Life is a roller-coaster. It has its up and its downs, its twists and its turns, and can go from exciting to overwhelming very quickly. Though this metaphor is cliché, it truly encapsulates the many different periods that individuals go through during the course of their life. For many, life has a lot of “ups”, periods of happiness and success that ultimately satiate the human desire for fulfilment. However, there are plenty of “downs” too, such as struggling to find a job, losing a loved one, or even battling with depression. These events are often repressed and obscured from the view, because many would rather struggle with their problems on their own than inconvenience others or show weakness. But even some of the happiest, successful people struggle with their own demons. The contrast of expression versus feeling is explored in Aaron Posner’s Stupid F—king Bird. Director Maureen Ryan masterfully captured this essence in her own production of the show, which I saw on March 5, 2016 at the Drake Performance Center. The story centers upon a young playwright, Con, and his hodgepodge of friends and family that each struggle with their own personal …show more content…
The thrust stage within the black box theatre helped to invite the audience to take part in the show and created and intimate setting for both the actors and the audience. The heavy contrast between Dr. Sorn and the other characters, and even the characters themselves provided insight into their own lives, as well as the lives of the audience members. The realistic portrayals of the characters and the facets of their personality made the performance relatable, and thus helped to foster the intensity and passion of the show. This culmination of stylistic decisions and the immersive atmosphere created a powerful show that truly forces audiences to reflect upon their own
Stage directions are also used to reveal the humour and action on the stage during the entire performance. At the end of act one, scene two, the audience is and the rest of the patients are told by Doug that there is a fire in the bathroom, where Doug himself, had just exited. Stage directions are used to capture the madness as the characters run off of the stage trying to stop the fire, and as Cherry attacks Doug, and starts to strangle him.
After carefully reading both articles, I have to say that I agree more with Caroline Bird. Throughout her article Bird made exceedingly valid points as to why going to college isn’t always beneficial and I can relate to her points and opinions. I believe college isn’t for everyone and it surely it’s not always the key towards a happy and successful future, at least that’s how I see it. College is like one of those toy machines you spy at your local supermarket. It lures you in with all the cool prizes and colorful designs, but it’s only goal is to take your money and in the end you weren’t lucky enough to win that cool prize no matter how much money you keep putting in. That’s the same way college works, they only want your money and they could
“Life's but a walking shadow, a poor player, that struts and frets his hour upon the stage and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.” – William Shakespeare
This is a must watch Broadway show that makes your fine, terrible, or even boring day, an absolute blast. The Play That Goes Wrong has finally made its way to America and right at the heart of New York City near Times Square at the Lyceum Theatre. Therefore, the experience is a win-win situation for the audience. The Lyceum Theatre’s architecture is astonishing as it is filled with ornaments, I also realized the letter ‘L’ around the theater, but the most interesting fact is that it is a landmark. It has a proscenium stage while the audience is in the orchestra, balcony, or the mezzanine seats, like where I sat, and there is barely any space if you are a tall person. My seat was near the far end of mezzanine, I couldn’t see a part of the left side of the stage, so I found myself bending sideways to see what was going on, but I saw nothing. I found the side stage lights and a side balcony blocking my view and yet I had a great time.
Our Life is a matter of choices. Live well and have faith and it will never go wrong. Our lives can be full of crazy ups and downs that shape our views on how life should be lived. With a similar ideology, author Flannery O’Connor’s depicts her own life struggles using different aspects and details throughout her novels and short stories. O’Connor lived by the basis that life must go on no matter the hardships. In her novels she represented various characters who made wrong choices and due to those choices suffered extreme negative consequences. Despite her struggles, O’Connor made the choice to continue on in her life yet many of her novels contradicted that same idea by having characters in her novels and short stories suffer consequences for making the wrong choices. Because the
In the play “Playing with Fire” written by Kirstie McLellan Day, Theo Fleury, the main character, keeps pushing through his life difficulties with tenacious perseverance. The play showcases the hockey player’s unbeatable determination by presenting an impactful contrast between trauma and glory. In fact, even while young Theo Fleury was dreaming about his hockey career, he was living the nightmare of being raped by his hockey scout. The fact that he always remained focused on the ice, scoring multiple points in the matches he played, confirmed that he was not going to let this tragic event affect his performances. His long-lasting determination is also proven by his battle against depression. While Fleury was imprisoned in such darkness, he
The performance hall was designed in a thrust manner, which from a frontal view of the stage, I sat on the left hand side. This designed allowed for an unorthodox relationship between the actor and the audience. The actors would commonly come off the stage and run around the hall, lacing the rows. While running around, they would sometimes sing to one individual or extend their hand for
The first thing my eyes were drawn to was the show poster because of it’s scientific look. It led me to believe that the play’s focus was on science and theories. The designs used also led me to believe that you needed to know about science to watch the play and the title on the poster seemed to me like it was handwritten which made me think that this play was going to be a play that had elements of a lecture and that one of the characters would be a teacher. Going into the house and sitting down the thing that stood out to me was the set. It looked very spacy and galactic which gave me a feeling of excitement and curiosity. I believe that the set played a huge role as far
The space was a well-constructed thrust stage however, the stage was not raised off the ground and the seats appeared to be mobile which lead to the belief that this is an Environmental Theater. As for the layout of the stage, there was a couch and a table in center stage for the first two acts, a door to the unseen outside front of the house upstage right, there were two large double doors upstage center leading to the backyard garden, and a raised floor upstage left containing a piano, a bookcase and a door
Another very powerful version of the overall tone of hopelessness in Brooks plays is the feeling of hopelessness that stems from a mother’s worry
The Broadway musical Bye Bye Birdie premiered in 1960 and continues to enjoy popularity among various audiences. Written and composed by Lee Adams and Charles Strouse, the musical fictionalizes the real-life induction of rock-and-roll idol Elvis Presley through the character of Conrad Birdie into the United States Army. One important element of the musical’s plot is the excitement of a group of teenagers in a small Ohio town when they learn of the arrival of a rock star and the prospect of one lucky girl getting a final good-bye kiss. The version of Bye Bye Birdie that was reviewed for this analysis was an August 2017 stage production by Gulfport Little Theatre. Like the original production of the musical, the Gulfport Little Theater production stayed truthful to biographical details of Elvis’s life and all actors were highly professional in their representation of individual characters; however, unlike the original production, the set was reduced to an absolute minimum which was clearly noticeable to the audience.
As we dressed for the show, my thoughts were flooded with images and ideas. We descended the hotel stairs, hailed a taxi, and arrived at the theatre; while I remained in a pleasant daze. My first impression of the Nederlander met and exceeded all my expectations. I had envisioned an old theater, forgotten by the Broadway elite. As we walked to the door, we were able to see the wall signed by the cast and photos of the premier. The theater itself had a rundown feel to it and left you with the distinct impression that the magic was within the walls and on stage. As we entered the doors, I soaked in every thing. Our seats were located in the center, orchestra section, which gave us a perfect view of all the action.
In their own way, the plays Topdog/Underdog, August: Osage County, and Art all show the reader that some amount of possibly insane behavior is inevitable in a long-lasting relationship involving family members or close friends. Furthermore, these plays even suggest that these borderline crazy actions may be necessary in order to obtain desired outcomes within those relationships. All three of these plays look at the lives of people who have strong ties to one another, whether it be due to choice or a sense of obligation. Topdog/Underdog and August:
Betrayal and loneliness are two of the hardest emotions to encounter in life. Nevertheless, at some point everyone will experience and be forced to deal with them. This is made even harder when they are caused by someone you love and trust. In Meredith Hall’s “Killing Chickens”, she uses various literary devices such as metaphor, simile, and imagery as she processes her husband’s affair and describes having to kill chickens. Hall’s literary nonfiction is based on the happenings of a specific day that was truly hard to handle after being deceived by ones she loved:
Over time humans have developed different methods for coping with hardships. Humor was developed as a way to cope with stressful situations or sadness. Art provided a way for people to escape the harsh reality they lived in to one of their own creation. The Escapism Movement in America following the Great Depression shows how people will take to various forms of art to distract themselves from the harsh reality of their situation. In Anthony Marra’s A Constellation of Vital Phenomena, the characters find outlets from their war-torn country through the use of comedy and several artistic mediums. From Deshi and Maali’s use of humor to cope with the duress of the hospital to Khassan’s lifelong work on his novel, the character’s in this novel