Studying a Clip from the Movie, The Bounty Hunter

The designers’ availability allows the play to provide admirable performance. Whatever differed in their jobs, their performance in these design worthy to admire. Also, The director was the one how encourages them to determine the precise time in the

A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line

Firstly the directors and their team use a variety of different camera techniques to shape our view on the characters, and ultimately

Sound editors create the entire sound plan for a movie. Foley artists, the crews who do fun stuff like slap lettuce and crush ice to simulate fight noises, take direction from him. And the sound mixers, or "re-recorders," take his final plan and mix it into the film. His job is critical. "Just try to imagine any of your favorite movies without

Designing a film is something not everyone can do. It takes a lot of patience and attention to detail to ensure the creators of films make the best possible scenes with zero to minimal mistakes. Every scene needs to be spot on with elements such as setting, lighting, costuming, and temporal elements. When watching a movie for the first time, people don’t normally pay much attention to the small details but when a film is a considered a favorite, people tend to spot small mistakes within films. Let’s take a look on how these artists focuses on making films a detailed and enjoyable.

As the cast assembles for the first read-through the script, the producer listens to the dialog and makes decisions to remove or change parts of the script. He or she also has the authority to decide wardrobes and set props that will create a certain perception on the show. The same dialog for a scene can be filmed on a bus station set or a living room set to create very different perceptions of either public humility or a personal family moment. After filming, the show moves in to post-production.

The job of the director is to produce a film that captures the audience’s attention by

The beginnings of the art director job entailed the fairly obvious step for filmmakers just starting up: networking. Through family members and mutual friends, I was able to get in touch with one of the producers of the film who spoke with me about what experiences I’d had with film already, the available job, and the duties along with it. From there, I spoke with the director, read the script, and researched the film, respective genres, and previous works by Archetype Pictures to understand the spirit and behind the scenes of the film. This way I was able to get a good idea of what I would

Cinematographers and art directors play a very important and creative role in film production. They work closely with the director and give a film its unique visual look and identity. The art director, David Lazan and cinematographer, Mauro Fiore, shot the film almost entirely in sequence, following the clock from the crack of dawn to a very dark night of reckoning. Compressing intense action and emotion into a brief time frame became one of their key challenges. They had to make sure the film felt like it was one single day unfolding which became the single biggest challenge during the production.

The production is co-directed by Casey Nicholaw and Parker. Nicholaw also did the choreography for the production. The following designers were involved with the production: Scott Pask (Set Design), Anna Roth (Costume Design), Brian MacDevitt (Lighting Design) and Brian Ronan (Sound Design). Stephen Oremus was the musical director and vocal arranger for the production. He co-created the orchestrations with Larry Hochman.

I am a film student at California State University Long Beach. I am working on an essay that is due in three weeks about the production design in The Fault In Our Stars and I was wondering if Molly Hughes can answer some of my questions.

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful

The production designer, who is also sometimes called the art director, is responsible for maintaining the sets, props and the costumes so that they are in sync with the story and the character’s role (Goodykontz & Jacobs, 2011). Production designers are head of the department on film crews and they are responsible for the art department. Basically, they may be asked to look at scripts to decide how much time the art department needs to spend on films. They also calculate the budgets to figure out how much money will be spent as well. Furthermore, they will provide their design sketches expressing detailing mood, lighting, composition and color to the art directors who oversees the production (Anonymous, 2012).

Directors are in charge of all artistic aspects of a production, and there are several ways, of course, to carry out this task. The director can be a faithful interpreter, a translator, a re-shaper, or an originator. After attending this production, it appears that Ms. Smithner is the originator or perhaps allowed the actors to write the script because this does not appear to be a traditionally written script. For the most part, the dialogue did not seem rehearsed and many of the

Specialty designers work with other designers to coordinate special lines of clothing, such as sweaters. They often arrange for styles to be made in foreign countries. Theatrical costume designers create costumes for movies or theatrical productions, usually on a contact basis.