factors that may have occurred throughout Williams’s life that could thoroughly account for his sexually deviant behaviour. The feeling of male dominance such as his father or a military superior could have led Russell to express his infuriation and dominance on the opposite sex. Consequently, his inadmissible behaviour initiates friction between genders; this represents a feminist theory of female maltreatment. During childhood, Russell Williams may have come across neglect from a female care-giver, which may have had an influence on his bizarre and sexually violent

“Whoa!” In the corner or her eye, she could see that the boy had tensed up along with throwing his hands out defensively,” No! Not even-”

For an erotic dancer appears naked amongst the men, peering through “an abstract mask, the eyes hollow,” allowing her to smile at the class and also be in distress behind it. The men who control the money, control her, which degrades the symbolic image of a woman because men both desire her body, yet desire to “spit upon her” as a result of her being an erotic dancer. Both white and black men can’t touch her innocence, but white men still have the opportunity to achieve her through social norms. Black men and minorities are only left to gaze, but not touch her, for “some threatened us if we looked, and others if we did not,” making minorities live in a paradox. This paradox of social views essentially leaves minorities “stripped” down like the woman in the Battle Royale. Yet throughout it all, the “nakedness” of the women shows an American flag tattooed on her stomach to remark at the social irony of the era. For it is apparent she believes in the true freedom of America, yet her, a white woman, and the minorities are being controlled by white men for pure enjoyment and to continue to “strip” away their

His tongue pushes so deep in her that she cries out. Her hand comes down and she puts them back into his curls. Jada grips him tight. She knows that she is on the verge and goes round and round against his mouth. She whispers his name. He says, “Mmmm…hmmm.”

For decades women have been belittled by men. However, history shows that men ain’t sh*t. . Who stripped women of their rights? Men. Who degraded women for centuries? Men. Who did not want women’s rights? Women. Who continue to objectify women based on how many people they are involved with? Women. The objectification of woman has been proven to not be one sided but come from women themselves also. Kurt Vonnegut's short story of “Miss. Temptation” displays the life of a ravishing young woman named Susanna. Men desire her; Woman despise her. She is portrayed as a loose promiscuous woman. Despite the fact that these individuals know nothing of her personal life. Showing how easy people

Tom slammed the door behind him, and walked to his vehicle, which had been parked askew in the driveway in his earlier haste to get inside to Lila. It was only when he entered, and the sound of the ignition broke the silence, and the headlights, the darkness, that he paused to think of what had occurred. Regardless of the surprise gift that had arrived at his office, and the note that had accompanied it, Tom instinctively knew that the acts he’d perpetrated inside weren’t what Lila had wanted. How could any women wish to be struck about the face, called a slut and a whore, and be humiliated and degraded by the man she loved. Possibly in a roleplay, but that hadn’t been roleplay, or what Lila had wanted, but what Tom had. And the, recognition, of the stranger who’d invaded his mind, and raped his wife brought a nausea to the pit of his stomach, and as Tom reversed the car, with his gaze fixated on the living room windows, he wound

"Look at you, you weak bitch. On your knees, where you fucking, belong." He laughed, a cold, merciless sound that matched the expression on his face as he slapped her, almost tauntingly with his meat again, the sound of flesh slapping against flesh loud in the night air, and then forced her head back, and her body to arch with the impetus with which he jerked on her hair. His feet moved forward and he planted them either side of her shoulders. "That's right, you're going to do anything I want." She'd had more than ample opportunity to utter the safe-word he told himself, as the whip arced again, this time cracking six inches above her thigh, before the leather tails struck skin and curled around her thigh, and simultaneously the string of the corset was ripped, rather than pulled open, and Lila Ross's tits feel free. A large rough hand quickly grasped one in it's palm, and Tom stepped forward, swinging the whip again as he squeezed, and stepped forward; his raging and throbbing manhood at the woman's eyes level. "You don't want me to hurt you, then open your fucking mouth and beg for me to screw it, like your husband wouldn't

Within the novel lie a plethora of sexual remarks and comments made by male characters towards women. Each of these comments add up to promote the idea that women are symbols of sex and that the society these people are living in is extremely phallocentric. Within the novel lie a plethora of sexual remarks and comments made by male characters towards women. Each of these comments add up to promote the idea that women are symbols of sex and that the society these people are living in is extremely phallocentric. The reader first witnesses these remarks when, while at the Games Building getting registered, Richards has a conversation with a young attractive women where he states bluntly, “Nice tits,” and then later, “He leaned forward and swatted her lightly on the rump,”(King 29).

Sofia was at the desk, and as his mouth dropped open at the sight of her shirt coming off, and girl sinking to her knees with paddle in mouth, he gasped and his eyes rolled back in his head. The only problem was that he'd forgotten about her bra, and ordered her to remove just the shirt. As his gaze unashamedly moved to her cleavage, and Stuart licked his lips, and squirmed in the seat, he considered ordering her to she remove the bra as well, but decided against it. That'd make it appear as if he were a novice, and he didn't want to make a fool of himself in front of her their very first night together. Instead, in a croaky voice that emanated from a parched throat, Stuart Thomson forced another compliment, "Nice tits, bitch," and watched her crawl across the floor toward him with ever widening eyes and shortening breath. A woman was actually on her knees, and crawling. For him? This was so fucking

“That’s a good boy…” Guren mumbled, wanting to reward Shinya’s quietness as he pulled the lid off the black shoe box; his eyes instinctively followed the curve of the plastic pink dildo, only moving away from the sex toy to look at the bright pink faux fur handcuffs that rested near the toy.

This construction reinforces control over young women’s sexual expression. Faus highlights how it forces women to partake in this patriarchal culture where women’s bodies are under control

Even though this might be true in today’s society it generalizes for those women who still put their values first, respect themselves and set their standards high. This documentary was mostly heartbreaking because of the reality it represents. Women are indeed the primary victims to this new age of sexuality, but it trickles down across the masses to both men and women. How in order to be a real man, men must objectify women into pleasure with little to no value beyond this given purpose. In order to be a recognized woman she must fill the status of being physically fit, beautiful, and

MacKinnon argues that pornography defines male treatment of women, and is the clearest demonstration of male dominance. Her perspective is radical, but valuable because it forces one to reexamine his or her view of pornography. She says that, “male power makes authoritative a way of seeing and treating women that when a man looks at a pornographic picture... the viewing is an act of male supremacy” (130). This form of expression dictates the way in which men view women as a class. The uneven distribution of power in this system makes pornography a form of discrimination. “Pornography causes attitudes and behaviors of violence and discrimination that define the treatment and status of half the population” (147). Not only women are subject to this form of oppression. “Pornography is the

Viewing this from a feminist lens, one could also proposition that perhaps, hand in hand with the humiliation, there is a pleasure that males receive to see women in dominant, more empowering roles. It perhaps could be seen as a metaphor for encouraging female sexual empowerment.